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This is the true story of how a Japanese businessman from Los Angeles, Eishy Hayata, built an emerald mining empire in Columbia that is today one of the world's largest and most powerful, starting in the 1970s as an "esmeraldero", an emerald buyer who goes directly to rural areas where emeralds can be procured from locals at bargain prices in their rough form. Central to the film's intrigue are Columbia's more brutal realities, as guerrilla warfare and street kidnappings are quite common. To combat this, Hayata fashions himself as a sort of modern cowboy, armed and dressed to fit the bill, along with a powerful cadre of personal bodyguards.
Takeshi Kaneshiro stars in this thriller as Miyamoto, an assassin who accidentally wounds a young woman during a shoot out. When Miyamoto goes to help her, she tells him that she has been sent from the future to prevent an alien invasion that will occur in 72 hours. She informs him that because he has injured her, he must now help her carry out her mission or else be responsible for the destruction of humanity.
Two young couples in Madrid (Alterio and Vega; Toledo and Verbeke) are searching for love and happiness, but ultimately they find only lies and heartache, as they switch lovers back and forth, and the erotic tension escalates. There's also a good deal of singing and dancing amidst all the bed swapping.
The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.
Winner of the Jury Grand Prize at the Venice Film Festival, and the Official Russian Selection for Academy Award® Best Foreign Language Film, "House of Fools" (Dom Durakov) is a satirical look at war seen through the eyes of a beautiful woman who is literally madly in love. Based on a true story, "House of Fools" tells the tale of a young Chechen woman, Janna, who is one of several inmates living in a psychiatric hospital on the Russian border of Chechnya. Insulated from the world, the inmates are oblivious to the war that rages around them. In her dream world, Janna finds comfort when her imaginary fiancé (Bryan Adams, played by himself) sings her love songs.
A young Frenchman moves into an apartment full of international students in Barcelona and discovers that mixing with students of many nationalities gives him a new perspective on life.
A love story spanning two continents, "Nowhere in Africa" is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Kohler) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country-learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the trio's relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other.
At a deserted train station, a teacher and a gangster meet and realize that each might have been better suited to the other man's way of life. As a friendship of sorts develops between these opposite personalities, each starts to envy the other and by the week's end, everything will change for both of them.
A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.
Set in an unnamed country in a post-apocalyptic future, this is the story of a young female assassin, Yuki (Yumiko Shaku), who discovers that the leader of the band of outlaws she belongs to murdered her mother. Finding herself targeted for elimination after she confronts the group's leader about her mother's death, Yuki goes on the run from her former coworkers. Barely surviving an attack, she finds refuge with a young man who used to be a terrorist, with whom she gradually falls in love, but with trained killers getting closer and closer to finding her, can their love survive?
Set in a small Edo period Japanese brothel near Tokyo, this is the story of a young samurai, Fusanosuke (Hidetaka Yoshioka), who seeks refuge there in the company of a young prostitute, Oshin (Nagiko Tono), after he accidentally wounded a powerful samurai during an argument whose colleagues are now seeking to kill Fusanosuke in return. Soon falling in love with Oshin, Fusanosuke hopes to be able to cleanse her from the sins of her occupation so that she may be his wife, even as danger lurks all around the brothel.