DVD & Blu-rays Released July 21, 2015

A vicious serial killer is targeting top martial arts masters, and convicted criminal and kung fu master Hahou (Donnie Yen) is the only one with the skills to stop him. Released from jail and into police custody, they soon have their doubts about Hahou’s true allegiance after a series of mysterious events. Hunted by an unstoppable killer (Wang Baoqiang) and the entire police force, Hahou finds himself on his own, leading to a final battle.

Texas Ranger Samantha Payne (Luciana Duvall) reopens a 15-year-old Missing Persons case, uncovering clues linking a local boy’s death to wealthy family man, Scott Briggs (Robert Duvall).

The Texas Ranger will stop at nothing to discover the truth even if it means risking her own life. With the unexpected return of his estranged son Ben (James Franco), Briggs must find a way to either silence the law for good, or come to terms with the relationship between Ben and the boy that he tried to silence all those years ago.

It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.

Based on true events, Elijah Wood stars as John Malcolm Brinnin, the New York academic who brought Dylan Thomas to America. Actor/co-writer Celyn Jones plays the volatile celebrity poet—tormented by anonymity, alcohol and the abyss—who scandalized the Manhattan literati of the Fifties and challenged Brinnin’s hero worship of his work. In the face of the Welsh poet’s wilder excesses in the Big Apple—angel, beast and madman—John has no choice but to hijack Dylan to a private retreat to get him ready for America. The days and nights that follow will change his life forever. Part literary biopic and—shot in cut-glass black-and-white—part love-letter to the American B-movies of the Forties and Fifties, Andy Goddard’s debut feature is both a character-driven chamber piece and a cautionary tale about the flytrap of meeting your heroes.