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When single father Max (John Cho) discovers he has a terminal disease, he decides to try and cram all the years of love and support he will miss with his teenage daughter Wally (Mia Isaac) into the time he has left with her. With the promise of long-awaited driving lessons, he convinces Wally to accompany him on a road trip from California to New Orleans for his 20th college reunion, where he secretly hopes to reunite her with her mother who left them long ago.
A story of forbidden love and changing social conventions, My Policeman follows three young people – policeman Tom (Harry Styles), teacher Marion (Emma Corrin), and museum curator Patrick (David Dawson)– as they embark on an emotional journey in 1950s Britain. Flashing forward to the 1990s, Tom (Linus Roache), Marion (Gina McKee), and Patrick (Rupert Everett) are still reeling with longing and regret, but now they have one last chance to repair the damage of the past.
The Tender Bar tells the story of J.R. (Sheridan), a fatherless boy growing up in the glow of a bar where the bartender, his Uncle Charlie (Affleck), is the sharpest and most colorful of an assortment of quirky and demonstrative father figures. As the boy’s determined mother (Rabe) struggles to provide her son with opportunities denied to her — and leave the dilapidated home of her outrageous if begrudgingly supportive father (Christopher Lloyd) — J.R. begins to gamely, if not always gracefully, pursue his romantic and professional dreams — with one foot persistently placed in Uncle Charlie’s bar.
In this psychological horror fable of displacement, Aisha (Anna Diop), a woman who recently emigrated from Senegal, is hired to care for the daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York City. Haunted by the absence of the young son she left behind, Aisha hopes her new job will afford her the chance to bring him to the U.S., but becomes increasingly unsettled by the family’s volatile home life. As his arrival approaches, a violent presence begins to invade both her dreams and her reality, threatening the American dream she is painstakingly piecing together.
Three women strive to find their place at a prestigious New England university whose frosty elitism may disguise something more sinister. Professor Gail Bishop (Regina Hall) has recently been promoted to “Master” of a residence hall, the first time at storied Ancaster College that a Black woman has held the post. Determined to breathe new life into a centuries-old tradition, Gail soon finds herself wrapped up in the trials and tribulations of Jasmine Moore (Zoe Renee), an energetic and optimistic Black freshman. Jasmine’s time at Ancaster hits a snag early on when she’s assigned a dorm room that is rumored to be haunted. Things get worse when Jasmine clashes in the classroom with Liv Beckman (Amber Gray), a professor in the middle of her own racially charged tenure review. As Gail tries to maintain order and fulfill the duties of a Master, the cracks begin to show in Ancaster’s once-immaculate facade. After a career spent fighting to make it into Ancaster’s inner circle, Gail is confronted with the horrifying prospect of what lies beneath, her question ultimately becoming not whether the school is haunted, but by whom.
The Lord of the Rings: The Rings of Power brings to screens for the very first time the heroic legends of the fabled Second Age of Middle-earth’s history. This epic drama is set thousands of years before the events of J.R.R. Tolkien’s The Hobbit and The Lord of the Rings books, and will take viewers back to an era in which great powers were forged, kingdoms rose to glory and fell to ruin, unlikely heroes were tested, hope hung by the finest of threads, and one of the greatest villains that ever flowed from Tolkien’s pen threatened to cover all the world in darkness. Beginning in a time of relative peace, the series follows an ensemble cast of characters, both familiar and new, as they confront the long-feared reemergence of evil to Middle-earth. From the darkest depths of the Misty Mountains, to the majestic forests of the elf capital of Lindon, to the breathtaking island kingdom of Númenor, to the farthest reaches of the map, these kingdoms and characters will carve out legacies that live on long after they are gone.
Rahim is in jail for a debt he hasn't been able to pay. During a two-day leave, he tries to convince his creditor to withdraw his complaint in exchange for paying back part of the debt. Rahim is then confronted with a crisis he would never have imagined.
A coming-of-age drama that follows the story of Tito and Paco, two brothers who grew up in Milan with the same dream: to break into the world of rap and be heard through music. The duo seem destined for success—Paco is a born performer and Tito knows how to write like no other—but ambition, life, and love for the same woman will test their bond.
ARGENTINA, 1985 is inspired by the true story of Julio Strassera, Luis Moreno Ocampo, and their young legal team of unlikely hero’s in their David-vs-Goliath battle, in which, under constant threat, they dared to prosecute Argentina’s bloodiest military dictatorship against all odds and in a race against time to bring justice to the victims of the Military Junta.
The year? 1290. In the Medieval English village of Stonebridge, Lady Catherine (known as Birdy) is the youngest child of Lord Rollo and the Lady Aislinn. Her playground is Stonebridge Manor, a house that, like the family, has seen better days. Financially destitute and utterly greedy, Rollo sees his daughter as his path out of financial ruin by marrying her off to a wealthy man for money and land. But Birdy, like all the great teen heroines, is spirited, clever, and adventurous and ready to put off any suitor that comes calling in increasingly ingenious ways. Her imagination, defiance, and deep belief in her own right to independence put her on a collision course with her parents. When the vilest suitor of all arrives, they are presented with the ultimate test of love for their daughter.
PG-13 Drama Adaptation 1 hr, 48 mins