Drama Movies 2015 List

With Mia Wasikowska • Paul Giamatti • Ezra Miller • Felipe Marino • Sophie Barthes • Joe Neurauter • Rose Barreneche • Henry Lloyd-Hughes

Set in Normandy, France, Madame Bovary is Gustave Flaubert's classic story of Emma Bovary (Mia Wasikowska), a young beauty who impulsively marries small-town doctor, Charles Bovary (Henry Lloyd-Hughes), to leave her father's pig farm far behind. But after being introduced to the glamorous world of high society, she soon becomes bored with her stodgy husband and mundane life, and seeks prestige and excitement outside the bonds of marriage.

With Jon Bernthal • Molly Shannon • Nick Offerman • Thomas Mann • Matt Bennett • Olivia Cooke • Dan Fogelman • Alfonso Gomez-Rejon • Jesse Andrews

Me and Earl and the Dying Girl is the story of Greg (Thomas Mann), a high school senior who is trying to blend in anonymously, avoiding deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl (RJ Cyler), with whom he makes short film parodies of classic movies, as more of a 'co-worker’ than a best friend. But when Greg’s mom (Connie Britton) insists he spend time with Rachel (Olivia Cooke) – a girl in his class who has just been diagnosed with cancer - he slowly discovers how worthwhile the true bonds of friendship can be.

With Elijah Wood • Shirley Henderson • Celyn Jones • Kelly Reilly • Steven Mackintosh • Andy Goddard

Based on true events, Elijah Wood stars as John Malcolm Brinnin, the New York academic who brought Dylan Thomas to America. Actor/co-writer Celyn Jones plays the volatile celebrity poet—tormented by anonymity, alcohol and the abyss—who scandalized the Manhattan literati of the Fifties and challenged Brinnin’s hero worship of his work. In the face of the Welsh poet’s wilder excesses in the Big Apple—angel, beast and madman—John has no choice but to hijack Dylan to a private retreat to get him ready for America. The days and nights that follow will change his life forever. Part literary biopic and—shot in cut-glass black-and-white—part love-letter to the American B-movies of the Forties and Fifties, Andy Goddard’s debut feature is both a character-driven chamber piece and a cautionary tale about the flytrap of meeting your heroes.