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The film centers on a married astronaut (Portman) who returns to Earth after a mission and begins an affair with a fellow astronaut (Hamm). She heads into a downward spiral as she loses her connection to her family — a condition that can afflict those who spend a long time in space — and when her lover begins another affair with an astronaut trainee (Beetz).
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29% WILL SEE
71% WON'T SEEParis, 1993. Jacques (Pierre Deladonchamps) is a semi-renowned writer and single father in his thirties trying to maintain his sense of romance and humor in spite of the turmoil in his life and the world. While on a work trip to Brittany, he meets Arthur (Vincent LaCoste), an aspiring filmmaker in his early twenties, who is experiencing a sexual awakening and eager to get out of his parochial life. Arthur becomes instantly smitten with the older man.
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20% WILL SEE
80% WON'T SEEThe romantic and emotional fallout that results when a controversial writer (Vincent Macaigne) begins blurring the line between fact and fiction using his real-life love affairs.
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60% WILL SEE
40% WON'T SEEA young couple's decision to get engaged threatens to break them apart.
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64% WILL SEE
36% WON'T SEEA romance between a man who spends his life preparing for a disaster that may never come and a woman who spends her life shopping for things she may never use.
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68% WILL SEE
32% WON'T SEEIn quiet mid-19th century Amherst, Emily Dickinson is writing prolifically, baking gingerbread, and enjoying a passionate, if clandestine affair with her sister-in-law Susan, who conveniently lives next door. While seeking publication of some of her nearly 2,000 poems, Dickinson faces condescending male literary gatekeepers too confused by her genius to take her writing seriously. Eventually, her work attracts the attention of a scheming would-be writer, who also happens to be Emily’s brother’s lover, and sees Emily’s poetry as a vehicle for her own creative ambitions. Beneath the quips, period fripperies and not so secret trysts is a moving drama of thwarted passion both romantic and artistic that is also a timely critique of how Emily Dickinson's life was posthumously recast for the genteel sensibilities of her late Victorian readership - a view of her that still dominates today.
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78% WILL SEE
22% WON'T SEE