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A story about the collision of the Old and New West, two brothers -- Toby (Chris Pine), a straight-living, divorced father trying to make a better life for his son; and Tanner (Ben Foster), a short-tempered ex-con with a loose trigger finger -- come together to rob branch after branch of the bank that is foreclosing on their family land. The hold-ups are part of a last-ditch scheme to take back a future that powerful forces beyond their control have stolen from under their feet. Vengeance seems to be theirs until they find themselves in the crosshairs of a relentless, foul-mouthed Texas Ranger (Jeff Bridges) looking for one last triumph on the eve of his retirement. As the brothers plot a final bank heist to complete their plan, a showdown looms at the crossroads where the last honest law man and a pair of brothers with nothing to live for except family collide.
- 3.7 / 5
50% WILL SEE
50% WON'T SEE"11:14" tells the seemingly random yet vitally connected story of a set of incidents that all converge one evening at 11:14pm. It's a sort of musical chairs with a corpse, with the structurally intriguing storytelling style of Memento and Run Lola Run. The story starts at - 11:14pm - one evening with a young man named Jack who is driving down the freeway, on his way to a rendezvous with his girlfriend. His car hits a body at that moment. Thinking he killed him, Jack tries to hide the body. From there, we backtrack to follow the chain of events of five different characters and five different storylines that all converge and become party to Jack's hitting the body at 11:14pm.
Two half-brothers are reunited as adults after being raised by different fathers. When one discovers his estranged father has only months to live, he strikes a dangerous deal with a crime syndicate, putting him and his brother on a collision course with the Boston underworld.
Mary (Heather Wahlquist) has problems. She has a difficult time feeling things, and swallowing twenty Vicodin a day doesn’t help. She’s seeing a psychiatrist for the disconnect daydreams she keeps having, and her younger sister with Tourette’s hates her. When she loses her job after sleeping with one of the fathers on Parent’s Night, Mary decides to go home. And that’s when the fun really starts. The dreams that seemed so random now start to take real shape as we understand where she came from. From young and in love, to drug dealing on the road, to her father’s slow, painful death, from questions of love and incest to her older sister’s descent into insanity, the secret that destroyed Mary’s entire family reveals itself on her journey back home, along with her ultimate responsibility for it. Busby Berkeley, Cirque du Soleil, sideshow freaks and human livestock all make an appearance in this hallucinogenic tale of love and comeuppance.
73% WILL SEE
27% WON'T SEEThe story centers on a husband (Matthew Perry) struggling with life in a repressive career and community and enduring headaches caused by his free-spirited brother (Ben Foster) and sister (Jennifer Goodwin). Hilary Swank will play a supporting role as the all-too-perfect neighbor of Perry's harried character.
Tells the story of how a murder at Columbia University in 1944 brought together the writers (Allen Ginsberg, Jack Kerouac and William Burroughs) who would spark the Beat Revolution.
- 3.4 / 5
79% WILL SEE
21% WON'T SEESet on one single day in August 1912 at the family’s Connecticut seaside home, the story follows the Tyrone family as it faces the looming dual spectres of Edmund’s potentially fatal consumption diagnosis alongside his mother Mary’s increasingly fragile and anxious state of mind.
Gary Oldman plays as a dwarf brother to a normal-sized Matthew McConaughey. When McConaughey's girlfriend (Kate Beckinsale) becomes pregnant, the pair are fearful that the baby will inherit the Oldman gene. Matters are complicated still further when Beckinsale finds herself falling in love with Oldman's character.
A love triangle between William S. Burroughs (Ben Foster), muse Joan Vollmer (Kristen Stewart) and an American expatriate (Tom Glynn-Carney).