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The two men embark on parallel, if separate, journeys. Their yearning is a common one—for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitchhike through the beautiful wild countryside of Bhutan to reach his goal. He shares the road with a monk, an apple seller, a papermaker and his beautiful young daughter, Sonam. Throughout the journey, the perceptive yet mischievous monk relates the story of Tashi. It is a mystical fable of lust, jealousy and murder, that holds up a mirror to the restless Dondup, and his blossoming attraction to the innocent Sonam. The cataclysmic conclusion of the monk's tale leaves Dondup with a dilemma—is the grass truly greener on the other side?
A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.
On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).
- 5 / 5
Fifteen-year-old Tracey Berkowitz is naked under a tattered shower curtain at the back of a bus, looking for her little brother Sonny, who thinks he's a dog. Tracey's journey leads her into the dark underbelly of the city, into the emotional cespool of her home, through the brutality of her high school, the clinical cat and mouse games with her shrink and her soaring fantasies of Billy Zero--her boyfriend and rock 'n' roll savior. Her travels also put her in contact with the seedier inhabitants of the city. Like Lance, her would-be savior who ultimately puts her life in jeopardy. Tracey's stories begin to intertwine truth with lies, hope with despair as she moves closer to the truth of Sonny's disappearance.