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The main character in Cidade de Deus is not a person. It is a place. Cidade de Deus is a poor housing project started in the 60's that became one of the most dangerous places in Rio de Janeiro by the beginning of the 80's. In order to tell the story of the place the film tells us the stories of many characters. But all is seen through the eyes of the narrator: Busca-Pi, a poor black kid too frail and scared to become an outlaw but also to smart to be content with an underpaid job. He grows up in a very violent environment. The odds are all against him. But he discovers he can see the reality with a different eye: the eye of an artist. Eventually he becomes a professional photographer. That is his redemption... Buscapi is not the real protagonist of the film. He is not the one who makes the story moves on [sic]. He is not the one who makes the decisions that will determine the main chain of events. Nevertheless, not only his life is attached to what happens in the story but it is also through his perspective of life that we understand the humanity of a world apparently condemned to endless violence.
"Biker Boyz" is an contemporary Western on wheels with desperados who live every day on the edge. Lawyers and city workers by day, they take to the streets in their leathers to race by night. In the world of underground motorcycle clubs, the undefeated racer known as Smoke (Laurence Fishburne) is the undisputed "King of Cali." But Smoke's dominance of the set is about to be threatened by a young motorcycle racing prodigy called Kid (Derek Luke), who is determined to win Smoke's helmet and earn the coveted title.
Earl Montgomery (Martin Lawrence) is a cocky L.A.P.D. cadet who would probably be a great cop if it weren't for his rebellious behavior. When his attitude gets him kicked out of the police academy, he can only find employment as a lowly security guard at "National Security." After Earl accuses uptight police officer Hank Rafferty (Steve Zahn) of harassment, Hank is stripped of his badge and ends up as a guard at National Security as well, where Earl's overzealous style of police work leads to the discovery of a sophisticated smuggling operation led by Nash (Eric Roberts) and a possible police cover-up. Now everyone wants Earl and Hank dead – though they just may kill each other first.