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"Peter and Vandy" is a love story told out of order. Set in Manhattan, the story shifts back and forth in time, juxtaposing Peter and Vandy's romantic beginnings with the twisted, manipulative, regular couple they become. The film explores the question most couples ask themselves... 'How the hell did we get here?' The answer is found in the little moments. Peter and Vandy communicate through truthful, every day dialogue. They begin with the hope of new love on the horizon, adoring the little quirks about each other. As they continue, the way they bicker while trying to order takeout and begin to criticize the smallest of gestures reveals more about them than "couples therapy" ever could. Through these iconic moments, we see just who they are... and it's familiar. By going back and forth in time, we are able to pinpoint the subtle causes that lead to the larger effects within their relationship.
Despite having no tennis background, Richard Williams overcomes tremendous hardship, skepticism and his own troubled past to raise two of tennis' greatest players, Serena and Venus Williams.
Set in the wake of Hurricane Katrina and centers on a disgraced detective (Lucas) who gets an unexpected shot at redemption when the ghost of a beautiful cellist solicits his help in finding her killer.
Dan Fogler and NYC theater troupe Stage 13 created a hilarious horror lampoon of the stuck-in-a-cabin-with-the-phone-lines-cut-and-the-car-battery-dead ilk. The site of some ancient, angry goings-down between the moon and the earth, rural Moon Lake now holds the strongest amount of insanity-inducing lunar radiation on the planet. When a New York theater troupe travels to those snowy woods to "find themselves," one by one, each member begins to get killed. But who is the killer among them? Did the lunar radiation turn one of the thespians into a crazy killer? And what's up with the groundskeeper and his deaf-mute sister?