PG-13 Rated Movies (MPA) (Page #105)

Academy Award-winning director Errol Morris (The Fog of War) offers a mesmerizing portrait of Donald Rumsfeld, one of the key architects of the Iraq War, and a larger-than-life character who provoked equal levels of fury and adulation from the American public. Rather than conducting a conventional interview, Morris has Rumsfeld perform and expound on his “snowflakes,” tens of thousands of memos (many never previously published) he composed as a congressman and as an advisor to four different presidents, twice as Secretary of Defense. These memos provide a window onto history—not history as it actually happened, but history as Rumsfeld wants us to see it. Morris makes plain that Rumsfeld’s “snowflakes”—whether intended to elucidate, rationalize, obfuscate, or control history—are contradicted by the facts.

Set in Shanghai in the late 1930s, it is the story of the relationship between a disillusioned former US diplomat and a refugee Russian countess reduced to a sordid life in the city's bars.

Todd Jackson (Ralph Feinnes), once an American diplomat filled with idealism, has become bitterly disillusioned by realpolitik and the seemingly unavoidable nature of war and conflict. Moreover, he is deeply bereaved by the deaths of his wife and children, who were victims of violent political events in 1930s China that also robbed Jackson of his sight.

Jackson is trying to retreat into a smaller, more controllable world by creating here, in one of the world's most licentious, glittering and sordid ports, the perfect bar. After countless hours spent critically examining dive after dive in the city's pleasure districts, Jackson has become a connoisseur of decadence. One day, after a chance meeting with Matsuda - a mysterious Japanese man who appears to share his refined eye for the beauty of low-life establishments - Jackson gambles his savings on a horse, wins, and sets about realizing his masterpiece: a bar that will achieve the exquisite balance of romance, tragedy, and political tension.

Matsuda is a decidedly shadowy figure, but that fails to worry Jackson, and they partner to create the perfect bar. When rumors circulate that Matsuda has come to Shanghai to oversee a Japanese invasion of the city, Jackson still willfully refuses to listen.

Sofia (Natasha Richardson) is a White Russian countess in her thirties who fled the Bolshevik Revolution as a child. Her immediate family have perished, and she now lives in a Shanghai slum with members of her late husband's aristocratic family and her ten-year-old daughter, Katya. The household's sole breadwinner, Sofia works as a taxi-dancer in dingy night spots, resorting to prostitution when times are hard. The rest of the household show their gratitude by endlessly ostracizing her for bringing disgrace to the family.

Jackson encounters Sofia one night working at her taxi-dance hall, decides she is the perfect blend of tragedy and sensuality and asks her to become the centerpiece of his perfect bar. Thus begins a relationship that will see Jackson - despite his best efforts - slowly coaxed out of his enclosed world. He gradually comes to concede that Sofia may be more than a beautiful picture, becomes drawn to the spirited young Katya, and ultimately, into the intrigues within the family to separate Sofia from her child.

The story ends as the Japanese invade Shanghai, with the entire world on the brink of World War II. Ironically, it is at this point that Jackson, in acknowledging his love for Sofia and her daughter, finds reawakened his own idealism for a world free from war.

Jason Statham returns in his signature role: ex-Special Forces operative Frank Martin, aka "The Transporter." Now retired in Miami, Martin makes a living driving for a wealthy family, including twin brothers with whom he has unexpectedly bonded. But when the boys are abducted, Martin must use all his skills to bring them to safety and discover the kidnapper's master plan.

Morgan Neville follows half a dozen diverse and gifted back up singers from throughout music history, each of whom has a story to tell of life in the shadows of superstardom (Bruce Springsteen, The Rolling Stones, Stevie Wonder, Sting, Joe Cocker, Bette Midler to name just a few). These talented artists represent a range of styles that come from all eras of popular music, but each singer belongs to the first family of American voice. Now is their turn for the spotlight.

The story involves Marion Cotillard having a "weekend to see colleagues and convince them to give up their bonus so she can keep her job."

Set in the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease (Hemophagia), giving them enhanced speed, incredible stamina and acute intelligence, and as they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war (a war between humans and hemophages) aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet (Jovovich), who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.

"Valentin" is a coming of age story told through the eyes of a precocious 10-year old boy who lives with his grandmother in turbulent 1969 Argentina. Estranged from his eccentric parents, young Valentin yearns for a real family and dreams about being an astronaut. He befriends a recluse neighbor, forms an unlikely friendship with one of his father's many ex-girlfriends and sets out to discover the harsh realities about his parents, all the while bringing joy and wisdom into the lives of the adults around him.

An original pop musical trilogy based around the real-life 1301 story that inspired Shakespeare’s Romeo and Juliet.

Best friends while they were growing up, Emma (Rachel Bilson) and Will (Tom Sturridge) lost touch a long time ago-as far as she knows. To Will, Emma never stopped being the most important person in his life. Believing them to be forever linked, he goes wherever she goes. Will doesn't have a home, a car, or a "real" job. He survives on his talent as a juggler and entertainer-talents honed through years of showing off for Emma. When her father gets sick, Emma returns to their hometown, trying to leave behind her complicated love life and failing career as a TV actress. As its characters face love, death and their own preconceptions, "Waiting for Forever" questions the realities of life.

In "Walking Tall", Dwayne "The Rock" Johnson plays Chris Vaughn, a retired soldier who returns to his hometown to make a new life for himself, only to discover his wealthy high school rival, Jay Hamilton (Neal McDonough), has closed the once-prosperous lumber mill and turned the town's resources towards his own criminal gains. The place Chris grew up is now overrun with crime, drugs, and violence. Enlisting the help of his old pal Ray Templeton (Johnny Knoxville), Chris gets elected sheriff and vows to shut down Hamilton's operations. His actions endanger his family and threaten his own life, but Chris refuses to back down until his hometown once again feels like home.

Cast your ballot for big laughs when Gene Hackman and Ray Romano find themselves in a hilariously heated race for mayor of Mooseport, Maine. A local plumber (Romano) is plunged into the national spotlight when he takes on the former President of the United States (Hackman), who can't believe he's running against the man installing his toilets! To make matters worse, the ex-prez is trying to steal the election—and the affection of the handyman's girlfriend (Maura Tierney). Whoever wins, one thing's for sure: this town isn't small enough for the both of them!

After witnessing a horrible incident, a graduate student (Laura Regan) struggles to find the link between her childhood fear of the dark and the night terrors she now suffers, and must confront what may or may not be real.

No plot details have been announced yet.

Successful architect Jonathan Rivers' peaceful existence is shattered by the unexplained disappearance and death of his wife, Anna. Jonathan is eventually contacted by a man, who claims to be receiving messages from Anna through EVP (Electronic Voice Phenomenon). At first skeptical, Jonathan then becomes convinced of the messages' validity, and is soon obsessed with trying to contact her on his own. His further explorations into EVP and the accompanying supernatural messages unwittingly open a door to another world, allowing something uninvited into his life.

Interweaving lecture, personal anecdotes, interviews, and shocking revelations, in WHO WE ARE — A Chronicle of Racism in America, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States, from slavery to the modern myth of a post-racial America.

A social misfit, Willard (Crispin Glover) is constantly humiliated in front of his co-workers and squeezed out of the family business by his boss (R. Lee Ermey). His only friends are Cathryn (Laura Elena Haring), a new temp in the office, and a couple of rats he raises at home, Ben and Socrates (and their increasing number of friends). But when one of the rats is killed at work, Willard unleashes his rage - and his army of rats - on his tormentors.

No plot details have been announced yet.

Five school friends seek adventure on Halloween night in an abandoned, haunted mine, only to find to their horror that the ghostly rumors may be true as they fight for survival.

Follows news correspondent Steve Hartman and photographer Lou Bopp on a seven-year journey. The filmmakers visit the homes of families who have lost a child to gun violence, photographing the children’s bedrooms as they were on their last day. These “sacred spaces frozen in time” serve as a powerful and emotional tribute to the forgotten children of America.

Through a chronological history of the liberation struggle in South Africa, the documentary cites examples of the way music was used in the fight for freedom. Songs united those being oppressed and gave those fighting a way to express their plight. The music consoled the incarcerated and created an effective underground form of communication inside the prisons.