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A sketch comedy movie starring Adrien Brody as "Flirty Harry," a tough, no nonsense cop with a soft middle and a flair for fashion; Rob Schneider in a dual role as both a sleazy, horny psychologist and a curmudgeonly porn critic alongside his enthusiastic counterpart Michelle Rodriguez; Lindsay Lohan living out her fantasy of taking an ultimate revenge on the salivating paparazzi who haunt her, and Ari Shaffir as "The Amazing Racist," whose hilariously offensive hidden-camera encounters with members of different ethnic and minority groups push everyone's buttons.
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72% WILL SEE
28% WON'T SEE
Christian is a young LA trust-fund dude with casual rich-kid ties to moviemaking--he's financing a horror film simply to keep his dad off his back about doing something with his life. Christian has been dating Tara for about a year--she was an aspiring actress/model who settled down with Christian when the reality of the business became apparent to her. She's now just Christian's bored plaything. Christian's assistant Gina is producing the film for him and casting it with assistance from Tara. Gina is pushing Ryan, her boyfriend and struggling actor, for the lead in the horror movie Christian is producing. Unbeknownst to either Christian or Gina: Ryan and Tara were a couple three years ago. When Ryan came back into Tara's life during the auditions for the movie, they reignited their affair. But Christian, a dangerous control-freak, finds out about the affair and starts playing cruel mind games with both Tara and Ryan, which escalate into an act of bloody violence.
The quiet suburb of New Salem is being terrorized by a brutal serial killer who abducts and tortures young women, holding them captive for weeks before murdering them. Aubrey Fleming, a talented pianist and aspiring writer, appears to be his latest victim when she disappears without a trace during a night out with friends. As the days tick by, the special FBI Task Force convened to track the killer begins to lose hope of finding her before it's too late. Then, late one night, a driver discovers the young woman by the side of a deserted road, disheveled and critically injured, pleading for help. The girl is rushed to the hospital, where Aubrey's distraught parents, Susan and Daniel, wait by her side as she slips in and out of consciousness. When she is finally able to speak, she shocks everyone by claiming to be a down-on-her luck stripper named Dakota Moss who has never heard of Aubrey Fleming. Convinced Aubrey is suffering from post traumatic stress disorder, her doctors, parents and law enforcement officials can only wait for rest and therapy to restore her memory. But after returning to her parents' suburban home, she continues to insist that she is not who they think she is, despite bearing bizarre wounds identical to those of the serial killer's previous victims. The FBI agents are further mystified when they search Aubrey's computer and discover a short story about a girl with an alter ego named Dakota. When Dakota begins to suspect she may be Aubrey's identical twin sister, Susan shows her a video of her pregnancy ultrasound clearly revealing there was only one fetus in her womb. Confused and terrified, Dakota starts seeing visions of a menacing figure slowly butchering his captive. Convinced that time is running out both for Aubrey and herself, Dakota confronts Daniel with a shocking truth that leads them on a frantic hunt for the killer.