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Users begins with a mother’s question–will my children love the perfect machines more than they love me, their imperfect mother? She pushes the button and a smart crib lulls her crying baby to sleep, flawlessly every time. This question guides her inquiry into the intimate relationship we have with technology that is increasingly driving all aspects of our society. We explore the unintended and often dehumanizing consequences of our society's embedded belief that technological progress will lead to the betterment of humanity. Is technological progress inevitable? Are we all increasingly isolated? Do we really have agency to direct its course? Is technology an expression of our humanity or is technology destroying our humanity? The film will be a critical and intimate meditation on these questions.
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50% WILL SEE
50% WON'T SEEThe slogan “Meet the Icons of Modern Art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s Museum of Modern Art. Because precisely who these icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of the art at the Stedelijk was made by white men. That must change, the museum’s director Rein Wolfs believes. But it’s easier said than done—as becomes clear when the film’s director Sarah Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff. This film is more than a look behind the scenes at a museum: it magnificently encapsulates the struggles that are engaging many historical and cultural institutions.
13% WILL SEE
88% WON'T SEE