2013 Movies | Sort: Most Popular (Page #30)

In this definitive documentary, director Christopher Felver crafts an incisive, sharply wrought portrait that reveals Ferlinghetti's true role as catalyst for numerous literary careers and for the Beat movement itself. One-on-one interviews with Ferlinghetti, made over the course of a decade, touch upon a rich mélange of characters and events that began to unfold in postwar America. These events include the publication of Allen Ginsberg's Howl, William S. Burroughs' Naked Lunch, and Jack Kerouac's On the Road, as well as the divisive events of the Vietnam war, the sexual revolution, and this country's perilous march towards intellectual and political bankruptcy. Since its inception in 1953, Ferlinghetti's City Lights Bookstore quickly became an iconic literary institution that embodied social change and literary freedom. Continuing to thrive for over five decades, it is a cornerstone of America's modern literary and cultural history.

ajo Tonorio, a.k.a. “Filly Brown,” is a raw, young Los Angeles hip-hop artist who spits rhymes from the heart. With an incarcerated mother, and a father struggling to provide for his daughters, a record contract could be the ticket out for her family. But when a record producer offers Majo a crack at stardom, she is suddenly faced with losing who she is as an artist and the friends who helped her reach the cusp of success.

The film takes place toward the end of World War II as Russian soldiers push into eastern Germany and stumble across a secret Nazi lab, one that has unearthed and begun experimenting with the journal of one Dr. Viktor Frankenstein. The scientists have used the legendary Frankenstein’s work to assemble an army of super-soldiers stitched together from the body parts of their fallen comrades – a desperate Hitler’s last ghastly ploy to escape defeat.

The high stakes crime, political movement, and trial that catapults the 26 year-old newly appointed philosophy professor at the University of California at Los Angeles into a seventies revolutionary political icon. Nearly forty years later, and for the first time, Angela Davis speaks frankly about the actions that branded her as a terrorist and simultaneously spurred a worldwide political movement for her freedom.

Lauduree (Haney-Jardine) is a 13-year-old loner passionate about nature and worried about global warming. Greta (Amy Madigan), her grandmother, is a fiery nurse jaded by alcohol and disappointment. When Lauduree is abruptly abandoned by her dreamer single mom (Marin Ireland), she decides to take survival into her own hands, forcing her and Greta to rethink their futures.

When a rival gang buffs Malcolm and Sofia's latest graffiti masterpiece with a replica of the NY Mets home-run apple, they're determined to get spectacular revenge - by tagging the real Mets' apple. Over the course of a whirlwind two-day heat wave, these tough teens from the Bronx must hustle, scramble, and steal to execute the scheme that will make them the most famous writers in New York.

Hurricane Sandy. Wildfires in the West. "Brown-Outs" in the East. Farmers losing crops to the worst drought since the Dust Bowl. Climate change is no longer a prediction for the future, but a startling reality of today. Yet, as evidence of our changing climate mounts and the scientific consensus proves human causation, there continues to be no political action to thwart the warming of our planet. “Greedy Lying Bastards” investigates the reason behind stalled efforts to tackle climate change despite consensus in the scientific community that it is not only a reality but also a growing problem placing us on the brink of disaster. The film details the people and organizations casting doubt on climate science and claims that greenhouse gases are not affected by human behavior. From the Koch Brothers to ExxonMobil, to prominent Senators and Justices, this provocative exposé unravels the layers of deceit threatening U.S. democracy.

Hortense Laborie (Catherine Frot) becomes the private chef for French president (Jean D'Ormesson) when he falls in love with her cooking.

Set in the not so distant future in Any Town, USA, sixteen-year-old Herman Howards (Garrett Backstrom) makes a fateful decision. He enters his suburban school and kills thirty-nine students, two teachers, and a police officer. Just before his arrest he emails his idol, journalist Lax Morales (Norman Reedus). "I want to tell my story on your show." Lax, haunted by his own fateful past and the loss of his love Isa Luz (Martha Higareda), now sits face to face with Herman. As he helps Herman to explore and understand his demons, Lax must finally face his own.

Francisco Barreiro and Laura Caro play parents Felix and Sol whose preteen son and daughter inexplicably reappear after being lost overnight on a desolate, cave-riddled mountainside after a casual hike became every parent’s nightmare. The good luck and good fortune of their return soon changes, as the children’s behavior suggests ominous and unspeakable events the night the children were lost that continue even now. As a loving couple – and loving parents – try to care for and protect their children, the ancient and half-whispered legends around the caves and the mountain and those who have gone there before become too strange to believe … and too dangerous, no matter how insane, to ignore.

The injustice of solitary confinement and the transformative power of art are explored in Herman’s House, a documentary that follows the unlikely friendship between a New York artist and one of America’s most famous inmates as they collaborate on an acclaimed art project. In 1972, New Orleans native Herman Joshua Wallace was serving a 25-year sentence for bank robbery when he was accused of murdering an Angola Prison guard and thrown into solitary confinement. Then in 2001 Herman received a perspective-shifting letter from a Jackie Sumell, a young art student, who posed the provocative question: What kind of house does a man who has lived in a six-foot-by-nine-foot cell for over 30 years dream of?

The film examines the life of the notorious pimp and author of seven ground-breaking books. It includes insightful interviews with well-known artists, scholars, friends and family members that create a riveting tapestry as colorful as the subject himself. The autobiographical work of Iceberg Slim is considered to be the genesis of blaxploitation films and gangster rap and it continues to influence artists today.

A protrait of Brandon Darby, a radical activist turned FBI informant who has been alternately vilified and deified. In 2005, Darby became an overnight hero when he traveled to Katrina-devastated New Orleans and braved toxic floodwaters to rescue a friend stranded in the Ninth Ward. Soon after, he co-founded Common Ground, a successful grassroots relief organization. But over the next few years, he began hiding a shocking secret. After two young protestors were arrested at the 2008 Republican National Convention, Darby revealed he had been instrumental in the indictment as an FBI informant.

An animated documentary on the life of controversial MIT professor, philosopher, linguist, anti-war activist and political firebrand Noam Chomsky.

Starting in the early 1930s, home movies were made by private individuals documenting their personal and family lives alongside historic events in Palestine/Israel. Each amateur cinematographer had a camera of his own, but each saw something different.

In this doomsday comedy, four couples who meet for Sunday brunch find themselves stranded in a house together as the world may be about to end. When Tracy Scott (Stiles) decides to introduce her new beau Glenn (Cross) to her three friends Hedy (Ferrera), Emma, and Lexi and their significant others, her biggest fear is whether or not her friends will approve of her new relationship, little does she realize that�s the least of her worries. Before long the couples find themselves in the midst of an apocalyptic disaster, catching them all off guard. One thing is clear; these four couples aren't going to let the potential end of the world get in the way of the relationship issues they all need to work out.

Showcasing one of the most powerful and unique voices in popular music, Fathom Events and Warner Music Group are pleased to bring Josh Groban Live: All That Echoes to select movie theaters nationwide on Monday, February 4. This special one-night event features hits from Josh's 12-year career, highlighted by exclusive selections from his new album, All That Echoes.

Beautiful vampire Djuna (Josephine de La Baume) tries to resist the advances of the handsome, human screenwriter Paolo (Milo Ventimiglia), but eventually gives in to their passion. When her troublemaker sister Mimi (Roxane Mesquida) unexpectedly comes to visit, Djuna’s love story is threatened, and the whole vampire community becomes endangered...

If a political candidate is personally flawed, but stands to make a positive difference in millions of lives, would you help him win? That question looms over the life of “true believer” Paul Turner (Rob Lowe), a savvy strategist sharply maneuvering politicians out of scandal and into public office. With the help of a bright young assistant (Jamie Chung) and a seedy operative (Richard Schiff), Turner spins every news cycle and a shrewd reporter (Julie Bowen) on behalf of his clients: a philandering Kentucky governor (Eric McCormick), a blackmailed California senator (David Harbour), and an idealistic doctor turned gubernatorial candidate (Carrie-Anne Moss). When the ugly side of Turner’s work begins to haunt him, he learns that even in the bloodiest of battles, sometimes you have to fight clean.

Like Someone in Love revolves around the brief encounter between an elderly professor (the wonderful 81-year-old stage actor Tadashi Okuno, here playing his first leading role in a film) and a sociology student (Rin Takanashi) who moonlights as a high-end escort. Dispatched to the old man by her boss—one of the professor’s former students—the young woman finds her latest client less interested in sex than in cooking her soup, talking, and playing old Ella Fitzgerald records (like the one that gives the film its allusive title). Eventually, night gives way to day and a tense standoff with the student’s insanely jealous boyfriend (Ryô Kase); but as usual in Kiarostami, nothing is quite as it appears on the surface. Are these characters—who conjure in one another the specters of regret and roads not taken—meeting by chance, or is it fate? Is this love, or merely something like it?