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1930s Shanghai: the glamorous, tumultuous "Paris of the East" whose salons, streets and bedrooms frame this Chinese adaptation of the French novel Les Liaisons Dangereuses. Aging socialite Mo Jieyu (Cecilia Cheung) still finds herself circling ex-boyfriend Xie Yifan (Jang Dong-kun). Even after years of separation, their attraction--and appetites--burn just beneath the surface. Mo, the rich and charming widow with a taste for indulgence and sensuous pleasures, still has eyes for famous womanizer Xie, who secretly burns with love for her. And yet, in his luxurious life, Xie's new interest lies in chaste humanitarian Du Fenyu (Ziyi Zhang), who has captured his attention and earned his desire for conquest. Mo lures Xie into a treacherous, dangerous game of hearts: win, bed, and leave Du, proving his mettle as a rogue and impossible catch. But can Xie take the honor of such a woman, without losing his own heart, as well? As war looms in Shanghai, can Xie win Mo's seductive game? Can he choose between these two women? Where will such a triangle lead them all? In matters of the heart, and in this city, there may be no difference between love and war.

Dreaming of becoming a millionaire, a short but ambitious Czech works his way into a posh pre-war luxury spa, where his marriage to a Hitler-loving fräulein provides him with a golden opportunity to make his fondest wish come true.

Seven years after the apparent death of Chen Zhen, a mysterious stranger arrives from overseas and befriends a local mafia boss. That man is a disguised Chen Zhen, who intends to infiltrate the mob when they form an alliance with the Japanese. Disguising himself as a caped fighter by night, Chen intends to take out everyone involved as well as get his hands on an assassination list prepared by the Japanese.

This is the story of two men, one of whom is a film director, in Spain who meet again 20 years after they attended a Catholic school together as children during the time of Franco's rule. The film will flash back to extended sequences from their youths, and will also include a movie-within-the-movie sequence.

Georges, a television talk show host, and his wife Anne, are living the perfect life of modern comfort and security. One day, their idyll is disrupted in the form of a mysterious videotape that appears on their doorstep. On it they are being filmed by a hidden camera from across the street with no clues as to who shot it, or why. As more tapes arrive containing images that are disturbingly intimate and increasingly personal, Georges launches into an investigation of his own as to who is behind this. As he does so, secrets from his past are revealed, and the walls of security he and Anne have built around themselves begin to crumble.

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

"House of Flying Daggers" is set in the year 859AD as China's once flourishing Tang Dynasty is in decline. Unrest is raging throughout the land, and the corrupt government is locked in battle with rebel armies that are forming in protest. The largest, and most prestigious of these is the "House of Flying Daggers", which is growing ever more powerful under a mysterious new leader. Two local captains, Leo (Lau) and Jin (Kaneshiro) are ordered to capture the new leader and the two hatch an elaborate plan. Captain Jin will pretend to be a lone warrior called Wind and rescue the beautiful, blind revolutionary Mei (Ziyi), from prison, earning her trust and escorting her to the secret headquarters of the House of Flying Daggers. The plan works, but to their surprise, Jin and Mei fall deeply in love on their long journey to the House. Danger lurks in the forest surrounding them, and the wind is still, as if sensing the tension in the air. What lies ahead for Jin and Mei, these star-crossed lovers? If this is true love, then why are there plots in their heads, and secrets in their hearts?

Wing Chun grandmaster Ip Man (Donnie Yen) has the perfect family, plenty of money, a beautiful house, and a blossoming martial arts academy. But when the Japanese occupy his hometown of Foshan during the Sino-Japanese war of 1937, Ip, like the rest of the locals, is forced into hard labor and brutal sparring matches for the enemy's amusement. His incredible skills soon catch the eye of a Japanese Colonel who wants Ip to teach Wing Chun to his soldiers.

From the slums of Paris to the limelight of New York, Edith Piaf's life was a battle to sing and survive, live and love. Raised in poverty, Edith's magical voice and her passionate romances and friendships with the greatest names of the period - Yves Montand, Jean Cocteau, Charles Aznavour, Marlene Dietrich, Marcel Cerdan and others - made her a star all around the world. But in her audacious attempt to tame her tragic destiny, the Little Sparrow - her nickname - flew so high she could not fail to burn her wings.

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

Hye-ja is a single mom to 27-year-old Do-joon. Her son is her raison d'etre. Though an adult in years, Do-joon is naive and dependent on his mother, and a constant source of anxiety, often behaving in ways that are foolish or simply dangerous.

Walking home alone one night down a nearly empty city street, he encounters a young girl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder.

Thanks to an inefficient lawyer and an apathetic police force, Do-joon's case is quickly closed, but his mother refuses to let this be the end of the story. Trusting no one, Hye-ja's maternal instincts kick into overdrive, and she sets out to find the girl's killer and prove her son's innocence.

Takeshi Kaneshiro stars in this thriller as Miyamoto, an assassin who accidentally wounds a young woman during a shoot out. When Miyamoto goes to help her, she tells him that she has been sent from the future to prevent an alien invasion that will occur in 72 hours. She informs him that because he has injured her, he must now help her carry out her mission or else be responsible for the destruction of humanity.

Two young couples in Madrid (Alterio and Vega; Toledo and Verbeke) are searching for love and happiness, but ultimately they find only lies and heartache, as they switch lovers back and forth, and the erotic tension escalates. There's also a good deal of singing and dancing amidst all the bed swapping.

Set in 1938 Colonial India, against Mahatma Gandhi's rise to power, "Water" begins when 8-year-old Chuyia is widowed and sent to a home where Hindu widows must live in penitence. Chuyia's feisty presence deeply affects the lives of the other residents, including a young widow, who falls for a Gandhian idealist.

This is the story of two brothers in Glasgow, Harbour (Adrian Rawlins) and Wilbur (Jamie Sives), who inherit a used bookstore. The brothers discover that a chance encounter with a cleaning lady at the local hospital, Alice (Shirley Henderson), who's the single mother of a little girl, Mary (Lisa McKinlay), prompts them to reconsider the choices they've made in life, which might change all four of their lives.

Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

"Eros" is an anthology of three short films on the subject of eroticism and love, from a trio of the world's most extraordinary directors, Wong Kar Wai, Steven Soderbergh, and Michelangelo Antonioni. Wong Kar Wai's "The Hand" is the story of a young tailor's (Chang Chen) long-time unrequited love for a beautiful Hong Kong courtesan (Gong Li). Over many years, he lovingly crafts the clothes that she wears for other men. Over time, the seemingly unattainable fantasy woman loses everything, just as the tailor prospers in his career. Then the unexpected happens... Steven Soderbergh's "Equilibrium" is about a stressed-out 1950's advertising man (Robert Downey, Jr.) who has been suffering from a series of recurring erotic dreams. During his session with psychiatrist Dr. Pearl (Alan Arkin), he describes his dream of a woman who is familiar to him—but he can't recall who she is when he wakes up. Through the course of a very offbeat hour of therapy, we discover why that is. Michelangelo Antonioni's "The Dangerous Thread of Things" follows a fortyish married couple (Christopher Buchholz and Regina Nemni) that no longer have anything to say to one another. At an impasse, the man has a passionate one night stand with a free-spirited young girl (Luisa Ranieri), but this experience also fails to satisfy him. Later on, the wife and the girl meet....

Genya Tachibana is a director and the president of a small production company. One day, he is contacted by the famous Gin Ei studios, that ask him to direct a documentary commemorating their 70 years of existence. Genya chooses as a subject the legendary actress Chiyoko Fujiwara, a superstar actress who 30 years earlier chose to end her career and disappear from public life. Chiyoko Fujiwara is a cinematographic enigma that nobody ever seemed to shed light on. Genya is obsessed by this fallen star, wanting to unravel the truth behind her secret. Accompanied by a young cameraman, Genya finds his way to Chiyoko, who has transformed into an elderly hermit living alone in an isolated house. At their first meeting, Genya sees that Chiyoko, although touched by the hand of time, has not lost any of her charm or energy. To gain her confidence, he brings her an ancient key that holds sentimental value, that rapidly allows Chiyoko to begin recounting her memories. The interview takes course, and our 3 protagonists are plunged into the past, visiting each fragment of what has been long gone, where the past and present meld together. The actress' recollections soon metamorphosize into a great adventure where cinema confronts her history and an incredible love is unveiled, that conflicted with her rather uncommon lifestyle...

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.