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In the explosive action-thriller "S.W.A.T." starring Samuel L. Jackson and Colin Farrell, and inspired by the '70s television series, Farrell portrays Jim Street, an L.A.P.D. officer whose recent demotion to a desk job leaves him desperate for a second chance to don the elite S.W.A.T. uniform. That break comes when team commander Hondo (Samuel L. Jackson) is assigned to recruit and train five top-notch officers for a new Special Weapons and Tactics unit (S.W.A.T.).
"11:14" tells the seemingly random yet vitally connected story of a set of incidents that all converge one evening at 11:14pm. It's a sort of musical chairs with a corpse, with the structurally intriguing storytelling style of Memento and Run Lola Run. The story starts at - 11:14pm - one evening with a young man named Jack who is driving down the freeway, on his way to a rendezvous with his girlfriend. His car hits a body at that moment. Thinking he killed him, Jack tries to hide the body. From there, we backtrack to follow the chain of events of five different characters and five different storylines that all converge and become party to Jack's hitting the body at 11:14pm.
A small cabin, hidden deep in the snow-covered hills of Northern Michigan is Hollywood animator Tom Kempton's only refuge after getting separated from his friends on a snowmobile trip. What started out as a relaxing getaway, becomes a waking nightmare when Tom finds himself at the hands of two psychotic sisters who plan to make him their next victim. A last minute rescue leaves both sisters presumably dead and Tom narrowly escaping with his life. Upon his return to Hollywood, however, Tom develops an unhealthy obsession with one of his captors that ultimately threatens the life and welfare of his family.
John Person (Jon Favreau), a struggling actor on the verge of eviction from his Hollywood studio apartment, goes against his better judgement -- and that of his pretty neighbor Grace (Joey Lauren Adams) -- and accepts an offer from his strange neighbor Neely (Bud Cort) to courier a blue suitcase up to the desert truck stop of Baker, California. His instructions are simple: deliver the suitcase to a trucker called Cowboy (Sean Bean) and collect $27 thousand. Oh yeah, and he has to defend the suitcase with his life. Naturally, nothing goes according to plan once John arrives. The Cowboy is nowhere to be found, John meets with some kooky alien-obsessed locals and Special Agent Banks (Kelsey Grammer) questions John about the mysterious decapitation of Neely and about other missing persons. When the final showdown approaches, John is faced with a choice that could change his life forever. Has the whole town gone mad? Or are the loony locals, who he dismissed as crazy, the only sane ones in this strange parallel universe called The Big Empty?
Harry Mayfield (Baker Hall) was once an extremely successful Los Angeles architect. Today, he is an aging, charming but cantankerous idealist who teaches rather than practices architecture. Decades earlier, he had started work on a magnificent house for his family on a hillside site overlooking the city and the sea. A rich young couple, Kate and Richard Banks, see the charred remains of what was once his house, and decide they want Mayfield to come out of retirement and re-build the house for them. Mayfield, flattered by the attention and attracted by the challenge, agrees. Kate hires him to redesign the house and asks a young Hollywood friend, Gaby (Sangiacomo), to make a documentary record, a film of the building of the house. She learns that Mayfield's work made considerable impact on his colleagues and experts in the field, but for some reason he never achieved great public fame. The house was not finished, and the incidents surrounding its failure to be completed caused the tragic death of his young son, and possibly the end of his career. Mayfield works hard to make a new design. After getting it approved by Kate he starts construction with the contractor he has hired to rebuild the house.
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Cassandra Reilly (Judy Davis) is an American translator who has moved permanently to Barcelona. She's quite broke, though, so when a glamorous stranger asks for her help, she can't afford to refuse. The hot femme-fatale Frankie Stevens (Marcia Gay Harden) is another American in Barcelona. Her husband has disappeared under mysterious circumstances, and she asks Cassandra to help her find him. As she offers a significant amount of money for the assistance, Cassandra simply can't refuse. Soon she finds herself caught up in a web of mistaken identities, double-crossing families and a devilish kidnapping plot.
When protest breaks out over Dr. S's new CD, the owner of the rapper's record label, Ben Feld, is hospitalized by a heart attack. But his pampered daughter Marci, who's never set foot in the business world, steps in, stands up to Dr. S and tries to tone down his bad-boy edge.
This documentary investigates the stories of the dozens of thousands of Jews who emigrated to Israel in 1948 from Iraq, making up 25% of the new nation's Hebrew population. Leaving an Iraq in the 1940s in which Jews lived in peace with Christian and Muslim neighbors, these emigres found themselves pitched into a new political environment in which they were not exactly welcomed, with Ben Gurion once saying of the Iraqi Jews, "We kicked out good Arabs and brought in bad Jews". Director Samir interviewed a quartet of elderly survivors from that time (who also happened to be Communists, which was another reason they were not welcomed), along with NYU film historian Ella Shohat, to make a film that combines their testimony with light-hearted fragments of the last 100 years of Jewish culture as documented in the movies, to demonstrate the sometimes thin, sometimes thick lines between Arabs, Jews, and those who have claim to both heritages (ie, the "Mizrahim", or Eastern Jews).
Facing her greatest challenges and dangers yet, Lara Croft (Angelina Jolie) shows off her physical prowess like never before. During this exciting installment of her adventures, the intrepid tomb raider jet skies, horseback rides, motorcycles and much more through such countries as Hong Kong, Kenya, Wales, Greece and Africa as she searches for an infamous site known as "The Cradle of Life."
At Dominquez High School in Compton, California, basketball is valued above all else. The end of the year is marked by a traditional cycle of proms, riots and graduation. And there hasn't been a play at the school in over twenty years. In an effort to make a change, English teacher Catherine Borek attempts to mount a theatrical production of Thornton Wilder's "Our Town,"the classic American play about the classic American town of Grover's Corners, New Hampshire. In the process she takes her fledgling students on a journey of self discovery. With no budget and no stage, Ms. Borek chooses "Our Town" for its universal and timeless themes of community, family, love and loss, life and death, with the hope that her students might see themselves reflected in the roles they play.
Set shortly after World War II in Berlin, this is the story of an American officer's (Harvey Keitel) prosecution of German conductor Wilhelm Furtwängler (Stellan Skarsgard) as part of the Allied Forces' de-Nazification trials. As the investigation progresses, the American, wanting to convict a man he sees as a Jew-killing Nazi is brought face-to-face into conflict with a man consumed entirely by his art, not politics.
The film follows the story of a respected upper middle class family whose high social stature is burst following a murder. Chabrol reexamines the individual family members' lives in the time period leading up to the crime unveiling their secrets and probing their character.
On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).
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Focuses on Filomena Capadscio, the matriarch of a family who is abruptly visited by tragedy. Filomena's husband and two sons are brutally murdered by the sons of Firmino Santos Guerra. Thirty years earlier, Filomena had been engaged to Santos Guerra but left him before their wedding to marry his rival Borges Capadscio. The result of this union filled Santos Guerra with rage and promise to someday exact revenge on the newly married couple. Filomena buries her husband and sons and begins to set plans to have revenge against the Santos Guerra family. She brings together her three daughters (Maria Francisca, Maria Rosa and Maria Pia) and sends them off into the backlands of Brazil to locate and hire three ruthless killers. Maria Francisca has to find the gunman known as Zi das Cobras, who has not spoken to a woman since the death of his mother. Maria Rosa looks for Chief Tensrio, a backwoods cop who is also a knife specialist, and convince him to break the laws he defends. Maria Pia goes off in search of Jesulino Cruz, also known as "The Devil's Horse," but there is a slight obstacle in her path: this killer is locked up in prison."
This documentary is an intimate portrayal of several months at a one-room elementary schoolhouse in a small village (Saint-Etienne Sur Usson) in rural France, where a single teacher, Georges Lopez, gives his small class of thirteen students, ages 3-10, the sort of attention that is dwindling in many other schools in France (and elsehwere), where crowded classrooms are the norm.
This documentary captures what happened in Rio de Janeiro, Brazil, on June 12th, 2000 when Bus 174 was highjacked by an armed young man, Sandro do Nascimento, with a dozen passengers. Nascimento threatened to kill all of the passengers, but eventuallly agreed to surrender, as TV cameras were rolling and an entire nation was glued to their screens watching the event take place. Then, a police officer decided to fire at Nascimento anyway, accidentally killing one of the female passengers instead. What followed was a revolt among the city's population, enraged at police brutality. The film intertwines the story of the standoff with biographical information about Sandro do Nascimento, including his childhood as a survivor of the "Candelaria" child mass murders in the early 1990s, and the trauma of seeing his mother stabbed to death in front of him.
After it is killed in a bullfight, a bull's body parts are transported across Europe, in Spain, France, Italy and Belgium, with this ensemble drama showing us the people who are the recipients of the remains in one way or another, like an Italian actress (Chiara Mastroianni) selling the bones in a supermarket promotion, a Spanish woman (Angela Molina) who dines on its steaks, a little girl (Raphaelle Molinier) in northern France who imagines a world where animals are much larger than humans, and a taxidermist (Jacques Gamblin) whose wife is simultaneously giving birth to quintuplets.
Im Kwon-taek's ninety-fifth film tells the story of renowned nineteenth-century painter Jang Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face of Korean art.
Normally, the mantis shrimp only grows to about a foot long or so, but in this movie, a seven-foot-long one shows up in England (by way of the Philippines). Pub owner and failed boxer Bill (Kevin McNally) buys the creature, seeing it as his chance to become rich and famous, training the ferocious crustacean to box. Hitting the road with his amateur boxer best friend, Steve (Perry Fitzpatrick), a trainee hairdresser (Louise Mardenborough) and the giant sea creature, Bill heads to London to convince a TV network to feature the crustacean on an 'American Gladiators'-style event hosted by Ulrika Jonsson.
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20% WON'T SEE In the small, rural town of Sandusky, Ohio, two goth kids are each other's best friends, sharing their experiences of being the town outsiders. Teenage photography enthusiast Clive (Kett Turton) is on his way towards coming fully out of the closet, and Gypsy (Sara Rue) is an overweight 25-year-old girl with a love of Stevie Nicks music and a low-pay job at the photo hut in the parking lot of the local mall. When the duo hears about a "Night of a Thousand Stevies" karaoke show in New York City, they decide to make a road trip of it as a way to escape the drudgery of small-town Ohio in the heady nightlife of NYC.