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Two time Cesar Award-winning writer/director/star Lemercier's musical dramedy begins in 1960s Quebec. Sylvette and Anglomard welcome their 14th child, Aline. In this modest family, music is king. When a producer discovers Aline and her golden voice, he has only one idea in mind: to make her the greatest singer in the world. Supported by her family, guided by Guy Claude’s experience and budding love for her, Aline will create an extraordinary destiny for herself.
- 4.5
71% WILL SEE
29% WON'T SEE
Formed in the 1960's, the Folksmen (Guest, McKean, Shearer) were a key group in the "Great Folk Music Scare", meeting as freshmen at Ohio Wesleyan College, and touring for 26 months as a folk trio, singing a unique type of "eclectified folk" music. It wasn't meant to last, however, and the three musicians went their separate ways. Now, thirty years later, they've reunited for a comeback tour of sorts, as long as the folk festivals they're playing at are within a day's travel of their homes, all of which leads up to a climactic memorial concert at Carnegie Hall following the death of a legendary folk music promoter, where they reunite with two other folk groups. In the tradition of This is Spinal Tap (an aging heavy metal band), Waiting for Guffman (a small town theater group), and Best in Show (the Westminster Dog Show), this is a mocking look at the world of folk music.
A love story set against the backdrop of the 1960s amid the turbulent years of anti-war protest, mind exploration and rock ''n roll, moving from the dockyards of Liverpool to the creative psychedelia of Greenwich Village, from the riot-torn streets of Detroit to the killing fields of Vietnam. The star-crossed lovers, Jude and Lucy, along with a small group of friends and musicians, are swept up into the emerging anti-war and counterculture movements, with Dr. Robert and Mr. Kite as their guides. Tumultuous forces outside their control ultimately tear the young lovers apart, forcing Jude and Lucy--against all odds--to find their own way back to each other.