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Set in 1938 Colonial India, against Mahatma Gandhi's rise to power, "Water" begins when 8-year-old Chuyia is widowed and sent to a home where Hindu widows must live in penitence. Chuyia's feisty presence deeply affects the lives of the other residents, including a young widow, who falls for a Gandhian idealist.
A tale about a troubled hit man who is starting to realize that he has too much conscience to kill. Having recently rekindled his relationship with his childhood soul mate, Michelle, he sees their love as a way out. But reality soon grips him when he learns that she has stolen a mysterious briefcase, forcing Jean-Pierre to walk a fine line between protecting the woman he loves and falling back into the world of crime he just left--an impossible task that soon unravels in ways that he can neither imagine nor control.
50% WILL SEE
50% WON'T SEE Back to Burgundy tells the story of Jean, who left his family and his native Burgundy ten years ago to tour the world. When learning of his father’s imminent death he returns to his childhood home where he, his sister, Juliette, and brother, Jérémie, inherit their family vineyard. As the seasons go by and they work to save the vineyard, they’ll have to learn to trust each other again and reinvent their relationship.
- 2.5
33% WILL SEE
67% WON'T SEE This is the story of two men, one of whom is a film director, in Spain who meet again 20 years after they attended a Catholic school together as children during the time of Franco's rule. The film will flash back to extended sequences from their youths, and will also include a movie-within-the-movie sequence.
In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.
We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.
Paris, 2013. Damien is a member of an elite police squadron, a special unit highly trained in martial arts and the precise physical skills necessary to navigate the treacherous urban landscape of Paris' future. He is now tasked with the most vital and dangerous mission of his career: a weapon of mass destruction has been concealed by the most powerful gang of the suburbs of District B13, a walled off section of Paris in which the criminals rule themselves. Damien must infiltrate the gang in order to either defuse the bomb or recover it.
This is the true story of how a Japanese businessman from Los Angeles, Eishy Hayata, built an emerald mining empire in Columbia that is today one of the world's largest and most powerful, starting in the 1970s as an "esmeraldero", an emerald buyer who goes directly to rural areas where emeralds can be procured from locals at bargain prices in their rough form. Central to the film's intrigue are Columbia's more brutal realities, as guerrilla warfare and street kidnappings are quite common. To combat this, Hayata fashions himself as a sort of modern cowboy, armed and dressed to fit the bill, along with a powerful cadre of personal bodyguards.
When her majesty's crown jewels are stolen by a conniving Frenchman (John Malkovich), who also plans to steal the queen's throne, Johnny English (Rowan Atkinson), a bit unseasoned but intensely enthusiastic, is thrown onto the case. Fast cars, high tech gadgets, top secret info - Johnny can hardly believe it. He may be in over his head, but his courage and dedication are unmatched - especially after he meets double agent Lorna Campbell (Natalie Imbruglia) and discovers that falling in love makes saving the nation even more exciting.
The public life of Yves Saint Laurent was an extravagant spectacle, as a design prodigy and then the grand coutourier of a fashion empire, he influenced fifty years of style and was an icon to millions -- but few are familiar with the private life of the legend. In Pierre Thoretton's L'Amour Fou, Pierre Berge, the man with which YSL shared four decades of his life, reflects on the equally extravagant history of their personal relationship.
- 5
0% WILL SEE
100% WON'T SEE Masuoka is a cameraman possessed by the craving to understand fear--what it is and where it ultimately leads. He wanders the Tokyo streets, a voyeur, hungrily looking for clues. Obsessing over the haunted expressions of the faces he has captured in his daily filming, in particular a man who committed a grisly suicide on the metro. He returns to the scene to better comprehend the dead man's reasoning. Following his final gaze leads Masuoka to a door, an entry into a bizarre, cavernous underworld. Here among the ghosts and the subterranean robots called DERO's he finds a beautiful young girl chained to a rock. Saving her from her imprisonment, he takes her home. But watching her from his web-cam at work each day he begins suspect there is something truly inhuman about this girl with sharp teeth and who walks on all fours. When he begins to uncover her horrifying secrets Masuoka realises that he has found the key to gaining the terrible knowledge he so craves.
Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.
A 12-year-old Afghan girl and her mother lose their jobs when the Taliban closes the hospital where they work. The Taliban have also forbidden women to leave their houses without a "legal companion." With her husband and brother dead there is no one left to support the family, and without being able to leave the house the mother is left with nowhere to turn. Feeling she has no other choice, she disguises her daughter as a boy. Now called Osama, the girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from finding out her true identity. Inspired by a true story, "Osama" is the first entirely Afghan film shot since the rise and fall of the Taliban.
Takeshi Kaneshiro stars in this thriller as Miyamoto, an assassin who accidentally wounds a young woman during a shoot out. When Miyamoto goes to help her, she tells him that she has been sent from the future to prevent an alien invasion that will occur in 72 hours. She informs him that because he has injured her, he must now help her carry out her mission or else be responsible for the destruction of humanity.
In "Saraband", Marianne and Johan (the couple in "Scenes from a Marriage") meet again after thirty years without contact, when Marianne suddenly feels a need to see her exhusband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss.
Also living at the summer house are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds
In the final part of the Millennium Trilogy, Lisbeth Salander is hospitalized after meeting with her father. Mikael Blomqvist continues to uncover the reasons why Lisbeth has been treated harshly by the Swedish authorities.
- 3.6
63% WILL SEE
37% WON'T SEE
Mads Mikkelsen plays Lucas, a highly-regarded school teacher who has been forced to start over having overcome a tough divorce. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity.
- 4.1
49% WILL SEE
51% WON'T SEE
Anne Reid stars as May, an ordinary grandmother from the North of England. When her husband dies on a family visit to London, she recedes into the background of her busy, metropolitan children's lives. Stuck in an unfamiliar city, far from home, May fears that she has become another invisible old lady whose life is more or less over. Until, that is, she embarks on a passionate affair with Darren (Daniel Craig), a man half her age who is renovating her son's house and sleeping with her daughter.
Two young couples in Madrid (Alterio and Vega; Toledo and Verbeke) are searching for love and happiness, but ultimately they find only lies and heartache, as they switch lovers back and forth, and the erotic tension escalates. There's also a good deal of singing and dancing amidst all the bed swapping.
On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).
- 5
100% WILL SEE
0% WON'T SEE