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"Two For the Money" is a drama of high stakes set in the adrenalized world of wheeler-dealers whose fortunes are won and lost betting on sports. Matthew McConaughey stars as Brandon Lane, a former college football star whose uncanny ability to predict the outcome of a game introduces him to an unexpected new career when his gridiron glory is sidelined by a crushing injury.
Brandon's talent makes him a prime candidate for recruitment by Walter Abraham (Oscar®-winner Al Pacino), the head of one of the biggest sports consulting operations in the country. Walter hires the small town ex-athlete and grooms him into a shrewd front man. Brandon soon begins to enjoy his status as a Manhattan golden boy and finds himself growing comfortable with Walter's high-rolling lifestyle. The surrogate father/surrogate son relationship fattens Walter's business and personal accounts...until Brandon's golden touch begins to falter at the same time that Walter's manipulation of his protégé crosses the line.
With millions of dollars on the line, Brandon and Walter engage in a deadly game of con versus con, each one trying to maintain the upper hand while everyone in their world, including Walter's wife, Toni (Rene Russo), are drawn into the escalating duel-where ultimately everything isn't what it appears to be.
Mamie is being blackmailed. This filmmaker named Nick claims to know Mamie's son—the one she gave up for adoption—but Nick won't introduce her to him unless he can film the reunion. Enter Javier, Mamie's massage therapist boyfriend, who convinces Nick to film him instead. Now they're all making a movie about massage. And ‘happy endings'…
Charley has a longtime boyfriend named Gil. Their best friends, Pam and Diane, once tried using Gil as a sperm donor. They said his sperm didn't take, but Charley thinks those selfish, control-freak lesbians are lying. Pam and Diane's two-year-old son looks exactly like Gil. And it's time to set the record straight…
Jude is pissed. Not at anyone in particular. Just in general. When her cousin kicks her out of the house, Jude shacks up with Otis, who's still trying to convince his father, Frank, that he's straight. Frank's a widower. And he's rich. So Jude decides to sleep with him, too. Really. The last thing she expected was to fall in love…
On a summer night in New York City, five lives intertwine and unravel. Isabel, a beautiful twenty-five year old photographer, wavers on her commitment to her upcoming wedding. Her mother Diana, a legendary actress, discovers her husband is cheating. Jonathan, Isabel's fiance, tries to protect a secret that will endanger his marriage. Peter, a young writer, faces his lover's past while researching a story for "Vanity Fair" and Alec, an actor, wonders if his affections will ever be returned. Set in the nightspots, theaters, rooftops, and streets of Manhattan over one night, Heights is a contemporary story of young people in New York City that sparkles with the wit that is a trademark of Merchant Ivory films. At the center of the story is Isabel, a young woman trying to decide between her life in the city and the prospect of a quiet existence as a suburban wife. In a script full of unique New York City settings and characters the story takes us from downtown bars, to upscale roof gardens, to gay bars in Chelsea, to the geriatric participants at a Jewish wedding. Isabel, much like a modern day Jane Austen heroine, a woman on the verge of adulthood must decide in the course of a single night what kind of life she is going to lead. In a small Prague apartment, Franta (Jiri Machacek) and Mila (Natasa Burger) dream of having a child, but Franta—on probation because of his soccer hooliganism past—is not allowed to adopt, and Mila is unable to conceive. After cashing in on her savings, Mila decides to buy a baby from a pawnshop that fronts a den of thieves and pickpockets. Meanwhile, an unusual family reunion is taking place: Academy professor Otto (Jan Triska) collapses while teaching, prompting his estranged son Martin (Petr Forman, son of director Milos) to return to Prague from Australia to see his father and his mother, Vera (Emilia Vasaryova), long separated from Otto whom she still pines for. Otto is now living with the beautiful and much younger Hana (Ingrid Timkova), who works in a refugee aid center helping immigrants to adjust to their new lives.
A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple... They all live in Los Angeles. And in the next 36 hours, they will all collide... A provocative, unflinching look at the complexities of racial conflict in America, "Crash" is that rare cinematic event—film that challenges audiences to question their own prejudices. Diving headlong into the diverse melting pot of post-9/11 Los Angeles, this compelling urban drama tracks the volatile intersections of a multi-ethnic cast, examining fear and bigotry from multiple perspectives as characters careen in and out of one another's lives. No one is safe in the battle zones of intolerance. And no one is immune to the simmering rage that sparks violence—and changes lives...
A voodoo horror tale set deep in the swamps of Louisiana centered around a group of teenagers fighting for their lives against a mysterious evil force.
Millions of devoted fans worldwide have been spellbound by the dark invention of its adventures . . . have awaited its every incarnation with urgent anticipation . . . and have devoted countless hours, days and weeks to conquering its hidden mysteries: Doom. When the home-computer game "Doom" was first launched in 1993, no one could have foreseen the legion of fans it would create and the mania surrounding its every new permutation. "Doom" and its successive installments have transfixed gamers worldwide for over a decade and have sold millions of copies (while chalking up an unprecedented tens of millions of downloads as shareware). It is, simply, the most explosive home-computer game franchise phenomenon in history. Now, the game that made history is jumping from computer screens to the motion picture screen: get ready for "Doom". Set countless years in the future and told in the hyper- kinetic, kamikaze style that made its gaming predecessor a global phenomenon, the science fiction action adventure "Doom" takes the viewer to the far corners of the galaxy with a fully-realized vision of a dark and disturbing future.
"Match Point" represents a departure for native New Yorker Woody Allen, the majority of whose films lovingly depict New York and—not always so lovingly—New Yorkers. Crossing the Atlantic for the first time in his film career, Allen set "Match Point" in London, where it was also filmed. The film is described as a melodrama about many things -- ambition, the seduction of wealth, love, sexual passion and, most importantly, the huge part luck plays in events as opposed to the comforting misconception that more of life is under our control than it really is.
Set during the 12th century in the holy city of Jerusalem, a young Muslim peasant and blacksmith, Salaq Ul-Hul (Orlando Bloom), becomes a knight so that he may help repel the Crusaders who took control of the city in 1099. Meanwhile, the young knight also falls in love with the city's beautiful princess...
The film recounts the dramatic story of the secret Israeli squad assigned to track down and assassinate 11 Palestinians believed to have planned the 1972 Munich massacre—and the personal toll this mission of revenge takes on the team and the man who led it. Eric Bana stars as the Mossad agent charged with leading the band of specialists brought together for this operation.
Inspired by actual events, the narrative is based on a number of sources, including the recollections of some who participated in the events themselves.
Sharp-witted Terry Wolfmeyer, a suburban wife and mother, has her life take an unusual turn when her husband unexpectedly disappears. Struggling to deal with his sudden absence, Terry finds herself increasingly at odds with her four headstrong daughters and regularly drowning her anger in alcohol, until she develops an offbeat relationship with her next-door neighbor, Denny. A once-great baseball star turned radio DJ, Denny becomes a drinking buddy for Terry and slowly evolves into her source of strength, as well as an ad-hoc father to her daughters. But things get complicated as Terry's daughters grow accustomed to having Denny around while attempting to juggle not only their mother's romantic dilemmas, but their own.
A waiter for four years since high school, Dean (Justin Long) has never questioned his job at Shenanigan's. But when he learns that Chett, a high school classmate, now has a lucrative career in electrical engineering, he's thrown into turmoil about his dead-end life. Dean's friend Monty (Ryan Reynolds) is in exactly the same boat, but he couldn't care less. More concerned with partying and getting laid by underage girls, Monty is put in charge of training Mitch (John Francis Daley), a shy new employee. Over the course of one chaotic shift, Mitch gets to know the rest of Shenanigan's quirky staff: Monty's tough-talking ex-girlfriend, Serena (Anna Faris), Shenanigan's over-zealous manager, Dan (David Koechner), and head cook Raddimus (Luis Guzman), who's obsessed with a senseless staff-wide competition known only as "The Game"...
John Constantine has been to hell and back. Born with a gift he didn't want, the ability to recognize the half-breed angels and demons that walk the earth in human camouflage, Constantine (Keanu Reeves) was driven to take his own life to escape the tormenting clarity of his vision. But he failed. Resuscitated against his will, he found himself cast back into the land of the living. Now, marked as an attempted suicide with a temporary lease on life, he patrols the earthly border between heaven and hell, hoping in vain to earn his way to salvation by waging war on the earthbound minions of evil. But Constantine is no saint. Increasingly disillusioned by the world around him and at odds with the one beyond, he's a hard-drinking, hard-living bitter hero who scorns the very idea of heroism. Constantine will fight to save your soul but he doesn't want your admiration or your thanks—and certainly not your sympathy. All he wants is a way out. When a desperate but skeptical police detective (Rachel Weisz as Angela Dodson) enlists his help in solving the mysterious death of her beloved twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldy events, the two become inextricably involved and seek to find their own peace at whatever cost.
"End Game" is a political thriller opening with a presidential assassination and following a perilous path of intrigue. Cuba Gooding Jr. plays a Secret Service agent in charge of the president's protection detail. He blames himself for his team's failure and quits his post only to become obsessed with solving the crime. A tenacious reporter (played by Angie Harmon) aids him in his quest. Together they must unravel a web of lies as they try to divine the truth behind the conspiracy among shadowy assassins, an ex-special ops comma.
After their adoptive mother is murdered during a grocery store holdup, the Mercer brothers - hotheaded Bobby (Mark Wahlberg), hard-edged Angel (Tyrese Gibson), family man and businessman Jeremiah, and hard rocking Jack (Garrett Hedlund) - reunite to take the matter of her death into their own hands. As they track down the killer, they quickly realize that their old ways of doing business have new consequences. The four brothers come together to discover that they are bound by ties thicker than blood.
In his mesmerizing new film "Grizzly Man", acclaimed director Werner Herzog explores the life and death of amateur grizzly bear expert and wildlife preservationist Timothy Treadwell. Treadwell lived unarmed among the bears for thirteen summers, and filmed his adventures in the wild during his final five seasons. In October 2003, Treadwell's remains, along with those of his girlfriend, Amie Huguenard, were discovered near their campsite in Alaska's Katmai National Park and Reserve. They had been mauled and devoured by a grizzly, the first known victims of a bear attack in the park. (The bear suspected of the killings was later shot by park officials.) In GRIZZLY MAN, Herzog plumbs not only the mystery of wild nature, but also the mystery of human nature as he chronicles Treadwell's final years in the wilderness. Herzog uses Treadwell's own startling documentary footage to paint a nuanced portrait of a complex and compelling figure while exploring larger questions about the uneasy relationship between man and nature.
R Documentary 1 hr, 40 mins
A road trip to the biggest college football championship of the year takes a turn for the worse for Carly, Paige and their friends, when they decide to camp out for the night before heading to the game. A confrontation with a mysterious trucker at the camp site leaves everyone unsettled, and Carly has her hands full trying to keep the peace between her boyfriend Wade and her hot-headed brother Nick. They wake up the next morning to find that their car might have been tampered with, preventing their departure. At the risk of being stranded, they accept a local's invitation for a ride into Ambrose, the only town for miles. Once there, they are drawn to Ambrose's main attraction--Trudy's House of Wax, which is filled with remarkably life-like wax sculptures. But as they soon discover, there is a shocking reason the exhibits look so real. As the friends uncover the town's dark secrets, they are stalked by a mysterious killer and find themselves in a bloody battle for survival. The group must find a way out of Ambrose—or become permanent additions to the "House of Wax".
Produced by John Singleton and the Winner of the Sundance Film Festival, "Hustle & Flow" is the redemptive story of a Memphis street hustler who struggles to break out of his gritty world to fulfill his life long dream of becoming a respected rap musician. He teams up with his middle class friend who is stuck in an office routine having missed the opportunity of becoming the music producer he always wanted to be. Together they have one last chance to follow their dream.
"Jarhead" (the self-imposed moniker of the Marines) follows "Swoff" (Gyllenhaal), a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper's rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully fathom.
Foxx portrays Sergeant Sykes, a Marine lifer who heads up Swofford's scout/sniper platoon, while Sarsgaard is Swoff's friend and mentor, Troy, a die-hard member of STA—their elite Marine Unit.
When Maureen Doherty (Jacqueline Bisset) announces she is going to marry Oliver Vance (Stuart Wilson) immediately after her husband's death, her son Scott (Adam Garcia) is certain there is more to this liaison than first appears. Mistrustful of Oliver, Scott is soon blinded by his own attraction to Kelly Vance (Alice Evans), Oliver's daughter. Convinced his father's death was not an accident, Scott, aided by Kelly, begins to investigate. Bound by this common purpose, they quickly bond and fall in love. Before they can prove their suspicions, a series of events leads to a fatal explosion that kills both their parents. When Scott learns of Kelly's deceptions, he begins to wonder if the finger of guilt is deliberately being directed at him and if he has put his trust in the wrong person. Is it possible that Kelly is behind all of this?
Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.