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Set to the music of popular hit songs from the 1980s. A beautiful coastal village, present day Spain. After a whirlwind romance, Maddie is preparing to marry her gorgeous Spanish tutor Raf, and has invited her sister Taylor to the wedding. Unbeknownst to Maddie, however, Raf is Taylor's ex-holiday flame, and the love of her life...
94% WILL SEE
6% WON'T SEE
A group of Lebanese women try to ease religious tensions between Christians and Muslims in their village.
- 3.6
55% WILL SEE
45% WON'T SEE
Follows five couples whose intertwined lives are turned upside down as they experience the trials and triumphs of impending parenthood.
- 3.6
85% WILL SEE
15% WON'T SEE
Two people discover they''ve gotten married following a night of debauchery in Vegas, with one of them winning a jackpot after playing the other''s quarter. The pair trys to undermine each other and get their hands on the money... falling in love along the way.
After losing an audition for her dream job, an aspiring Los Angeles TV news anchor goes out for an uncharacteristic night of partying. She awakes in a stranger's bed to a phone message from her agent telling her the job is hers, if she can make it across town by 5 pm. Stranded in an unknown area without money, a phone, and a car, she embarks on a series of misadventures as she races to the most important job interview of her life.
- 4
13% WILL SEE
87% WON'T SEE
How do you find lasting love in today’s world? For documentary filmmaker Zoe (Lily James), swiping right to find Mr Right has only delivered bad dates and funny anecdotes, much to her opinionated mother Cath’s (Emma Thompson) dismay. For her childhood friend and neighbour Kazim (Shazad Latif), the answer is to follow his parents’ example and opt for an assisted marriage with a bright and beautiful bride from Pakistan. As Zoe films his hopeful journey from London to Lahore to marry a stranger, chosen by his parents, she begins to wonder if she might have something to learn from a different approach to finding love.
- 4.5
76% WILL SEE
24% WON'T SEE
From 20th Century Studios,’ the all-new comedy White Men Can’t Jump is a modern remix of the iconic 1992 film that celebrates the streetball hustling culture of Los Angeles. Multi-platinum rap superstar Jack Harlow makes his movie debut as Jeremy, a former star of the game whose injuries stalled his career, and Sinqua Walls stars as Kamal, once a promising player who derailed his own future in the sport. Juggling tenuous relationships, financial pressures and serious internal struggles, the two ballers—opposites who are seemingly miles apart—find they might have more in common than they imagined possible.
Adrienne Shelly's sunny final film is also her most artistically successful and intrinsically marketable directorial effort. An old-fashioned fairy tale that honors the transformative power of female friendship and motherhood, "Waitress" features a dynamic cast led by Keri Russell, whose character will surely do, in a Rachael Ray kind of way, for down home pie-making what the title character of "Babette's Feast" did for Cailles en Sarcophage.
When Russell's character Jenna, a waitress in a cheery southern diner, discovers that she's pregnant, she doesn't exactly jump for joy. Motherhood was never in her plans, and she's already saddled with her needy, jealous and infantile husband Earl (Jeremy Sisto).
At first, things seem hopeless and her dreams for a better life are in ruins, until a good-looking doctor (Nathan Fillion) arrives in town and mixes things up. With the support and love of her friends and co-workers (Adrienne Shelly and Cheryl Hines) at Joe's Pie Diner, Jenna exhibits her skills with crusts and fillings which are particularly appreciated by Joe himself (Andy Griffith). She then gains the courage to embrace independence and create the life of her dreams.
Prep school English teacher Jack Marcus (Clive Owen) laments his students' obsession with social media and good grades - as opposed to rigorous engagement with language. A one-time literary star, Jack has not published in years. He's let the school's literary magazine fall into ruin. He's estranged from his son. In short, Jack has much to despair of, and when Jack despairs, Jack drinks. A lot. Jack's drunken behaviour has been bad enough to have him banned from a local upscale pub.
Dina Delsanto (Juliette Binoche) is an abstract painter. Like Jack, she was once celebrated for her art, but the onset of arthritis has made the physical act of painting too painful to bear. Jack finds Dina attractive but icy; he flirts with and provokes her with equal relish.
- 3.8
17% WILL SEE
83% WON'T SEE
Turaqistan is a country occupied by an American private corporation run by the former US Vice President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires Hauser to kill a Middle Eastern oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah, an outrageous Central Asian pop star and keeping a sexy left-wing reporter in check.
A woman with Borderline Personality Disorder wins the lottery, quits her meds and buys herself a talk show on an infomercial channel where she talks and creates segments exclusively about herself. Welcome To Me is a dark comedic look at our obsession with celebrity and narcissism.
- 2.8
78% WILL SEE
22% WON'T SEE
In honor of Rebecca's (Rachel Dratch) 50th birthday, Abby (Amy Poehler) plans a scenic Napa getaway with their best, longtime friends. Workaholic Catherine (Ana Gasteyer), post-op Val (Paula Pell), homebody Jenny (Emily Spivey), and weary mom Naomi (Maya Rudolph) are equally sold on the chance to relax and reconnect. Yet as the alcohol flows, real world uncertainties intrude on the punchlines and gossip, and the women begin questioning their friendships and futures.
A high-rise building near the forest is famous for its carefully curated community. When a dog disappears and her daughter refuses to leave the bathroom, a security officer faces an absurd battle against an irrational fear, that slowly spreads amongst the residents and rattles this utopia with a view.
20% WILL SEE
80% WON'T SEE