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It’s the year 2073, and the worst fears of modern life have been realized. Surveillance drones fill the burnt orange skies and militarized police roam the wrecked streets, while survivors hide away underground, struggling to remember a free and hopeful existence. In this ingenious mixture of visionary science fiction and speculative nonfiction, Academy Award®-winning filmmaker Asif Kapadia (Amy) transports us to a future foreshadowed by the terrifying realities of our present moment. Two-time Academy Award® nominee Samantha Morton (In America, Sweet and Lowdown, Minority Report) plays a survivor besieged by nightmare visions of the past—a past that happens to be our present, visualized through contemporary footage interconnecting today’s global crises of authoritarianism, unchecked big tech, inequality, and global climate change.
100% WILL SEE
0% WON'T SEEA post-apocalyptic story about a rich family, surviving two decades after the world ended, living in a salt mine converted into a luxurious home. The earth around them has apparently been destroyed, but their 13-year-old son, born in the bunker, has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, and a butler. Unspoken blame over leaving loved ones behind looms over this family, hollowing out whatever intimacy they once shared. Suddenly, a young girl appears at the entrance of the bunker, the balance of the family is threatened.
75% WILL SEE
25% WON'T SEEFollows DOG, who lives in Manhattan and one day, tired of being alone, decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?
- 4
64% WILL SEE
36% WON'T SEEOn a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want? A family is faced with the mother’s reawakening before they have even mourned her death after a car accident; an elderly woman gets the love of her life back the same day she has buried her; a grandfather rescues his grandchild from the gravesite in a desperate attempt to get his daughter out of her depression. Handling the Undead is a drama with elements of horror about three families, a story about grief and loss, but also about hope and understanding of what we can’t comprehend or control.
55% WILL SEE
45% WON'T SEETerry Goon is keeping strict quarantine in his ex-husband’s Brooklyn brownstone while caring for his nephew — a 19-year-old model from Morocco named Bahlul — bedridden in a full leg cast after an electric scooter accident. Unfortunately for Terry, everyone in his life wants to meet the model.
- 5
50% WILL SEE
50% WON'T SEEEveryone has their own Chimera, something they try to achieve but never manage to find. For the band of tombaroli, thieves of ancient grave goods and archaeological wonders, the Chimera means redemption from work and the dream of easy wealth. For Arthur, the Chimera looks like the woman he lost, Beniamina. To find her, Arthur challenges the invisible, searches everywhere, goes inside the earth – in search of the door to the afterlife of which myths speak. In an adventurous journey between the living and the dead, between forests and cities, between celebrations and solitudes, the intertwined destinies of these characters unfold, all in search of the Chimera.
63% WILL SEE
38% WON'T SEE