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Two time Cesar Award-winning writer/director/star Lemercier's musical dramedy begins in 1960s Quebec. Sylvette and Anglomard welcome their 14th child, Aline. In this modest family, music is king. When a producer discovers Aline and her golden voice, he has only one idea in mind: to make her the greatest singer in the world. Supported by her family, guided by Guy Claude’s experience and budding love for her, Aline will create an extraordinary destiny for herself.
- 4.5
71% WILL SEE
29% WON'T SEE
tells the story of 14-year-old Ulysses, a shy and effeminate boy, who finds himself coping with new responsibilities as “man of the house” after the death of his father. Living alongside his mother, younger brother, and conservative aunt, Ulysses is also struggling with questions about his gender identity. He finds an escape by creating a world of fantasy filled with dance and music. Ulysses’ journey takes a turn for the better when he encounters a vibrant transgender community, who take him to “Saturday Church,” a program for LGBTQ youth. Ulysses manages to keep his two worlds apart; appeasing his aunt and discovering his passion for the NYC ball scene, and voguing, until his double life is revealed. Ulysses must find the courage to be who he truly is, all while risking losing those he cares about most.
- 3.8
54% WILL SEE
46% WON'T SEE
A blues musical set in the 1930’s where a young playboy gets drawn into a deceptive work through a love triangle with two singers.
This homage to the golden era of 1950s Technicolor musicals tells the story of a cabaret singer, Billie Golden (Isabel Rose), living with her mother in Queens who aspires to get out of the "airport circuit" (she sings at a dingy lounge at JFK Airport). Meanwhile, Billie is also trying to choose between two men who represent different paths her life could take next: a corporate attorney (Cameron Bancroft) she knew in high school, who could provide her with money and security; or her piano teacher (Andrew McCarthy) who doesn't have much money but understands her passion for music. In addition to the songs Billie performs on stage, there are also occasional musical numbers that represent Billie's daydream fantasies.
Nola (Emmy Rossum), an aspiring songwriter who grew up in a trailer park, abused by her stepfather, travels to New York City in hopes of both starting her career and finding, and establishing a relationship with, her biological father. Along the way, she gets a job at a coffee shop owned by a high-class madam, Margaret (Mary McDonnell), and finds herself involved with a court case against one of Dorothy's powerful clients.
60% WILL SEE
40% WON'T SEE