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Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.

La Civil tells the story of Cielo, a mother in search of her daughter, abducted by a criminal gang in Northern Mexico. As the authorities fail to offer support in the search, Cielo takes matters into her own hands. Cielo begins her own investigation and earns the trust and sympathy of Lamarque, an unconventional army Lieutenant working in the region. He agrees to help Cielo in her search, because her research data could be useful to his operations as well. Cielo’s collaboration with Lamarque pulls her further into a vicious cycle of violence. The film focuses on Cielo’s emotional rollercoaster, as she is drawn into increasingly intense and dangerous circumstances. The camera stays close, we never lose sight of her as she gradually transforms from housewife into avenging activist. As events unfold, Cielo gets closer to the truth: discovering a mass grave, obtaining official DNA analyses, confronting one of the presumed kidnappers, but corruption and apathy keep her from finding resolution. Until the end finally comes, unpredictable and uninvited...

It is 2085. A young man, one of the few survivors of the human community of old, embarks on a long voyage to find others.

It's not exactly what the Minister of Justice wants to be doing: watching an endless stream of video footage. But a former police officer is very insistent. Together, all this footage - from hidden cameras, phone taps, Skype sessions and security surveillance - can tell an interesting story. The focus here is on an obscure bookstore where a group of environmental activists are meeting in secret. Idealistic Winnie and her boyfriend Conrad want to disrupt the G20, but aren't aware that they are possibly being lured into a trap

Rabble rouser or activist? Opportunist or trailblazer? During his six-decade journey from pastoral prodigy to racial justice firebrand to elder media statesman, the Reverend Al Sharpton has been a polarizing figure on the national stage

In a world where the Metaverse has become widely adopted, four couples go to ridiculous lengths to find true love in a virtual world. Love Virtually is a retro future satirical rom-com for the Metaverse era, blending live action and 3D animation as It explores and exposes the absurd reality of our world and where we are heading, while probing life’s deepest questions such as: How does a celebrity find someone who loves them for their true selves? Is it cheating if it’s in VR? and, Is it cheating if it’s with an AI?

Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit. Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media.

Set in the aftermath of a pandemic in which victims begin to lose their memories and affects one newlywed couple not long after they’ve first fallen met and fallen in love.

LOURDES, a small village where the Virgin Mary appeared to a young girl about 150 years ago. And where few miracles have been recognized by the church but not recognized and recounted by thousands. The biggest of them is the heart with which pilgrims come and go, each one with something to heal: mentally, physically or spiritually. Still today LOURDES is more alive than ever. And Our Lady remains active and attentive to each of her children. About 6 million people visit it every year. After the pandemic, her devotion is increasing. The multitudinous processions of people seeking a miracle feed a small army of caregivers (nurses, volunteers, hospitalists) who accompany them.

The public life of Yves Saint Laurent was an extravagant spectacle, as a design prodigy and then the grand coutourier of a fashion empire, he influenced fifty years of style and was an icon to millions -- but few are familiar with the private life of the legend. In Pierre Thoretton's L'Amour Fou, Pierre Berge, the man with which YSL shared four decades of his life, reflects on the equally extravagant history of their personal relationship.

From a Latinx LGBTQ activist to a Black Catholic school principal, six small businesswomen hit California's newly legal cannabis trade. But as aggressive regulations bogart the market, can they each keep their green American dream alight?