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Boss Spearman (Robert Duvall), Charley Waite (Kevin Costner), Mose Harrison (Abraham Benrubi) and "Button" (Diego Luna) freegraze their cattle across the vast prairies of the West, sharing their friendship forged by a steadfast code of honor and living a life unencumbered by civilization. When their wayward her forces them near the small town of Harmonville, the cowboys encounter a corrupt Sheriff (James Russo) and kingpin rancher (Michael Gambon) who govern the territory through fear, tyranny and violence. Boss Charley find themselves inextricably drawn towards the inevitable showdown as they are forced to defend the freedom and values of a lifestyle that is all to quickly vanishing. Amidst this turmoil, life suddenly takes an unexpected turn for loner Charley when he meets the beautiful and warm-spirited Sue Barlow (Annette Bening), a woman who embraces both his heart and his soul. As these courageous men prepare for the decisive battle that looms, they are also forced to confront and conquer their own internal demons.
This is the story of three guys in their early 30's, Mitch (Luke Wilson), Frank (Will Ferrell), and Beanie (Vince Vaughn), who try to relive their old college glory days by moving into a large house near their old campus. They inadvertently form an "unofficial fraternity", where students can enjoy all the riches of the partying lifestyle without the commitment that comes with having to abide by the university's fraternity rules. Soon, however, the realities of their past lives catches up with their wild college lifestyles.
Set in suburbia, the Greg Pritikin-directed film centers on socially challenged Steven (Adrien Brody), who quits his job to pursue a life-long dream of becoming a ventriloquist. Ignored at home by his father (Ron Leibman), mother (Jessica Walter) and embittered sister (Illeana Douglas), Steven begins to find his voice with the help of a wisecracking dummy.
Combining the physicality of international action superstar Jackie Chan with state-of-the-art special effects, Highbinders is an action comedy co-starring Claire Forlani and Julian Sands. Chan stars as Eddie, an indomitable Hong Kong cop who, after a near-fatal accident involving a mysterious medallion, is suddenly transformed into a Highbinder -- an immortal warrior with superhuman powers. Eddie enlists the help of fellow agent Nicole (Claire Forlani) to determine the secret of the medallion and face down the evil Highbinders who so desperately want it back.
Set on Mars in the year 2071, "Cowboy Bebop: The Movie" is based on the much-loved animated television series by Japanese director Shinichiro Watanabe. As the film begins, Spike (David Lucas) and his gang of gypsy vigilantes are roaming the city, looking for trouble when Faye (Wendee Lee) witnesses a bioterrorist attack. Hovering above the city in her spaceship, she sees a man fleeing the scene. Over 500 people die in the attack, and the city offers a monetary reward for any information. The gang jumps at the opportunity. They decide to branch out, each using their own tactics to research the tragedy. Spike slinks through Chinatown, being led by shady underground characters. Faye traces the image of the man she saw back to military files. And the young Ed (Mellisa Fahn) and her dog Ein do some handy computer research. Meanwhile Jet (Beau Billinglsea), holds down the fort, worried about the gang. When the criminal Vincent (Daran Norris), is identified, with a connection to Spike's love interest Elektra (Jennifer Hale), the real action begins.
"Cowboy Bebop" is a visually dramatic film that combines several styles of illustration into one beautiful, cohesive animated environment. The Mars of this film is a combination of cities: New York, Hong Kong, London, Paris, and many more. Viewers are compelled to identify monuments and familiar structures, while the terrorist thematic hits fearfully close to home.
At the edge of adolescence, Tracy (Evan Rachel Wood) is a promising student and the loving apple of her mother's eye. But that was before she fell under the spell of Evie (Nikki Reed), the most popular and beautiful girl in school. Tracy aches to become Evie's friend but fails the secret code of acceptance. Wrong socks, wrong look. As Tracy transforms to reach for a new life, her world becomes a boiling, emotional cauldron fueled by new tensions between her and her mother, teachers, and old friends. Each decision is radical, each choice is major, each crisis is huge, and it all makes Tracy squeal with horror and excitement. But that's what it's like to be 13!
"This Thing of Ours" tells a true to life crime story of a 21st century breed of gangsters who steal hundreds of millions from the world's banks. Though a highly sophisticated computer internet and satellite system the gang manages to pull off the biggest heist in the vast and violent history of the American mafia.
A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.
The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.
"Super Sucker" is a hilarious comedy about rival door-to-door vacuum cleaner sales teams. In addition to writing and directing, Jeff Daniels, once again, the underdog heads up his team of misfits as Fred Barlow. Barlow meets Howard Butterworth, played by fellow Michigan native and Purple Rose Theatre (a repertory theatre founded by Daniels) alumnus Matt Letscher ('Good Morning Miami'). The two, with the help of Purple Rose Theatre veterans Leonard (Guy Sanville), Rhonda (Sandra Birch), Shelby (John Seibert) and Darlene (Kate Peckham) team up against Barlow's cross-town rival, and nemesis, Winslow Schnaebelt. Schnaebelt, played by Harve Presnell is the razzle-dazzle red-suited competitor who will do anything to undermine Barlow. Barlow and Schnaebelt battle for territory and survival in a ‘winner takes all' contest.
Ben is an overachieving high-school student in Orange County, Calif. He's at the top of his class and set to matriculate at an Ivy League school. But Ben has a darker side. While he maintains academic success, to alleviate the pressure put upon him by his parents, he indulges in acts of crime. His life slowly begins to spin out of control and he eventually joins a gang.
Based on the acclaimed bestseller by Andre Dubus III. Massoud Amir Behrani (Ben Kingsley) is living a lie to fulfill a dream. Once a member of the Shah of Iran's elite inner circle, he has brought his family to America to build a new life. Despite a pretense of continued affluence, he is barely making ends meet until he sees his opportunity in the auction of a house being sold for back taxes. It is a terrible mistake. Through a bureaucratic snafu, the house had been improperly seized from its rightful owner, Kathy Lazaro (Jennifer Connelly). The loss of her home tears away Kathy's last hope of a stable life—a life that had been nearly destroyed by addiction—and Kathy decides to fight to recover her home…at any cost.
The film follows 17-year-old Cassandra Mortmain (Romola Garai), and the fortunes of her eccentric family, struggling to survive in a decaying English castle. Her father (Bill Nighy) is desperate to repeat the spectacular success of his first novel, but hasn't written a word for 12 years; her exquisite sister Rose (Rose Byrne) can only rail against their fate, and their bohemian step-mother Topaz (Tara FitzGerald) is a nudist and no help at all. Salvation comes in the form of their American landlord Simon Cotton (Henry Thomas) and his brother Neil (Marc Blucas).
The second feature film from writer-director Sofia Coppola ("The Virgin Suicides") is set in Tokyo, where two bored Americans — a fading TV star (Bill Murray) shooting an alcohol ad and a young married woman (Scarlett Johansson) with an ambitious, neglectful husband — become fast friends after meeting in a hotel bar. The two then spend an adventure-filled weekend together "finding themselves."
A fast and furious action tale of three tough, hard-hitting women who take on a powerful pair of computer moguls, the Hong Kong police, two deadly assassins, and... each other. Shu Qi and Zhao Wei play sisters whose family inheritances are a state-of-the-art computer surveillance system and an unresolved family vendetta. After a wealthy Shanghai computer magnate is murdered, a beautiful and ambitious young undercover detective (Mok) is assigned to the case. Finding herself further drawn-in when she discovers the criminal masterminds are two women, the young detective eventually comes face-to-face with the sisters who, despite their delicate appearance, hold mental and combat skill to match her own. A battle of wits and force ensues in this tale of technological wizardry.
Set on an American Army Base in 1989, as the Berlin Wall is about to fall, "Buffalo Soldiers" takes a satiric look as these men steal, drink, fight, and make, take, and sell drugs. Elwood (Joaquin Phoenix) is the brains behind the operation, easily duping his superior (Ed Harris) and sleeping with his wife (Elizabeth McGovern). But with the arrival of the new Sergeant (Scott Glenn), everything changes. The Sergeant cracks down; Elwood retaliates by dating his daughter (Anna Paquin) and attempting a big "weapons for drugs" deal, with the Sergeant in closer pursuit.
Television made him famous, but his biggest hits happened off screen. "Confessions of a Dangerous Mind" is the story of a legendary showman's double life - television producer by day, CIA assassin by night. At the height of his TV career, Chuck Barris was recruited by the CIA and trained to become a covert operative.
This is the story of an illegal Honduran immigrant living in the U.S., Pablo Fernandez (Jesus Nebot), working on a tomato farm, who gets in trouble when he accidentally hits a girl with his employer's truck. Deciding to try to escape the law, Pablo goes on the run with his young daughter, Christina (Chelsea Rendon), but as the title says there is "no turning back." As he flees, his experience is recorded in print and on video by a mysterious "guerrilla journalist" (Lindsay Price), who also helps him hide from his pursuers.
Esther Gold (Glenn Close) devotes herself to her comatose, bedridden son, and expresses love for her daughter by trying to win her a car in a last-one-standing radio contest. Jim Train (Dermot Mulroney) questions his value as a man when he is passed over for promotion; Annette Jenning (Patricia Clarkson) tries to keep her family intact in the wake of her divorce; and Helen Christianson (Mary Kay Place) looks for fun and inspiration in her banal life. Despair and humor are delicately balanced in this film that examines people's investment in things that are more predictable, if less satisfying, than their relationships with other people.
A supernatural romance, "Till Human Voices Wake Us" tells the story of a psychologist (Pearce), who, upon returning to his childhood home to bury his father, encounters a mysterious young woman (Bonham-Carter) who evokes memories of a long-lost love. Forcing him to relinquish the past, and embrace the future.