Foreign Movies (Page #2)

Set in 1938 Colonial India, against Mahatma Gandhi's rise to power, "Water" begins when 8-year-old Chuyia is widowed and sent to a home where Hindu widows must live in penitence. Chuyia's feisty presence deeply affects the lives of the other residents, including a young widow, who falls for a Gandhian idealist.

Young@Heart, a New England Senior Citizen Chorus, delights audiences worldwide with their covers of everyone form James Brown to Coldplay.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

After almost ten years of marriage, the stunningly attractive Zoë realizes that her marriage to Ignacio no longer carries the passion and spark it once had. Emotionally adrift, she is left to search for those sensations once again, and soon finds herself seduced into the arms of Gonzalo, her husband's brother. At first, Zoe becomes reinvigorated by the romance. But her decision soon launches a series of events that drives these three people through a gauntlet of revenge, secret and despair that will unravel them all.

One dark night, a former native of a rural Thai village, has his men steal the head of the town's Ong Bak (Buddha statue) to win favor with ruthless crime boss Khom Tuan. The locals regard the theft as a catastrophe, and seek a champion to retrieve their lost treasure. They find their man in Ting (Tony Jaa), an orphaned youngster raised at the local temple, and schooled by Pra Kru, a kindly monk, in an ancient system of Muay Thai: 'Nine Body Weapons'. Ting travels to the mean streets of Bangkok, where he's forced to compete in illegal street fights, taking on both local and foreign opponents to win the head of Ong Bak from the ruthless crime boss.

A young psychiatric intern unearths secrets about the mental health facility in which he works.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

A Miami reporter travels to a small Ecuadorian village to cover a series of brutal murders and get the biggest story of his career, tracking a possible serial killer dubbed the Monster of Babahoyo.

This is the story of how a washed-up 1980s pop star (Craig Ferguson) gets a chance at a new direction in his life when he discovers that he has a teenage daughter, Olivia (Charlotte Church), in Cardiff, Wales (her real-life hometown) as the result of a weekend affair he had back at the height of his fame, especially when she decides she wants to follow him with a musical career of her own, against the wishes of her mother (Jemma Redgrave).

The public life of Yves Saint Laurent was an extravagant spectacle, as a design prodigy and then the grand coutourier of a fashion empire, he influenced fifty years of style and was an icon to millions -- but few are familiar with the private life of the legend. In Pierre Thoretton's L'Amour Fou, Pierre Berge, the man with which YSL shared four decades of his life, reflects on the equally extravagant history of their personal relationship.

A young Frenchman moves into an apartment full of international students in Barcelona and discovers that mixing with students of many nationalities gives him a new perspective on life.

Seven years after the apparent death of Chen Zhen, a mysterious stranger arrives from overseas and befriends a local mafia boss. That man is a disguised Chen Zhen, who intends to infiltrate the mob when they form an alliance with the Japanese. Disguising himself as a caped fighter by night, Chen intends to take out everyone involved as well as get his hands on an assassination list prepared by the Japanese.

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.

This is a sex comedy about memory loss, as office worker Graham (Eduardo Noriega) has recently suffered a complete memory loss from a martial arts-related accident, which means that every time he has sex with Irene, one of the secretaries, he forgets about it an hour later, so every time is the first time...

Set in an unnamed country in a post-apocalyptic future, this is the story of a young female assassin, Yuki (Yumiko Shaku), who discovers that the leader of the band of outlaws she belongs to murdered her mother. Finding herself targeted for elimination after she confronts the group's leader about her mother's death, Yuki goes on the run from her former coworkers. Barely surviving an attack, she finds refuge with a young man who used to be a terrorist, with whom she gradually falls in love, but with trained killers getting closer and closer to finding her, can their love survive?

Arthur journeys with the Minimoy Princess Selenia and her brother Betameche in search of the forbidden city of Necropolis, home of the villainous wizard Maltazard. They must make their way past sticky spider webs and Maltazard's threatening henchmen.

A dysfunctional family is at the core of the story that unfolds as the matriarch, Magda, attempts to cope with the aftermath of a deadly accident. She dotes on her 20-year old son while her daughter and her husband live upstairs. Seven characters struggle to survive against odds that become more complicated than any of them could have contemplated. Greed, betrayal, homosexual politics, manipulation, blackmail, and a ferocious race to take ownership of a family owned plot of land, all combine to make this a modern day Greek tragedy, However, as in most tragedies of this nature, farce is never far behind.

A group of young geniuses are drawn together by a mysterious advertisement, then suspiciously abandoned on an island, where they scramble to sort out their collective fate.

In today's Beirut, an insult blown out of proportion finds Toni (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee in court.

It's the score of their lives--if they can pull it off. Five thieves at the top of their game, and the crew is assembling for their biggest job yet. Popie's the muscle and brains, Pepsee's the safecracker. Yenicall climbs walls, Zampano is the strategy man, and Chewingum is the master of disguise. But this new score--it's hot. Maybe too hot. But who can resist the Tear of The Sun: a 318-carat diamond, worth 20 million dollars, and locked away in a casino. The vault is impenetrable, the location covered in cops, and everyone knows there's no honor among thieves--especially not the crew Macao Park, Popie's old partner, has forced their team to work with. As they gear up and stroll into the casino with a plan, skills, and a whole lot of nerve, they quickly learn that avoiding the cops may not be their toughest problem. What's Macao Park's real motive? Who will betray them all? And who will walk away with the diamond?