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Pierre-Paul Daoust, 36, an intellectual with a PhD in philosophy is forced to work as a deliveryman to afford a decent living. One day, while delivering a parcel, he gets caught in a hold up gone terribly wrong: two dead and millions in money bags laying on the ground. Pierre-Paul is confronted with a dilemma: leave empty handed, or take the money and run?
- 1
59% WILL SEE
41% WON'T SEE
During Hitler's anniversary speech on November 8, 1939, a man is arrested on the Swiss border for possession of suspicious objects. Just minutes later, a bomb explodes in the Munich Bürgerbräukeller, immediately behind the Führer's lectern, killing eight people.The man is Georg Elser (Christian Friedel), a carpenter from Königsbronn in the Swabia region.When a map of the site of the assault and detonators are found on him, he is sent to the head of the Criminal Police in the Reichssicherheitshauptamt,Arthur Nebe (Burghart Klaussner) and the head of the Gestapo, Heinrich Müller (Johann von Bülow) to be questioned. From them, Elser learns that his attempt has failed – that the man he wanted to kill in order to stop the bloodshed of the World War that had just begun, has left the Bürgerbräukeller 13 MINUTES before the explosion.
Drama 1 hr, 53 mins
- 1
66% WILL SEE
34% WON'T SEE
- 1
70% WILL SEE
30% WON'T SEE
Follows the director of an Indian orphanage on the verge of bankruptcy, who discovers that her organization is in contention to receive a large charitable donation from a wealthy American businesswoman, forcing her to travel to New York City, where she is confronted by a past she tried to forget.
- 1
56% WILL SEE
44% WON'T SEE
Based on true love, this decades spanning romance begins in Mexico between an aspiring chef and a teacher. Their lives restart in incredible ways as societal pressure propels the couple to embark on a treacherous journey to New York with dreams, hopes, and memories in tow.
- 1.5
43% WILL SEE
57% WON'T SEE
A young drifter enters strangers' houses - and lives - while owners are away. He spends a night or a day squatting in, repaying their unwitting hospitality by doing laundry or small repairs. His life changes when he runs into a beautiful woman in an affluent mansion who is ready to escape her unhappy, abusive marriage.
On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. LEWIS and SIGMUND FREUD converge for their own personal battle over the existence of God. FREUD’S LAST SESSION interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
- 1
95% WILL SEE
5% WON'T SEE
As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.
- 1
28% WILL SEE
72% WON'T SEE
The last days of Oscar Wilde — and the ghosts that haunted them — are vividly evoked in Rupert Everett's directorial debut. Everett gives a career defining performance as Wilde, physically and emotionally embodying the literary genius as he lives out his last days in exile in Europe. His body ailing and heavy, his mind spinning, he survives by falling back on the flamboyant irony and brilliant wit that defined him. As the film travels through Wilde's final act and journeys through England, France and Italy, desire and loyalty face off, the transience of lust is laid bare, and the true riches of love are revealed.
- 1
17% WILL SEE
83% WON'T SEE
A series of re-encounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered.
- 1
57% WILL SEE
43% WON'T SEE
Tale of amorous folly and revenge set in the world of the London stage in the late 1930's. Reigning diva Julia Lambert's success and fame grow suddenly wearisome. She falls head over heels for a young American, Tom, and begins a passionate May - December affair. When she realizes that Tom is just a young social climber whose real passion is ambitious young starlet Avice Crichton, Julia begins to plot a delightful revenge.
We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.
After a dinner out, photographer Sophie Jacobs and her boyfriend, Hugh, stop at a corner store for a late night snack. While Sophie waits unaware in the car, Hugh is murdered in a violent robbery. Haunted by guilt, Sophie goes on with her life as best she can: teaching photography at a local art college, meeting her mother for lunch, and visiting her therapist. But one day at school, a slide mysteriously appears in the projector's carousel—an image of what looks like her car in front of the corner store the night of the shooting. Are these paranoid visions stemming from her grief and guilt, or does someone know something about the murder? As her investigation deepens, more strange events start to occur, drawing into question exactly what happened the night of Hugh's death.