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The story of a Washington D.C. publicist and blogger who jokingly suggest that senior citizens should voluntarily commit suicide to solve the social security crisis -- only to see a politician, with whom she becomes romantically involved, take up the cause.

"CSA: The Confederate States of America", through the eyes of a faux documentary, takes a look at an America where the South won the Civil War. Supposedly produced by a British broadcasting company, the feature film is presented as a production being shown, controversially, for the first time on television in the States. Beginning with the British and French forces joining the battle with the Confederacy, thus assuring the defeat of the North at Gettysburg and ensuing battles, the South takes the battle northward and form one country out of the two. Lincoln attempts escape to Canada but is captured in blackface. This moment is captured in the clip of a silent film that might have been. Through the use of other fabricated movie segments, old government information films, television commercials, newsbreaks, along with actual stock footage from our own history, a provocative and humorous story is told of a country, which, in many ways, frighteningly follows a parallel with our own. After victory, President Davis brings slavery back to the northern states by offering a tax rebate to businesses and households who will buy and own them. Liberals move to Canada. The nation chooses an expansionist policy and conquers Mexico and South America. As world war looms, the CSA takes a non-aggressive stance toward the Third Reich and their move toward racial purity (although not condoning their wasting of possible slave stock by the Final Solution) and makes a preemptive strike on Japan on December 7, 1941. Kennedy is assassinated soon after being elected, as it appears he will not only emancipate but also give women the vote. A growing black terrorist base stems from Canada and a Cold War breaks out...complete with the Cotton Curtain being built between the two countries. Through it all, including a contemporary run for the presidency, we follow a political dynasty, the Fauntroy family, who lead the country through its triumphs and tragedies. We arrive to a today that, in many ways, we recognize. Although a nation that is content and prosperous, there is a tremendous divide within and suspicious eye without. Current politicians refer to us as two countries and perhaps, other than geographically, there is no difference between Red and Blue or North and South states. We have always struggled as to whether we are the United or Confederate States of America.

Two friends come to the realization that all “faith based” films are extremely profitable and set out on a mission to make one of their own.

A shockingly candid examination of how a street dealer can rise to cartel lord with relative ease, How to Make Money Selling Drugs is an insider's guide to the violent but extremely lucrative drug industry. Told from the perspective of former drug dealers, and featuring interviews with rights advocates Russell Simmons, Susan Sarandon, and David Simon (creator of The Wire), the film gives you the lessons you need to start your own drug empire while exposing the corruption behind the "war on drugs."

A satire of male-female relations under the guise of a self-help book.

London, 1997: the British music industry is on a winning streak. Britpop bands Blur, Oasis, and Radiohead rule the airwaves, and Cool Britannia is in full swing. 27-year-old hit-chasing A&R man Steven Stelfox is slashing and burning his way through the music business, a world where careers are made and broken by chance and the fickle tastes of the general public. Fueled by greed, ambition and inhuman quantities of drugs, Stelfox searches for his next hit record amid a relentless orgy of self-gratification. Created by an industry that demands success at any price, Stelfox takes the concept of "killer tunes" to a murderous new level in a desperate attempt to salvage his career. Balanced against the backdrop of the music business and its characters, Stelfox is the ultimate anti-hero: chronically sexist, racist, and everything else-ist.

A group of contemporary Oxford University undergraduates' exclusive dinner club spirals out of control.

A psychoanalyst is given a top-secret assignment to help an increasingly paranoid and overly stressed U.S. president.

Centers on the state of modern marriage.