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Itami, a young Japanese man, falls deeply in love with Cynthia, a beautiful Chinese girl. Their brief happiness ends when he is called home for his military service and they are forced to part. Three years later, Shanghai has been unofficially occupied by Japan. Cynthia - now known as Ding Hui—is working for Purple Butterfly, a resistance group planning to assassinate Yamamoto, head of the Japanese secret service. Itami is also in Shanghai, operating as a secret agent and reporting directly to Yamamoto.
A dysfunctional family is at the core of the story that unfolds as the matriarch, Magda, attempts to cope with the aftermath of a deadly accident. She dotes on her 20-year old son while her daughter and her husband live upstairs. Seven characters struggle to survive against odds that become more complicated than any of them could have contemplated. Greed, betrayal, homosexual politics, manipulation, blackmail, and a ferocious race to take ownership of a family owned plot of land, all combine to make this a modern day Greek tragedy, However, as in most tragedies of this nature, farce is never far behind.
1930s Shanghai: the glamorous, tumultuous "Paris of the East" whose salons, streets and bedrooms frame this Chinese adaptation of the French novel Les Liaisons Dangereuses. Aging socialite Mo Jieyu (Cecilia Cheung) still finds herself circling ex-boyfriend Xie Yifan (Jang Dong-kun). Even after years of separation, their attraction--and appetites--burn just beneath the surface. Mo, the rich and charming widow with a taste for indulgence and sensuous pleasures, still has eyes for famous womanizer Xie, who secretly burns with love for her. And yet, in his luxurious life, Xie's new interest lies in chaste humanitarian Du Fenyu (Ziyi Zhang), who has captured his attention and earned his desire for conquest. Mo lures Xie into a treacherous, dangerous game of hearts: win, bed, and leave Du, proving his mettle as a rogue and impossible catch. But can Xie take the honor of such a woman, without losing his own heart, as well? As war looms in Shanghai, can Xie win Mo's seductive game? Can he choose between these two women? Where will such a triangle lead them all? In matters of the heart, and in this city, there may be no difference between love and war.
- 2
57% WILL SEE
43% WON'T SEE Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.
Shortly after both his brother died and his girlfriend left him, Bruce (Rodolphe Marconi), a young filmmaker attending a year-long seminar in Rome, finds himself becoming the subject of obssession by a mostly straight Italian tour guide, Matteo (Andrea Necci), after the two end up sleeping together. Matteo continues to hang around Bruce, sometimes lurking in the darkness, stalking him, even as a new American girl (Echo Danon) with a fascination with serial killers enters their lives.
The film follows the structure of Dante's masterwork, beginning in Hell. In Godard's hands, hell becomes a devastating but beautifully collected montage of war images. War - be it World War II, Algeria, Vietnam, Israel or Bosnia - is a constant in his films, but never has he pieced together an assemblage of such poetic power. Purgatory finds Godard himself in Sarajevo, where he has been invited to attend a European literary conference with other artists and writers. Here we are introduced to a young French-Jewish journalist based in Israel who has come to Sarajevo to see a place "where reconciliation is possible." Paradise is the most enigmatic section of the film, where the journalist finds peace by the water on a small beach guarded by American Marines.
This is the story of two men, one of whom is a film director, in Spain who meet again 20 years after they attended a Catholic school together as children during the time of Franco's rule. The film will flash back to extended sequences from their youths, and will also include a movie-within-the-movie sequence.
A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.
On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).
- 5
100% WILL SEE
0% WON'T SEE
Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that this lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now his ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant Megalopolis called Belleville where they encounter the renowned "Triplets of Belleville", three eccentric female music-hall stars from the 30's who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno's brilliant sense of smell, the brave duo are soon on to Champion's trail. But will they succeed in beating the devilish plans of the evil French mafia?