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The sequel to the $100 million worldwide hit, "Underworld: Evolution" continues the saga of war between the aristocratic Death Dealers and the barbaric Lycans (werewolves). The film traces the beginnings of the ancient feud between the two tribes as Selene (Kate Beckinsale), the beautiful vampire heroine, and Michael (Scott Speedman), the lycan hybrid, try to unlock the secrets of their bloodlines. The fast-paced, modern-day tale of deadly action, ruthless intrigue and forbidden love takes them into the battle to end all wars as the immortals must finally face their retribution.
In the re-telling of this classic fable, the story begins at the end. Chief Grizzly (Xzibit) and Detective Bill Stork (Anthony Anderson) investigate a domestic disturbance at Granny's (Glenn Close) cottage involving a karate-kicking Red Riding Hood (Anne Hathaway), a sarcastic Wolf (Patrick Warburton) and an oafish Woodsman ( Jim Belushi). The charges are many: breaking and entering, intent to eat and wielding an axe without a license, but these unusual suspects have their story to tell first.
FBI agent Malcolm Turner (Martin Lawrence) finds himself forced to resume the identity of Atlanta matriarch Hattie Mae Pierce, AKA Big Momma once again in order to go undercover in the investigation of the death of his partner.
In this dark and witty fable, Emma Thompson portrays a person of unsettling appearance and magical powers who enters the household of the recently widowed Mr. Brown (Colin Firth) and attempts to tame his seven exceedingly ill-behaved children. The children, led by the oldest boy Simon (Thomas Sangster), have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control, they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences. Her influence also extends to the family's deeper problems, including Mr. Brown's sudden and seemingly inexplicable attempts to find a new wife; an announcement by the domineering Aunt Adelaide (Angela Lansbury) that she intends to take one of the children away; and the sad and secret longings of their scullery maid, Evangeline (Kelly Macdonald). As the children's behavior begins to change, Nanny McPhee's arresting face and frame appear to change as well, creating even more questions about this mysterious stranger whom the children and their father have come to love.
In 18th century Romania, Rayne (a girl with a human mother and vampire father) possesses superhuman strength but a soft side for humans. She decides to find her vampire father who is the powerful vampire Kagan. On her journey, she is befriended by two vampire hunters and learns that there are three Talisman organs -- a heart, an eye and a rib from her ancestor vampire, Beliar—which Kagan covets, that will make him so powerful that he will throw the earth into darkness and vampires will rule forever.
Taking a much more macabre tone than did Eli Roth's feature debut "Cabin Fever", "Hostel" is an amalgamation of many of the most terrifying things about human nature and the world at large, culled from lots of pulpy-but-true stories of international organized crime, human trafficking, and sex tourism. Relentlessly graphic and deeply disturbing, the film is rife with explicit sex and brutal violence that is sure to delight hard core genre fans, and prove difficult to stomach for general audiences.
A chilling, factually-based, story of three road-trippers in remote Australia who are plunged into danger when they accept help from a friendly local.