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When Maureen Doherty (Jacqueline Bisset) announces she is going to marry Oliver Vance (Stuart Wilson) immediately after her husband's death, her son Scott (Adam Garcia) is certain there is more to this liaison than first appears. Mistrustful of Oliver, Scott is soon blinded by his own attraction to Kelly Vance (Alice Evans), Oliver's daughter. Convinced his father's death was not an accident, Scott, aided by Kelly, begins to investigate. Bound by this common purpose, they quickly bond and fall in love. Before they can prove their suspicions, a series of events leads to a fatal explosion that kills both their parents. When Scott learns of Kelly's deceptions, he begins to wonder if the finger of guilt is deliberately being directed at him and if he has put his trust in the wrong person. Is it possible that Kelly is behind all of this?
Sharp-witted Terry Wolfmeyer, a suburban wife and mother, has her life take an unusual turn when her husband unexpectedly disappears. Struggling to deal with his sudden absence, Terry finds herself increasingly at odds with her four headstrong daughters and regularly drowning her anger in alcohol, until she develops an offbeat relationship with her next-door neighbor, Denny. A once-great baseball star turned radio DJ, Denny becomes a drinking buddy for Terry and slowly evolves into her source of strength, as well as an ad-hoc father to her daughters. But things get complicated as Terry's daughters grow accustomed to having Denny around while attempting to juggle not only their mother's romantic dilemmas, but their own.
A reality-bending thriller about a psychologist whose suicidal client makes bizarre predictions that to the psychologist's mounting terror, begin to come true. The shrink must race against time to save everything he loves before it disappears.
Based on Robert Baer's memoir "See No Evil: The True Story of a Foot Soldier in the CIA's War on Terror." A drama showing how the CIA lost funding and let its guard down in the Middle East after the end of the Cold War.
Set in the 1960s and 1970s, "Breakfast on Pluto" follows Patrick "Kitten" Brady (Cillian Murphy), a kid who escapes from his foster home in Ireland and becomes a transvestite and performer in London.
Try as he might, Cliff Starkey just can't keep out of trouble. With a dead- end career, there's not much that makes him want to get out of bed in the mornings… except his one passion: Lawn Bowls. Almost as soon as he learned how to walk, he displayed a genius for the sport. To the dismay of the elderly, uptight bowls fraternity in town, Cliff honed his mastery of the game alone, playing by no one's rules but his own. But the time has come for his skill to be recognized, and Rick Schwartz (Vince Vaughn), an American sports agent, is going to ensure that this ‘Bad Boy' of bowls gets the spotlight he deserves. Cliff's rock ‘n' roll attitude and army of screaming female fans soon take England by storm, but can he take on the stuffy, business-like attitude of the Bowls Association and his senior arch-rival, Ray Speight? Starkey is only one match away from super-stardom as he competes with Ray in a ball-busting championship showdown!
A waiter for four years since high school, Dean (Justin Long) has never questioned his job at Shenanigan's. But when he learns that Chett, a high school classmate, now has a lucrative career in electrical engineering, he's thrown into turmoil about his dead-end life. Dean's friend Monty (Ryan Reynolds) is in exactly the same boat, but he couldn't care less. More concerned with partying and getting laid by underage girls, Monty is put in charge of training Mitch (John Francis Daley), a shy new employee. Over the course of one chaotic shift, Mitch gets to know the rest of Shenanigan's quirky staff: Monty's tough-talking ex-girlfriend, Serena (Anna Faris), Shenanigan's over-zealous manager, Dan (David Koechner), and head cook Raddimus (Luis Guzman), who's obsessed with a senseless staff-wide competition known only as "The Game"...
Peaceful, rustic Berkeley is a charming fishing community where life is sweet and the people friendly. All that is about to change. After losing her childhood farm to the bank, local beauty Rene decides to leave town and head for the big city. Suddenly, an avalanche of meteorites races through the sky, bombarding the town and bringing an otherworldly infection. Departing is going to be much more difficult than she had planned. The living dead are awakened and Rene is now caught in a nightmare of zombies hungry for human flesh. She manages to find salvation in a small isolated farm house owned by the town loony, Marion. There she is met with four other desperate survivors. Together they battle their way through a plague of walking dead and discover that there is more transpiring than just an infection.
When a British diplomat's wife—a socially-conscious lawyer—turns up dead in Kenya, he sets out to find the truth surrounding her murder. In the process, he finds out that his wife had been compiling data against a multinational drug company that uses helpless Africans as guinea pigs to test a tuberculosis remedy with unfortunately fatal side effects. Therefore those who may have had the most reason to silence her are closer to home than he ever imagined.
Flipping back and forth between the 18th Century and the hapless efforts of the 21st Century filmakers, "A Cock and Bull Story" is the making of a movie adapted from the notoriously unfilmable English literature masterpiece, "The Life and Opinions of Tristram Sahndy, Gentlemen," written by Laurence Sterne.
The story begins with Tristram Shandy (Steve Coogan) narrating his life story as he sees it. Crammed with literary jokes and dark humor, Shandy's warped childhood tales are constantly interrupted by his family and household, inadvertently revealing far more about himself than any conventional autobiography.
At the dramatic moment of Tristram's birth, the 1st Assistant Director calls cut, marking the end of a filming day on the set of Tristram Shandy. We then see Steve Coogan, the other actors and crew through the course of a chaotic evening on set. Steve Coogan's wife arrives with their six month old baby, a journalist is chasing him about a scandalous story, his agent has arrived with a load of Hollywood scripts and the film financiers are threatening to pull the plug.