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Vin Diesel stars as Agent Sean Vetter, a DEA operative fighting the drug wars along the US/Mexican border. After a major player from the Baja Cartel is imprisoned, a new mysterious figure known as Diablo wrests control over the entire operation. But when Vetter's wife is murdered in a botched hit, he and his partner (Larenz Tate) must join forces with the jailed Cartel boss to hunt down the dangerous and elusive new player.
To his family and friends, Cody Banks (Frankie Muniz) is a typical teen - he loves to skateboard, hates math, and feels like a complete idiot around girls. But Cody's got a secret - he's actually part of a secret teen CIA program. Cody's living every boy's dream life - he can drive like a stuntman, has an incredible arsenal of cool gadgets, and his agency mentor, Ronica Miles (Angie Harmon), is totally hot. But Cody's training is put to the test when he's sent to pose as a prep school student and befriend fellow teen Natalie Connors (Hilary Duff) in order to gain access to her father, a scientist unknowingly developing a fleet of deadly nanobots for the evil organization ERIS. From runaway cars and high-speed snowboard chases to a spectacular final mountaintop showdown, Cody has to use everything he's learned to prove himself as an agent and stop ERIS-and maybe even get the girl.
The morning after his wild bachelor party, Paul wakes up and finds a beautiful, strange woman, named Becky, sleeping soundly in his bed. He soon discovers that Becky is his fiancee's cousin. Since Paul can't remember much about the night before, he naturally assumes the worst--that he's cheated on his adoring fiancee, Karen. And so, the guilt-ridden Paul spends the week before his wedding, scrambling to cover up his supposed infidelity.
Harry Mayfield (Baker Hall) was once an extremely successful Los Angeles architect. Today, he is an aging, charming but cantankerous idealist who teaches rather than practices architecture. Decades earlier, he had started work on a magnificent house for his family on a hillside site overlooking the city and the sea. A rich young couple, Kate and Richard Banks, see the charred remains of what was once his house, and decide they want Mayfield to come out of retirement and re-build the house for them. Mayfield, flattered by the attention and attracted by the challenge, agrees. Kate hires him to redesign the house and asks a young Hollywood friend, Gaby (Sangiacomo), to make a documentary record, a film of the building of the house. She learns that Mayfield's work made considerable impact on his colleagues and experts in the field, but for some reason he never achieved great public fame. The house was not finished, and the incidents surrounding its failure to be completed caused the tragic death of his young son, and possibly the end of his career. Mayfield works hard to make a new design. After getting it approved by Kate he starts construction with the contractor he has hired to rebuild the house.
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John J. (Robert Duvall) is a seasoned hit man sent on a job to Argentina. When the General he's sent to kill delays his return to the country, John passes the time with Manuela (Luciana Pedraza), a beautiful dancer who becomes his teacher and guide into Argentina's sensual world of the tango. Spellbound by the rich and mysterious world Manuela has shown him, his idyll is shattered when the reality of why he's there comes crashing down around him.
The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.
Formed in the 1960's, the Folksmen (Guest, McKean, Shearer) were a key group in the "Great Folk Music Scare", meeting as freshmen at Ohio Wesleyan College, and touring for 26 months as a folk trio, singing a unique type of "eclectified folk" music. It wasn't meant to last, however, and the three musicians went their separate ways. Now, thirty years later, they've reunited for a comeback tour of sorts, as long as the folk festivals they're playing at are within a day's travel of their homes, all of which leads up to a climactic memorial concert at Carnegie Hall following the death of a legendary folk music promoter, where they reunite with two other folk groups. In the tradition of This is Spinal Tap (an aging heavy metal band), Waiting for Guffman (a small town theater group), and Best in Show (the Westminster Dog Show), this is a mocking look at the world of folk music.
Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.
A mild-mannered businessman (Adam Sandler) is wrongly accused of a crime and sentenced to an anger management program, where he discovers that his instructor (Jack Nicholson) is a crazy psycho with his own serious anger management problem, and is probably the one man in the world most capable of making his new student blow his lid.
The story of a struggling artist (Woody Allen) who has an affair with a much, much younger woman (Christina Ricci), which breaks the heart of her boyfriend (Jason Biggs), and raises the ire of her shotgun-wielding father (Dammu DeVito).
A ship sent to investigate an SOS distress call encounters an alien that begins to kill the crew members one by one.
Set in a small town somewhere in the south, this is the story of a young inexperienced man (Paul Schneider) who falls in love with the little sister (Zooey Deschanel) of his best friend.
Through a chronological history of the liberation struggle in South Africa, the documentary cites examples of the way music was used in the fight for freedom. Songs united those being oppressed and gave those fighting a way to express their plight. The music consoled the incarcerated and created an effective underground form of communication inside the prisons.
Newly commissioned SS Lieutenant and respected civilian chemist, Kurt Gerstein, discovers that the Zyklon B pellets he has developed to disinfect soldiers' drinking water are being used to gas interred Jews by the thousands. Recruited to help streamline the death camp process by a team of SS officers, Gerstein secretly approaches the Swedish Consulate, the German Protestant community and finally Vatican representatives in the hopes of exposing this unspeakable crime. The only one who listens is Father Ricardo, a young Jesuit priest with deep family connections at the Vatican. Ricardo promises Gerstein he will alert the Pope to the Jewish genocide in hopes that the pontiff will reveal and denounce the Final Solution to the Christian world...
The plot is based on the true story of Harvey Pekar (Paul Giamatti), a Cleveland Hospital file clerk who writes comic books about his life and experiences in his free time.
With East Great Falls High now just a memory, the kids have grown into young adults ready to wreak havoc with a new rite of passage - Jim (Jason Biggs) and Michelle (Alyson Hannigan) are getting married! Stifler (Seann William Scott) plans to be there (bridesmaids!), and more importantly to throw the ultimate bachelor party (strippers!). Finch (Eddie Kaye Thomas) is all for the hedonistic rituals, but not for letting Stifler steal the maid of honor, who happens to be Michelle's sexy younger sister, Cadence (January Jones). While everybody else sweats and frets, Jim's Dad (Eugene Levy) is cool as ever, dispensing advice that no one wants to hear and getting ready for one of the best days of his life.
A thief on the run from a life of crime. A nightclub singer hoping to escape from the blues of heartache. Two lost souls who have become fugitives from the past... but now, fate is about to bring them together in the unfolding present. Half way around the world, in a mysterious and enchanted village, they will each seek a way to literally save their endangered lives, while discovering a love that will radically change them. Valentin (Jeremy Irons) is an English jewel thief and master of disguise who has managed to pull off heists from the greatest gem shops of Europe using only two weapons: humorous bluff and charming deceit. Jane Lester (Patricia Kaas) is a jazz chanteuse reeling from a bad love affair with a philandering trumpet player. Their fates collide when Valentin's yacht (which is named "Ladies and Gentlemen") crashes off the coast of Morocco.
This homage to the golden era of 1950s Technicolor musicals tells the story of a cabaret singer, Billie Golden (Isabel Rose), living with her mother in Queens who aspires to get out of the "airport circuit" (she sings at a dingy lounge at JFK Airport). Meanwhile, Billie is also trying to choose between two men who represent different paths her life could take next: a corporate attorney (Cameron Bancroft) she knew in high school, who could provide her with money and security; or her piano teacher (Andrew McCarthy) who doesn't have much money but understands her passion for music. In addition to the songs Billie performs on stage, there are also occasional musical numbers that represent Billie's daydream fantasies.