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A pair of abused and neglected teenage girls almost get away with murder in Perfect Sisters, a riveting true-crime thriller based on the notorious “Bathtub Girls” case. Sisters Sandra and Beth learned early in life that they had no one to depend on but each other. But when their addict mother Linda makes plans to move the girls in with her lecherous and abusive lover, the girls’ situation becomes unbearable. Seeing no other way out, Sandra and Beth recruit their classmates to help them plan their mother’s murder. When the girls’ guilt spins out of control and they compulsively confess their involvement to friends, rumors that they are cold-blooded killers reach the ears of the authorities. Perfect Sisters is a harrowing and heartbreaking look at the teen subculture that nurtured the girls’ murderous fantasies and covered up for them after they committed an unthinkable crime in an effort to create a normal life for themselves.
- 4.2
47% WILL SEE
53% WON'T SEE
Paterson (Adam Driver) is a bus driver in the city of Paterson, New Jersey – they share the name. Every day, Paterson adheres to a simple routine: he drives his daily route, observing the city as it drifts across his windshield and overhearing fragments of conversation swirling around him; he writes poetry into a notebook; he walks his dog; he stops in a bar and drinks exactly one beer. He goes home to his wife, Laura (Golshifteh Farahani). By contrast, Laura’s world is ever changing. New dreams come to her almost daily, each a different and inspired project. Paterson loves Laura and she loves him. He supports her newfound ambitions; she champions his secret gift for poetry. The history and energy of the City of Paterson is a felt presence in the film and its simple structure unfolds over the course of a single week. The quiet triumphs and defeats of daily life are observed, along with the poetry evident in its smallest details.
- 4
39% WILL SEE
61% WON'T SEE
The story follows four eclectic characters — a mortician, an ex-con, a suicidal ex-priest and a stripper — brought together on Christmas Eve by a mixture of circumstances.
- 3.5
74% WILL SEE
26% WON'T SEE
Follows street dealer Frank (Richard Coyle) through a hellish week as his life completely unravels. Naively believing that he's got a sure thing on his hands, Frank borrows money from his supplier, Milo (Zlatko Buriæ, reprising his role from the Danish trilogy), in order to get in on a big drug deal. When things don't go according to plan, Frank has to scramble to come up with the cash on his own to pay back Milo. As Milo's impatience mounts, so does Frank's desperation. The increasingly frantic Frank becomes willing to do whatever it takes to save himself; and when Milo shifts decisively from mildly inconvenienced friend to mortal enemy, Frank risks losing not only his life, but his humanity. Soon, Frank is beating up his sidekick (Bronson Webb), betraying his girlfriend (model-turned-actress Agyness Deyn, in her first major role), and even trying to con his own mother (Joanna Hole).
- 3.5
37% WILL SEE
63% WON'T SEE
Two women, Janis and Ana, coincide in a hospital room where they are going to give birth. Both are single and became pregnant by accident. Janis, middle-aged, doesn’t regret it and she is exultant. The other, Ana, an adolescent, is scared, repentant and traumatized. Janis tries to encourage her while they move like sleepwalkers along the hospital corridors. The few words they exchange in these hours will create a very close link between the two, which by chance develops and complicates, and changes their lives in a decisive way.
- 3.7
80% WILL SEE
20% WON'T SEE
A woman searches for her adult son, who taken away from her decades ago when she was forced to live in a convent.
PG-13 True Story 1 hr, 38 mins
- 3.9
39% WILL SEE
61% WON'T SEE
The ubiquitous pink ribbons of breast cancer philanthropy--and the hand-in-hand marketing of brands and products associated with that philanthropy--permeates our culture, providing assurance that we are engaged in a successful battle against this insidious disease. But the campaign obscures the reality and facts of breast cancer: more and more women are diagnosed with breast cancer every year, and they face the same treatment options they did 40 years ago. Yet women also are the most influential market group, buying 80 percent of consumer products and making most major household purchasing decisions. So then who really benefits from the pink ribbon campaigns - the cause or the company? And what if the very companies and products that profit from their association have actually contributed to the problem?
NR Documentary 1 hr, 37 mins
- 4.3
29% WILL SEE
71% WON'T SEE