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The glorious world of Jane Austen is at last brought back to the big screen in all its romance, wit and emotional force in "Pride & Prejudice". Faithful to the setting and period of the beloved novel and filmed entirely on location in the U.K., this is the first movie version of the story in 65 years.
The classic tale of love and misunderstanding unfolds in class-conscious England near the close of the 18th century. The five Bennet sisters – Elizabeth, or Lizzie (Keira Knightley), Jane (Rosamund Pike), Lydia (Jena Malone), Mary (Talulah Riley) and Kitty (Carey Mulligan) – have been raised well aware of their mother's (two-time Academy Award nominee Brenda Blethyn) fixation on finding them husbands and securing set futures. The spirited and intelligent Elizabeth, however, strives to live her life with a broader perspective, as encouraged by her doting father (two-time Golden Globe Award winner Donald Sutherland).
When wealthy bachelor Mr. Bingley (Simon Woods) takes up residence in a nearby mansion, the Bennets are abuzz. Amongst the man's sophisticated circle of London friends and the influx of young militia officers, surely there will be no shortage of suitors for the Bennet sisters. Eldest daughter Jane, serene and beautiful, seems poised to win Mr. Bingley's heart. For her part, Lizzie meet with the handsome and – it would seem – snobbish Mr. Darcy (Matthew Macfadyen), and the battle of the sexes is joined.
Their encounters are frequent and spirited yet far from encouraging. Lizzie finds herself even less inclined to accept a marriage proposal from a distant cousin, Mr. Collins (Tom Hollander), and – supported by her father – stuns her mother and Mr. Collins by declining. When the heretofore good-natured Mr. Bingley abruptly departs for London, devastating Jane, Lizzie holds Mr. Darcy culpable for contributing to the heartbreak. But a crisis involving youngest sister Lydia soon opens Lizzie's eyes to the true nature of her relationship with Mr. Darcy.
The ensuing rush of feelings leaves no one unchanged, and inspires the Bennets and everyone around them to reaffirm what is most important in life.
Matilda Wormwood (Alisha Weir) is a little girl with big curiosity, a sharp mind and a vivid imagination — and the worst parents in the world. While her parents (Stephen Graham and Andrea Riseborough) content themselves with trashy TV and dodgy money-making schemes, she loves to lose herself in the pages of her beloved books. Where they are loud, selfish and unkind she is a quiet observer, thinking up small and cheeky acts of rebellion and revenge.
On meeting her inspirational teacher, Miss Honey (Lashana Lynch), Matilda is encouraged and begins conjuring her own fantastical tales. Excited to attend Crunchem Hall, Matilda is surprised to find the school is an ominous and oppressive place led by the huge and villainous Miss Trunchbull (Emma Thompson).
As well as kind Miss Honey, the bright lights among the meanness are story-loving librarian, Mrs. Phelps (Sindhu Vee), and Matilda’s newfound school friends. Filled with an overwhelming sense of justice, Matilda dares to take a stand for what is right and teach Trunchbull a lesson she won’t forget.
In "Nanny McPhee 2," Oscar®-winning actress and screenwriter Emma Thompson returns to the role of the magical nanny who appears when she's needed the most and wanted the least in the next chapter of the hilarious and heartwarming fable that has enchanted children around the world.
In the latest installment, Nanny McPhee appears at the door of a harried young mother, Mrs. Isabel Green (Maggie Gyllenhaal), who is trying to run the family farm while her husband is away at war. But once she's arrived, Nanny McPhee discovers that Mrs. Green's children are fighting a war of their own against two spoiled city cousins who have just moved in and refuse to leave.
Relying on everything from a flying motorcycle and a statue that comes to life to a tree-climbing piglet and a baby elephant who turns up in the oddest places, Nanny McPhee uses her magic to teach her mischievous charges five new lessons.
- 3.4
82% WILL SEE
18% WON'T SEE
The tale of a small town news reporter (John Krasinski) and a Greenpeace volunteer (Drew Barrymore) who are joined by rival world superpowers to save a family of majestic gray whales trapped by rapidly forming ice in the Arctic Circle. Local newsman Adam Carlson (Krasinski) can’t wait to escape the northern tip of Alaska for a bigger market. But just when the story of his career breaks, the world comes chasing it, too. With an oil tycoon, heads of state and hungry journalists descending upon the frigid outpost, the one who worries Adam the most is Rachel Kramer (Barrymore). Not only is she an outspoken environmentalist, she’s also his ex-girlfriend. With time running out, Rachel and Adam must rally an unlikely coalition of Inuit natives, oil companies and Russian and American military to set aside their differences and free the whales. As the world’s attention turns to the top of the globe, saving these endangered animals becomes a shared cause for nations entrenched against one another and leads to a momentary thaw in the Cold War.
- 4
85% WILL SEE
15% WON'T SEE
Centers on a tribe of cats called the Jellicles who must decide nightly which one will ascend to the Heaviside Layer and come back to a new life.
- 3.8
71% WILL SEE
29% WON'T SEE
The bumbling British spy Johnny English flushes out a spy in his follow-up assignment. He's embroiled in a plot by a team of assassin’s to kill the Chinese premier.
- 4.1
94% WILL SEE
6% WON'T SEE
he new adventure begins when a cyber-attack reveals the identity of all active undercover agents in Britain, leaving Johnny English as the secret service’s last hope. Called out of retirement, English dives head first into action with the mission to find the mastermind hacker. As a man with few skills and analogue methods, Johnny English must overcome the challenges of modern technology to make this mission a success.
- 3.5
89% WILL SEE
11% WON'T SEE
In this dark and witty fable, Emma Thompson portrays a person of unsettling appearance and magical powers who enters the household of the recently widowed Mr. Brown (Colin Firth) and attempts to tame his seven exceedingly ill-behaved children. The children, led by the oldest boy Simon (Thomas Sangster), have managed to drive away 17 previous nannies and are certain that they will have no trouble with this one. But as Nanny McPhee takes control, they begin to notice that their vile behavior now leads swiftly and magically to rather startling consequences. Her influence also extends to the family's deeper problems, including Mr. Brown's sudden and seemingly inexplicable attempts to find a new wife; an announcement by the domineering Aunt Adelaide (Angela Lansbury) that she intends to take one of the children away; and the sad and secret longings of their scullery maid, Evangeline (Kelly Macdonald). As the children's behavior begins to change, Nanny McPhee's arresting face and frame appear to change as well, creating even more questions about this mysterious stranger whom the children and their father have come to love.
Rowan Atkinson returns to the iconic role that made him an international star in "Bean II". In his latest misadventure, Mr. Bean--the nearly wordless misfit who seems to be followed by a trail of pratfalls and hijinks--goes on holiday to the French Riviera and becomes ensnared in a European adventure of cinematic proportions.
Tired of the dreary, wet London weather, Bean packs up his suitcase and camcorder to head to Cannes for some sun on the beach. Ah...vacation. But his trip doesn't go as smoothly as he had hoped when the bumbling Bean falls face first into a series of mishaps and fortunate coincidences, far-fetched enough to make his own avant-garde film.
Wrongly thought to be both kidnapper and acclaimed filmmaker, he has some serious explaining to do after wreaking havoc across the French countryside and arriving at his vacation spot with a Romanian filmmaker's precocious son and an aspiring actress in tow. Will Bean be arrested by the gendarmes or end up winning the Palme d'Or? It's all caught on camera as Atkinson again applies his awkward athleticism to a comedy of errors in "Bean II".