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After meeting with newly elected U.S. President Thaddeus Ross (Harrison Ford), Sam (Anthony Mackie) finds himself in the middle of an international incident - a mysterious attack. He must discover the reason behind a nefarious global plot against the world leaders before the true mastermind has the entire world seeing red.
Anna Fox lives alone in the New York City brownstone that once housed her happy family. She suffers from agoraphobia and is separated from her husband and daughter. She spends her days chatting online with strangers, watching old movies, drinking to excess and spying on her neighbors. This gets interesting when the Russell clan moves in next door. Watching the bond between the parents and their teen son makes her long for her own reunion with her own family, but that changes when she observes what seems to be a shocking act of violence. The housebound woman must confront what she saw, or whether she has become unhinged.
Follows two adversaries who go head-to-head in a game that will test each man's belief in what they're certain is the truth.
After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.
When his pregnant wife is kidnapped and held as collateral, Paul, an ER nurse, must team with the badly injured career criminal and murder suspect under his charge in order to save the lives of his wife and unborn child. Pitted against rival gangs and a deadly ring of corrupt cops, the unlikely duo find a way to survive together in the fight of their lives.