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Vin Diesel stars as Agent Sean Vetter, a DEA operative fighting the drug wars along the US/Mexican border. After a major player from the Baja Cartel is imprisoned, a new mysterious figure known as Diablo wrests control over the entire operation. But when Vetter's wife is murdered in a botched hit, he and his partner (Larenz Tate) must join forces with the jailed Cartel boss to hunt down the dangerous and elusive new player.
The story of a struggling artist (Woody Allen) who has an affair with a much, much younger woman (Christina Ricci), which breaks the heart of her boyfriend (Jason Biggs), and raises the ire of her shotgun-wielding father (Dammu DeVito).
The plot is based on the true story of Harvey Pekar (Paul Giamatti), a Cleveland Hospital file clerk who writes comic books about his life and experiences in his free time.
With East Great Falls High now just a memory, the kids have grown into young adults ready to wreak havoc with a new rite of passage - Jim (Jason Biggs) and Michelle (Alyson Hannigan) are getting married! Stifler (Seann William Scott) plans to be there (bridesmaids!), and more importantly to throw the ultimate bachelor party (strippers!). Finch (Eddie Kaye Thomas) is all for the hedonistic rituals, but not for letting Stifler steal the maid of honor, who happens to be Michelle's sexy younger sister, Cadence (January Jones). While everybody else sweats and frets, Jim's Dad (Eugene Levy) is cool as ever, dispensing advice that no one wants to hear and getting ready for one of the best days of his life.
The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.
A ship sent to investigate an SOS distress call encounters an alien that begins to kill the crew members one by one.
Set in a small town somewhere in the south, this is the story of a young inexperienced man (Paul Schneider) who falls in love with the little sister (Zooey Deschanel) of his best friend.
John J. (Robert Duvall) is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela (Luciana Pedraza), a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango. Spellbound by the rich and mysterious world Manuela has shown him, his idyll is shattered when the reality of why he's there comes crashing down around him.