Filter menu Filters Showing 1-4 of 4 movies
A mother prays for the return of her kidnapped son. When her prayers are answered, however, she begins to suspect the boy who comes back is not her child. Inspired by true events that took place in Los Angeles in the 1920s.
- 4.4 / 5
50% WILL SEE
50% WON'T SEE
Clint Eastwood stars as Earl Stone, a man in his 80s who is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does well—so well, in fact, that his cargo increases exponentially, and Earl is assigned a handler. But he isn’t the only one keeping tabs on Earl; the mysterious new drug mule has also hit the radar of hard-charging DEA agent Colin Bates. And even as his money problems become a thing of the past, Earl’s past mistakes start to weigh heavily on him, and it’s uncertain if he’ll have time to right those wrongs before law enforcement, or the cartel’s enforcers, catch up to him.
- 4.1 / 5
66% WILL SEE
34% WON'T SEE
Frank Valli, Bob Gaudio, Tommy DeVito and Nick Massi go from blue-collar wrong side of the track origins to become American pop sensations, selling 175 million records worldwide before they are 30 years old.
- 4.1 / 5
29% WILL SEE
71% WON'T SEE
Sixty-one years ago, U.S. and Japanese armies met on Iwo Jima. Decades later, several hundred letters are unearthed from that stark island's soil. The letters give faces and voices to the men who fought there, as well as the extraordinary general who led them, Tadamichi Kuribayashi (Ken Watanabe). With little defense other than sheer will and the volcanic rock of the island itself, Gen. Kuribayashi's unprecedented tactics transform what was predicted to be a quick and bloody defeat into nearly 40 days of heroic and resourceful combat.
In an effort to explore an event that continues to resonate with both cultures, Clint Eastwood was haunted by the sense that making only one film, "Flags of Our Fathers", would be telling only half the story. With this unprecedented dual film project, shot back-to-back to be released in sequence, Eastwood seeks to reveal the battle of Iwo Jima--and, by implication, the war in the Pacific--as a clash not only of arms but of cultures.