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We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.
Denzel Washington stars as a government operative/soldier of fortune who has pretty much given up on life. In Mexico City, he reluctantly agrees to take a job to protect a child (Dakota Fanning) whose parents are threatened by a wave of kidnappings. He eventually becomes close to the child and their relationship reawakens and rekindles his spirit. When she is abducted, his fiery rage is unleashed on those he feels responsible, and he stops at nothing to save her.