Filters Showing 1– 3 of 3 movies
A rebellious girl (Nikki Reed) joins an escort service, only to discover that her stepfather (Alec Baldwin) is a client.
- 3 / 5.0
This is the strange, disturbing story of the Manderlay plantation.
Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father had left the township of Dogville behind them. Grace's father and his army of villains had spent the entire winter seeking out new hunting grounds in vain, and now they were heading south in one last attempt to find a favourable location in which to take up residence.
By chance their cars stop in the state of Alabama in front of a large iron gate bearing a thick chain and a padlock. Beside the gate, a dead oak tree towers over a heavy boulder with Manderlay hewn in monumental letters into the granite.
Just as Grace, her father and his men are about to leave after a short break and a quick lunch, a young black woman runs up to the car. She knocks on Grace's window. She hammers at the glass in despair. Ignoring her father's advice to leave others to their own affairs, Grace follows the girl through the gates of Manderlay and there, she finds a group of people living as if slavery had not been abolished seventy years earlier, with white masters and black slaves...
Grace believes that she has a duty to make it up to the slaves for injustices they have suffered at the hands of her kind: 'we brought them here, we abused them and made them what they are', as she argues to her father; and she decides that having liberated Manderlay, she will remain at the plantation until she has seen them through their first harvest.
Her father grudgingly leaves her with four henchmen and a lawyer, warning Grace that he won't be there to pick up the pieces when her plans for the resurrection of Manderlay fall apart...
- 3 / 5.0
The cocaine cowboys of the '80s are gone, but Miami's Casablanca allure, the undercover cops and the attitudes of Michael Mann's culturally influential television series have been enhanced by time in the feature film version of Miami Vice.
Ricardo Tubbs (Academy Award winner Jamie Foxx of "Ray", "Jarhead") is urbane and dead smart. He lives with Bronx-born intel analyst Trudy, played by British actress Naomie Harris ("28 Days Later"), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders.
Sonny Crockett (Colin Farrell of "S.W.A.T.", "The New World") ]to the untrained eye, his presentation may seem unorthodox, but procedurally he is sound] is charismatic and flirtatious until-while undercover working with the supplier of the South Florida group-he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. Isabella is played by the Chinese actress Gong Li ("Raise the Red Lantern, Memoirs of a Geisha").
The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of this case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one- especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.
"Miami Vice", as a large-scale feature film, liberates what is adult, dangerous and alluring about working deeply undercover...especially when Crockett and Tubbs go to where their badges don't count...
- 3.35 / 5.0