Filter menu Filters Showing 1-7 of 7 movies
Sequel to The Black Phone. No plot details released.
A tense thriller set over the course of a single morning in a 911 dispatch call center, as call operator Joe Baylor (Jake Gyllenhaal) tries to save a caller in grave danger—but soon discovers that nothing is as it seems.
In an America wracked by crime and overcrowded prisons, the government has sanctioned an annual 12-hour period in which any and all criminal activity—including murder—becomes legal. The police can’t be called. Hospitals suspend help. It’s one night when the citizenry regulates itself without thought of punishment. On this night plagued by violence and an epidemic of crime, one family wrestles with the decision of who they will become when a stranger comes knocking.
When an intruder breaks into James Sandin’s (Ethan Hawke) gated community during the yearly lockdown, he begins a sequence of events that threatens to tear a family apart. Now, it is up to James, his wife, Mary (Lena Headey), and their kids to make it through the night without turning into the monsters from whom they hide.
- 3.5 / 5
In this thrilling Western, a young boy, Rio (Jake Schur), is forced to go on the run across the American Southwest in a desperate attempt to save his sister (Leila George) from his villainous uncle (Chris Pratt). Along the way, he encounters Sheriff Pat Garrett (Ethan Hawke), on the hunt for the infamous outlaw Billy the Kid (Dane DeHaan). Rio finds himself increasingly entwined in the lives of these two legendary figures as the cat and mouse game of Billy the Kid’s final year of life plays out. Ultimately Rio is forced to choose which type of man he is going to become, the outlaw or the man of valor, and will use this self-realization in a final act to save his family.
- 3.3 / 5
A top FBI profiler, Special Agent Illeana Scott (Angelina Jolie) doesn't rely on traditional crime-solving techniques to unravel the mysteries of a murderous mind. Her intuitive, unconventional approach often makes the crucial difference between catching a killer and sending a dead-end case to the cold file. When Montreal detectives handling a local homicide investigation reluctantly ask for an outsider's help to get inside the head of a cunning serial killer, Agent Scott joins the case. With meticulous insight, she theorizes that the chameleon-like killer is "life-jacking" – assuming the lives and identities of his victims. As the pressure mounts to catch the elusive murderer, Agent Scott's unorthodox methods alienate her from a territorial police team that feels threatened by her uncanny abilities. Her seemingly cold demeanor belies an unparalleled passion for her work, and she's at her best when she's working alone. But when an unexpected attraction sparks a complicated romantic entanglement, the consummate specialist begins to doubt her finely-honed instincts. Alone in an unfamiliar city with no one she can trust, Agent Scott suddenly finds herself on a twisted and terrifying journey, surrounded by suspects in a case that has become chillingly personal.
The Numbers Station stars Cusack as Emerson, a disgraced former black ops agent who is tasked with a dead-end job protecting Katherine (Akerman), the code operator for a small CIA broadcast station in a barren region. Emerson's mission is simple: protect Katherine. Keep her safe and keep her secure. When a car bomb outside the station signals an ambush, the pair is forced to take refuge in the station itself, using Emerson's deadly combat skills as their only weapon. Under attack from a group of unknown, but lethal aggressors, Emerson and Katherine find themselves in a life-or-death struggle against a resolute enemy. With the station compromised, an unclear target and no escape, the truth becomes their priority if they want to make it out alive.
- 3.3 / 5
American writer Tom Ricks (Ethan Hawke) arrives in Paris to be closer to his young daughter who is living with his estranged ex-wife. Completely broke, he accepts a job as a night guard for a local crime boss. Stationed in a basement office, his only task is to push a button when a bell rings. The tranquility of the night, he hopes, will help him focus on his new novel. His days become more exciting when he starts a romance with Margit (Kristin Scott Thomas), a mysterious and elegant widow who sets strange rules to their meetings: she will only see him at her apartment in the fifth arrondissement, at 5 pm sharp, twice a week and he should ask no questions about her work or her past life. When people suddenly start dying around Tom, he begins to believe that a dark force has entered his life, punishing anyone who has recently done him wrong. After the police accuse him of murdering his neighbor, Tom tries to use his weekly visits to Margit's apartment as an alibi, only to find out that she hasn't lived at this address for the past 15 years.
- 1 / 5