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With Daniel Gimenez Cacho • Mariana Di Girolamo • Roberto Carnaghi • Luis Ortega • Úrsula Corberó • Nahuel Perez Biscayart • Osmar Núñez • Valentina Ávila
Once-renowned jockey Remo Manfredi (Nahuel Pérez Biscayart) has run out of track. Perpetually inebriated, hopped up on horse drugs, and in hock to a minor mafioso, Remo seems to have a death wish. His girlfriend and fellow jockey Abril (Úrsula Corberó) is pregnant, but more invested in the libidinous equestrian underworld than in their drab domestic existence. Remo’s only hope of getting out of debt and starting a new life is riding on Mishima, a thoroughbred specially imported from Japan for his next big race. When Mishima leaps over the fence, Remo winds up in the hospital with a life-threatening concussion. Hunted by the mob and replaced in Abril’s bed by the alluring Ana (Mariana Di Girolamo), Remo dons a disguise and finds himself as herself, wandering the streets of Buenos Aires in a striking mink coat and going by the name Dolores. A wild and surreal crime comedy from Luis Ortega (El Angel), Kill the Jockey explores the fluidity of identity, desire, and animal magnetism in a wholly original and unpredictable register.
With Breona Humphrey
Nothing But A Winner chronicles the rise of the greatest college football program in the history of the sport – the University of Alabama Crimson Tide. But behind the ruthless competition in the Southeastern Conference and Alabama’s staggering number of National Championships lies a deeper story: the making of men. At the heart of Alabama’s dynasty are two coaching giants –
Bear Bryant and Coach Nick Saban – who, in very different eras, built a culture defined not just by winning, but by relentless transformation. Bryant, coaching during the height of the Civil Rights Movement, led the charge to integrate the team in the deeply segregated South, setting a precedent that would ripple far beyond football. Decades later, Saban would inherit and evolve that culture, demanding total commitment from young athletes and entrusting his program’s future to its first Black freshman starting quarterback on the sport’s biggest stage. Told through the first-hand accounts of players who lived it, Nothing But A Winner reveals how Alabama’s program forged unrefined 18-year-olds into disciplined leaders, where overcoming obstacles off the field fuels greatness on it. Spanning generations, social upheavals and championship runs, one thing remains the same – at Alabama, if you buy in to this process, you’re destined to be nothing but a winner.
