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Set in the world's holiest city during the dawn of the new century as fanatical Christians from across the globe arrive in hopes of provoking a confrontation between the many extremist Arabs and Jews, the plot of "The Holy Land" focuses on Menachem Weinbaum ("Mendy"),a young rabbinical student who is restless to learn about the bigger world. On the advice of his slightly demented teacher, Mendy visits a brothel in Tel Aviv so he can be rid of his 'madness' and return tohis studies. There he meets Sasha, a nineteen-year-old Russian prostitute, whose dire situation and immense beauty captivates him. But Mendy's world really opens up when he discovers Mike's Place, a real-life magnet for the lost souls who flock to Jerusalem. A place where Arabs, Christians and Jews drink side by side, Mike's Place introduces Mendy to a gun-toting American-born settler, a shady entrepreneurial Arab and a slew of American expatriates, forever changed by the sixties, who act out biblical roles. As Mendy becomes more immersed in this culture of the millennium he begins to wonder if Mike and his band of misfits are as harmless as they seem? Or are they intent on provoking Armageddon? A story of doomed, passionate love and coming of age in troubled times -- set in a world-famous place not unlike Rick's Cafe American or the Cantina in "Star Wars" -- "The Holy Land" explores the underbelly of real life in Jerusalem after the sun goes down and the tourists and Orthodox families go to sleep.
A man too small, a boy too tall, a girl with her mouth made over all meet by chance. An encounter that seems fated to have no story but, as fate would have it, it becomes the tormented chronicle of denied love. Peppino, the man too small, is a taxidermist. Valerio, the boy too tall, is a waiter. Deborah, the girl with her mouth made over, is one who continually changes jobs… all have different dreams, hidden needs, secret drives. They are three castaways trying to cling to the certainty of a love that can justify the common ills of living and make them normal. They are just as incapable of communicating the ideals of the others as they are incapable of accepting them, they will tragically become lost.
After accidentally causing the death of her mother (Mariella Valentini), a young lesbian, Lenni (Regina Orioli), runs away with her auto mechanic girlfriend, Stella (Maya Sansa), with the mom's body in the trunk of their car and a gang of crazies on their tail.
Follows various escapades going on inside a hotel: a film being shot, an entertainment news crew tracking the film's production, a mysterious surgical operation and a torture chamber in the hotel basement. All this is tied to a murder subplot.
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80% WILL SEE
20% WON'T SEE "Km. 0" is a exuberant sex farce that takes a frenzied peek into the lives of a group of 14 people whose lives all intersect one very hot summer day at "km. 0" – the very center of Madrid. The various plotlines – several of which involve gay men – all involve chance meetings, missed connections and mistaken identifies, but from the confusion comes unexpected erotic interludes, new friendships, hot and bothered sexual escapades and romantic couplings. It's gay, straight, young, old: there's the 21-year-old movie director hopeful who is fresh off the bus and is picked up by a prostitute instead of his sister's friend; Marga (Concha Valasco), an older woman who beds a male escort (Jesus Cabrero) only to discover that she may be related to him; a gay dance instructor whose personal encounter with a chat room guy offers sex and maybe even love; Sergio (Alberto San Juan), a virgin about to be married but befriended by a interested gay man; Silvia (Mercè Pons), an aspiring actress who will do anything to get a part in a big musical. Amidst the heat, dreams are realized, clothing shed and romance triumphs! A rollicking, fast-paced comedy about finding your right partner, even if it means trying on a few beforehand.
Facing her greatest challenges and dangers yet, Lara Croft (Angelina Jolie) shows off her physical prowess like never before. During this exciting installment of her adventures, the intrepid tomb raider jet skies, horseback rides, motorcycles and much more through such countries as Hong Kong, Kenya, Wales, Greece and Africa as she searches for an infamous site known as "The Cradle of Life."
A wry comedy unfolds when Lucía's (Cecilia Roth) husband mysteriously disappears leaving her to discover that her life is not what it seems. In the search for her husband, Lucía finds two new friends who help her on her quest: Adrián (Kuno Becker), a charismatic 25-year-old; and Félix (Carlos Alvarez-Novoa), a seasoned veteran. Together they discover the value of friendship and passion while Lucía reinvents her life, finding a world she had forgotten, her ability to smile and her freedom.
Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.
Bruno Le Roux (Elie Belvaux) breaks out of the prison in which he's served 15 years of a life sentence for his membership in an armed wing of a left-wing revolutionary movement, the Popular Army. Bruno is determined to continue the fight against capitalist society, and to avenge his fallen comrades-in-arms. But most of his former associates are dead or behind bars, and the others are either unwilling or untrustworthy. He seeks help from former radical Jeanne (Catherine Frot), but she's now a mother and schoolteacher. Another former contact is local crime boss Jaquillat (Patrick Descamps). Years earlier, Bruno and Jaquillat had been allies in a bank robbery, but now Jaquillat's drug dealing is seriously constrained by the massive police presence as the manhunt for Bruno continues. It's in Jaquillat's interests to finish off Bruno. An alliance between Jaquillat and local cop Pascal Manise (Gilbert Melki) makes things even more dangerous for Bruno. Whatever ideals Bruno might once have had have been distorted by imprisonment and suffering. Bruno is now willing to kill for the most casual reasons -- he's turned into a psychopath with nothing to lose. However, he finds an unexpected ally in Agnes (Dominique Blanc), Manise's junkie wife. Bruno helps her when she is attacked by a street dealer, and, without really knowing who he is, she finds him a place to stay, in the chalet owned by her friend, Cecile (Ornella Muti).
Nominated for two Cesar awards in 2002, including Best First Feature Film, "The Girl From Paris" tells the story of Sandrine, a young Parisienne who decides to leave the city and pursue her dream of becoming a farmer. Adrien is the older, taciturn farmer who agrees to sell Sandrine his land and herd of goats before retiring to Grenoble. Sandrine allows Adrien stay at the farm for eighteen months, then begins renovations in earnest. Sandrine succeeds where Adrien was sure she would fail; she earns a living in the spring and summer by opening up the farm to tourists and selling goat cheese over the Internet. But the arrival of winter brings a tide change and conflicting emotions: Sandrine faces the harsh isolation of the Rhone-Alps while forming a growing attachment to Adrien. Between their mutual curiosity and misunderstandings, Sandrine and Adrien are forced to live side by side when the only thing they share is their love for mountains and nature.
After his wife leaves him, a man (Jean-Pierre Bacri) hires an unqualified but lovely suburban girl to clean his Paris apartment. The two become close as they chat while she's working, but can the lonely older guy sweep her off her feet?