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Tells the story of a Buddhist monk's pilgrimage to India to collect religious texts.
- 3.7 / 5
Hye-ja is a single mom to 27-year-old Do-joon. Her son is her raison d'etre. Though an adult in years, Do-joon is naive and dependent on his mother, and a constant source of anxiety, often behaving in ways that are foolish or simply dangerous.
Walking home alone one night down a nearly empty city street, he encounters a young girl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder.
Thanks to an inefficient lawyer and an apathetic police force, Do-joon's case is quickly closed, but his mother refuses to let this be the end of the story. Trusting no one, Hye-ja's maternal instincts kick into overdrive, and she sets out to find the girl's killer and prove her son's innocence.
- 3.3 / 5
Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.
The film follows the structure of Dante's masterwork, beginning in Hell. In Godard's hands, hell becomes a devastating but beautifully collected montage of war images. War - be it World War II, Algeria, Vietnam, Israel or Bosnia - is a constant in his films, but never has he pieced together an assemblage of such poetic power. Purgatory finds Godard himself in Sarajevo, where he has been invited to attend a European literary conference with other artists and writers. Here we are introduced to a young French-Jewish journalist based in Israel who has come to Sarajevo to see a place "where reconciliation is possible." Paradise is the most enigmatic section of the film, where the journalist finds peace by the water on a small beach guarded by American Marines.
Mads Mikkelsen plays Lucas, a highly-regarded school teacher who has been forced to start over having overcome a tough divorce. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity.
- 4.1 / 5
The film examines the relationship of a physically handicapped boy with his parents as they struggle to carve out a normal life for the their son.
Set in an unnamed country in a post-apocalyptic future, this is the story of a young female assassin, Yuki (Yumiko Shaku), who discovers that the leader of the band of outlaws she belongs to murdered her mother. Finding herself targeted for elimination after she confronts the group's leader about her mother's death, Yuki goes on the run from her former coworkers. Barely surviving an attack, she finds refuge with a young man who used to be a terrorist, with whom she gradually falls in love, but with trained killers getting closer and closer to finding her, can their love survive?
It's the score of their lives--if they can pull it off. Five thieves at the top of their game, and the crew is assembling for their biggest job yet. Popie's the muscle and brains, Pepsee's the safecracker. Yenicall climbs walls, Zampano is the strategy man, and Chewingum is the master of disguise. But this new score--it's hot. Maybe too hot. But who can resist the Tear of The Sun: a 318-carat diamond, worth 20 million dollars, and locked away in a casino. The vault is impenetrable, the location covered in cops, and everyone knows there's no honor among thieves--especially not the crew Macao Park, Popie's old partner, has forced their team to work with. As they gear up and stroll into the casino with a plan, skills, and a whole lot of nerve, they quickly learn that avoiding the cops may not be their toughest problem. What's Macao Park's real motive? Who will betray them all? And who will walk away with the diamond?
- 3.9 / 5
The two men embark on parallel, if separate, journeys. Their yearning is a common one—for a better and different life. Dondup, delayed by the timeless pace of his village, is forced to hitchhike through the beautiful wild countryside of Bhutan to reach his goal. He shares the road with a monk, an apple seller, a papermaker and his beautiful young daughter, Sonam. Throughout the journey, the perceptive yet mischievous monk relates the story of Tashi. It is a mystical fable of lust, jealousy and murder, that holds up a mirror to the restless Dondup, and his blossoming attraction to the innocent Sonam. The cataclysmic conclusion of the monk's tale leaves Dondup with a dilemma—is the grass truly greener on the other side?
Revolves around the end of WWII and the final years of the Chinese Civil War.
Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.
A mysterious and intoxicating pop romance, Ryûsuke Hamaguchi's follow-up to his acclaimed HAPPY HOUR, begins with Asako, young woman who meets and falls madly in love with a drifter named Baku who one day drifts right out of her life. Two years later, working in Tokyo, Asako sees Baku again – or, rather, a young solid businessman named Royhei, who bears a striking resemblance to her old flame. They begin to build a happy life together until traces of Asako’s past start to resurface
Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.
An expressionist work comprised of surreal action involving: a hockey rink that houses a forgotten wax museum, where ghosts of dead lovers stroll; and a beauty salon where a demented doctor, wearing a corset, performs abortions.
A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.
A Miami reporter travels to a small Ecuadorian village to cover a series of brutal murders and get the biggest story of his career, tracking a possible serial killer dubbed the Monster of Babahoyo.
Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.
Winner of the Jury Grand Prize at the Venice Film Festival, and the Official Russian Selection for Academy Award® Best Foreign Language Film, "House of Fools" (Dom Durakov) is a satirical look at war seen through the eyes of a beautiful woman who is literally madly in love. Based on a true story, "House of Fools" tells the tale of a young Chechen woman, Janna, who is one of several inmates living in a psychiatric hospital on the Russian border of Chechnya. Insulated from the world, the inmates are oblivious to the war that rages around them. In her dream world, Janna finds comfort when her imaginary fiancé (Bryan Adams, played by himself) sings her love songs.
The story centers on family honor killings among Muslims in Britain and other European countries.
Something sinister is lurking under the surface of 10-year-old Michele's (Giuseppe Cristiano) idyllic summer in 1978. While the days in his remote sourthern Italian village are filled with the familiar routines of childhood, a chance discovery leads to a shocking revelation. Now, suddenly beyond the point-of-no-return, Michele digs further to find that even his own parents may be behind what's quickly becoming the country's most nefarious crime.