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A chronicle that depicts the human cost of the U.S. Justice Department's campaign against Arab or Muslim immigrants during the post-9/11 frenzy to combat terrorism. While few question the need to undertake measures to protect national security, the sweeping detention, arbitrary arrests and confinement (often without any family communication or legal representation), and subsequent deportation and/or ongoing imprisonment make a mockery of fundamental American principles like the presumption of innocence. Using a bare room and mostly static camera, the filmmakers record a series of encounters with a diverse range of detainees and family members and present them seemingly without much need for skill. But in fact, the subtle and creative direction of these individual and ultimately cumulative portraits belies the effortless appearance of the presentation and produces a simultaneous poignancy and disbelieving outrage. You may feel that you already know all about the issues and experiences communicated in Persons of Interest. Think again. The specific details of these disrupted lives speak volumes. Not since the massive internment of another ethnic group during World War II has the United States experienced such a massive assault on basic civil liberties.
Documentary 1 hr, 3 mins
- 5
100% WILL SEE
0% WON'T SEE
A young photographer (David Wissack) from Los Angeles takes his girlfriend (Katerina Golubeva) with him while looking for locations in the Joshua Tree National Park in Southern California for a photography shoot, where they find their lives changed by something horrible that happens in the desert...
In "Harry Potter and the Prisoner of Azkaban", Harry (Daniel Radcliffe) and his friends Ron (Rupert Grint) and Hermione (Emma Watson) return for their third year at Hogwarts School of Witchcraft and Wizardry, where the teenagers are forced to face their darkest fears as they confront a dangerous escaped prisoner (Gary Oldman) and the equally foreboding Dementors, who are sent there to protect them.
John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).
Hollywood comedian/actor Pauly Shore loses everything: his house, nobody in Hollywood wants to represent him, he moves back home with his mom and is now parking cars at the Comedy Store. Then one night when he's up in his mom's loft, a dead famous comedian appears who tells Pauly to kill himself cause he'll go down as a comedic genius who died before his time. Pauly then fakes his own death, and the media goes crazy. Celebrities are talking about him on MTV and girls are fighting over him on Jerry Springer. It's everything that he wanted...his plan worked. A week or so later the LAPD is tipped off about his whereabouts and they break down the door of the seedy motel room that he's hiding out in and throw him in LA County's celebrity wing.
Set in the fast-paced world of motorcycle racing, this action movie shows what happens to long-time biker Cary Ford (Martin Henderson) when he is framed by a long-time rival, Henry (Matt Schulze), the leader of a biker gang called the Hellions for the murder of Sleepy D, the brother of Trey Wallace (Ice Cube), the leader of the Machine, the most notorious and feared biker gang in the country. Cary and his friends must make a run for it as they have both Trey and his Machine bikers and the FBI on their tails.
A gripping psychological thriller with Hitchcockian twists. Waking from a coma after a car crash, Ben (Colin Firth) learns that his wife, Elisa (Naomie Harris), was killed in the accident, and his world collapses. He attempts to rebuild his life by getting a new job and a new apartment, but his mind starts playing tricks on him. He begins seeing his dead wife everywhere. His attractive neighbor, Charlotte (Mena Suvari), takes him to see a psychic (Brenda Fricker), who tells him that she senses his wife might still be alive. Meanwhile, someone is moving things around in his apartment and destroying cherished possessions. Then the police pay him a visit: he's being investigated for murder.
A dramatic tale of the moral dilemmas of a not-too-honest cop played out against a background of a manhunt. Pascal supplies his wife, Agnes, with morphine provided by Jaquillat, the local crime boss; Agnes was addicted even before the pair met. But the prison break-out of terrorist Bruno Le Roux, and the certainty that he's settling old scores in the Grenoble area, has made Jaquillat a worried man. He attempts to blackmail Pascal into killing Bruno on sight, using the supply of morphine as a lever. Pascal refuses to co-operate, but he can't tell Agnes why his supplies have suddenly dried up. As a result, she trawls the streets in search of a hit, which is where she meets, and is helped by, the fugitive. He takes her back to her place to tend to her injuries after a street dealer beats her up, and Pascal, coming home, sees them together; however, he doesn't make them aware of his presence, and deliberately lets the fugitive slip through his fingers.
- 3
33% WILL SEE
67% WON'T SEE Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.
0% WILL SEE
100% WON'T SEE
A young man who thought himself already in love with a nice girl is drawn into a literary drama when he is captured by a deep and stimulating love affair.
A high-concept big-budget movie from director Roland Emmerich ("Independence Day"), it's about a climatological disaster that ravages the world beyond recognition. As millions of terrified survivors flee south, Professor Adrian Hall (Dennis Quaid), a brilliant paleoclimatologist, heads to New York City — now a frozen wasteland — in search of his son Sam (Jake Gyllenhaal), who may still be alive.
The crew is back in Barbershop 2: Back in Business, a sequel to the original comedy smash hit. Ice Cube, Cedric the Entertainer, Sean Patrick Thomas, Eve, Troy Garity, Michael Ealy, and Leonard Earl Howze ý theyýre all still there in Calvinýs shop, this time with Queen Latifah joining the fun as Gina, a stylist at the beauty shop next door. Theyýre cutting hair, creating a sense of community, and having their signature Barbershop discussions ý outrageous, explosive, and hilarious. The world changes, but some things never go out of style ý you can still say anything you want at the barbershop.
Jim Jarmusch's ensemble comedy is a series of vignettes, all revolving around discussions held over coffee and cigarettes. Starring a diverse cast, including Bill Murray, Steve Buscemi, Tom Waits, Cate Blanchett, and others, the film has been in production since the 1980s and is in black and white. Topics of conversation include Nicola Tesla, alternative medicine, Paris, the movie industry, and more.
Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.
Tracks the tumultuous rise of two talented musicians, Anton Newcombe, leader of the Brian Jonestown Massacre, and Courtney Taylor, leader of the Dandy Warhols, and dissects their star-crossed friendship and bitter rivalry. Both are hell-bent on staging a self-proclaimed revolution of the music industry. Through their loves and obsessions, gigs and recordings, arrests and death threats, uppers and downers, and ultimately to their chance at a piece of the profit-driven music business. How each handles his stab at "success" is where the relationship frays and burns.
Documentary 1 hr, 50 mins
This is a sex comedy about memory loss, as office worker Graham (Eduardo Noriega) has recently suffered a complete memory loss from a martial arts-related accident, which means that every time he has sex with Irene, one of the secretaries, he forgets about it an hour later, so every time is the first time...
When the owner of a Baltimore working class convenience store, Sylvia Stickles (Tracey Ullman), suffers a concussion, the injury causes a drastic change in her sexual drive, turning her into a sex addict with crazy, wild and urgent desires and compulsions, much to the joy and then frustration of her husband (Chris Isaak) who has trouble keeping up with her, as her new personality threatens to tear apart the remnants of what wasn't an entirely perfect family to begin with.
A best-selling author for 30 years, Carlos Castaneda inspired millions to break free from social dogma, fueling controversy over his work's authenticity and assertions of perceiving non-ordinary reality, during an apprenticeship with Yaqui sorcerer, don Juan Matus. Genius, guru, cult leader or fraud? No one really knows. Over three years in the making, this documentary explores Castaneda's mythic impact, controversial teachings and cult following. Candid interviews backed with animation and experimental footage offer an intense visual and intellectual experience.
Documentary 1 hr, 49 mins
"De-lovely" is an original musical portrait of American composer Cole Porter, filled with his unforgettable songs. In the film, Porter is looking back on his life as if it was one of his spectacular stage shows, with the people and events of his life becoming the actors and action onstage. Through elaborate production numbers and legendary hits like "Anything Goes," "It's De-lovely," and "Night and Day," Porter's elegant, excessive past comes to light - including his deeply complicated relationship with his wife and muse, Linda Lee Porter. Directed by Academy Award-winner Irwin Winkler from a script by Jay Cocks and starring Oscar-winner Kevin Kline, Ashley Judd, and Jonathan Pryce in addition to some of today's biggest rock and pop music stars, "De-lovely" is a sparkling celebration of Porter's music as well as a stirring exploration of the artist's journey and the undying power of love.
Drama Historical 2 hrs, 5 mins
Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.
- 4.5
83% WILL SEE
17% WON'T SEE