2013 Movies : Documentary

With John Lennon • Ryan White • Jessica Lawson • George Harrison • Freda Kelly

Freda Kelly was just a shy Liverpudlian teenager when she was asked to work for a local band hoping to make it big. Though she had no concept of how far they would go, Freda had faith in The Beatles from the beginning, and The Beatles had faith in her.

History notes that The Beatles were together for 10 years, but Freda worked for them for 11. Many people came in and out of the band's circle as they grew to international stardom, but Freda remained a staple because of her unfaltering loyalty and dedication. As the Beatles' devoted secretary and friend, Freda was there as history unfolded; she was witness to the evolution – advances and setbacks, breakthroughs and challenges – of the greatest band in history.

In Good Ol' Freda, Freda tells her stories for the first time in 50 years. One of few films with the support of the living Beatles and featuring original Beatles music, the film offers an insider perspective on the beloved band that changed the music industry.

With Edward Norton • Danny DeVito • John Cusack • Philip Seymour Hoffman • Shane Salerno • Deborah Randall • Gore Vidal • Buddy Squires

Documentary based on author J.D. Salinger.

With Danielle Gardner

Out of the Clear Blue Sky tells the riveting, behind-the-scenes story of Cantor Fitzgerald. It’s a story of disaster without precedent. What do you when everything – and almost everyone – is gone?

On September 10, 2001, financial firm Cantor Fitzgerald was headquartered on the top 5 floors of the World Trade Center. With offices soaring 100 stories above downtown Manhattan, the Wall Street powerhouse was unknown to the public until tragedy struck. On September 11, 2001, 658 of their employees were missing – presumed dead – in the nation’s worst terrorist attacks. Overnight, Cantor became world famous for the worst of all possible reasons. One of the few who survived was their notorious CEO Howard Lutnick, who had been taking his son to his first day of kindergarten when the planes hit. On September 13th, Lutnick’s emotionally raw, tear-filled interviews transfixed the nation. His distraught television appearances struck a deep personal chord with millions of traumatized Americans reeling and shell-shocked by the unprecedented attacks. But, within a week, in a move that was to become very controversial, Lutnick stopped the paychecks of his missing employees. It was an act that has been praised by some – as a necessary decision to save the company to help the widows of his fallen friends — but severely lambasted by more — as a self-serving, heartless betrayal by a man well known for his ruthlessness. Lutnick’s prior reputation as cut-throat – even by Wall Street standards – preceded him.

The media turned on him and Lutnick went from sympathetic face-of-the-tragedy to vilified pariah over night. Then he completely withdrew from the public eye. Though Cantor suffered almost twice the casualties of the FDNY, their story soon disappeared.

Directed by a September 11th family member, “Out of the Clear Blue” tells twin stories – not only the saga of the ravaged business and surviving employees, but also an insider’s take on the unusual community of families that formed in the aftermath. Cantor’s loss was not only the largest loss by a single entity, it also created the largest single group of mourners, over 6000 people bound by their horrific common experience. This was tragedy writ large. People too young to die, all knowing each other, lost on one day. There wasn’t one memorial to attend; there were 10 a day for over two months, forcing people to choose whose funeral to go to. It wasn’t one dead per family; it was doubles or even triple losses in a family. This wasn’t a private loss; this was as public as could be, with television images played and re-played endlessly and inescapably. A true stranger-than-fiction account, from the jittery and stunned first days — a time unlike any other in American memory — then unfolding over months and years, the film captures what it’s like being caught in the crosshairs of history.

With Tom Ford • Fabien Constant • Donatella Versace • Karl Lagerfeld

Film centers on former Vogue Paris editor-in-chief and French fashion stylist Carine Roitfeld, who left the magazine last year to create a new fashion magazine, “CR.” The documentary covers the first editorial meeting through to the extravagant launch party in New York.

With Chuck Close • Robert Barry • Megumi Sasaki • Paula Antebi • Lisa Bradley • Charles Clough

A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.

With Jamie Meltzer

A protrait of Brandon Darby, a radical activist turned FBI informant who has been alternately vilified and deified. In 2005, Darby became an overnight hero when he traveled to Katrina-devastated New Orleans and braved toxic floodwaters to rescue a friend stranded in the Ninth Ward. Soon after, he co-founded Common Ground, a successful grassroots relief organization. But over the next few years, he began hiding a shocking secret. After two young protestors were arrested at the 2008 Republican National Convention, Darby revealed he had been instrumental in the indictment as an FBI informant.

With Chris Marker • Pierre Lhomme

A restored version of Chris Marker and Pierre Lhomme's 1963 film Le Joli Mai. The film probes the mood in the streets of Paris in May of 1962. “The first springtime of peace” that followed the March ceasefire between France and Algeria after seven years of war.

With Josh Greenbaum • David Frankel • John Battsek • Allan Kournikova • Zamokuhle Nxasana

Follows the lives of eight of the best 7-year-old golfers in the world as they train for and compete in the World Championships of Junior Golf. The annual tournament held at golfing mecca Pinehurst, North Carolina, brings in 1500 young golfers from 54 different countries and determines who will be crowned golf’s next phenom. In its course, the eight stories entwine to form a fascinating and often funny portrait of a group of very young athletes and their families, in which the narrow-focused, peculiar and highly competitive junior golf subculture becomes both a window into contemporary global society and an inspiring reflection of the human condition.

With Vlad Yudin

Generation Iron examines the professional sport of bodybuilding today and gives the audience front row access to the lives of the top seven bodybuilders (from around the world, including New York, Los Angeles, Japan, and Germany) in the sport as they train to compete in the world's most premiere bodybuilding stage - Mr. Olympia.

With Martha Shane • Lana Wilson

After Tiller explores the highly controversial subject of third-trimester abortions in the wake of the 2009 assassination of practitioner Dr. George Tiller. The procedure is now performed by only four doctors in the United States, all former colleagues of Dr. Tiller, who risk their lives every day in the name of their unwavering commitment toward their patients.

With Treva Wurmfeld

Sam Shepard and Johnny Dark met in Greenwich Village in the early 1960s and, despite leading very different lives, remained close friends ever since. Shepard became a Pulitzer Prize winning playwright (Buried Child) and an Academy Award-nominated actor (The Right Stuff), while Dark was a homebody who supported himself with odd jobs. Through the decades, they stayed bonded by family ties. Dark married an older woman named Scarlett and Shepard married her daughter. For years, the two couples lived together, until Shepard broke away for a relationship with Jessica Lange in 1983, leaving Johnny to help father his first son. Nevertheless, he and Dark continued writing to each other, amassing hundreds of letters.

Director Treva Wurmfeld began filming the two friends in 2010 during a period of transition and reflection for Shepard. At the time, he had quietly ended his relationship with Lange and agreed to publish his correspondence with Dark. The task required them to meet and sift through years of their shared history, stirring memories both good and bad. Wurmfeld observes the two men over a period of 18 months and captures an indelible portrait of a complex male friendship rarely depicted on screen.

With Greg Camalier • Stephen Badger

The story of a small Alabama town by the Tennessee River, where a man named Rick Hall overcame crushing personal hardship to put together a recording studio and house band (the Swampers) that became legendary for its electrifying musical chemistry. Luring some of the biggest figures in 20th century pop music, like Aretha Franklin, Bob Dylan, the Rolling Stones, theStaples Singers, the Allman Brothers Band, Lynyrd Skynyrd, Simon and Garfunkle, the studio produced all time classic songs like “Mustang Sally,” “I Never Loved a Man,” “Wild Horses” and many more, uniting black and white musicians in the deep south during an incendiary period of racial hostility.

With Sebastian Dungan • Jacob Kornbluth • Jen Chaiken • Robert Reich

When middle class consumers have to tighten their belts, the whole economy suffers as seen in the years before the Great Depression and as it stands today. The middle class represents 70% of spending and is the great stabilizer of our economy. No increase in spending by the rich can make up for it. This is the moment in history in which we find ourselves: unprecedented income divisions, a wildly fluctuating and unstable economy, and average Americans increasingly frustrated and disillusioned. The debate about income inequality has become part of the national discussion, and this is a good thing. Inequality for All connects the dots for viewers, showing why dealing with the widening gap between the right and everyone else isn’t just about moral fairness. The issues addressed are arguably the most pressing of our times. The film alternates between intimate, approachable sequences and intellectually rigorous arguments helping people with no economic background or education of what it means for the U.S. to be economically imbalanced, and walk away with a comprehensive and significantly deeper sense of the issues and what can be done about it.