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On a hot summer day, a crew of workers - men and women, young and old - arrive at dawn at a picturesque fig orchard in northwest Tunisia. We eavesdrop, through the sun-dappled leaves of the fig trees, on the young women stealing away precious moments from the foreman's watchful gaze. Meanwhile, the older women, tasked with the careful job of packing the tender fruit, watch and reminisce together as well. They joke, argue, debate, gossip, flirt, all the while painting an unhurried but riveting portrait of everyday life in the rural society, where class, gender, and circumstance often don't allow for such personal freedoms.
Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.
In a remote furniture store, Mother stations herself on a green couch, refusing to get up, leaving her three estranged children -- David, Gruffudd, and Linda -- to figure out why. With the help of the store managers, David and his siblings embark on a mind-bending journey to reveal life-altering family truths.
Two African-American teenage boys are suddenly and mysteriously abandoned by their parents. The two have to learn how to survive on their own. From this desertion, comes an experience of beauty, meaning and enduring love.
- 5 / 5
The story of a young girl in North London whose life changes after witnessing a violent attack.
Drama 1 hr, 30 mins
At an international boarding school, an unassuming, yet rigorous, Miss Novak (Mia Wasikowska) joins the teaching staff to instruct a new class on “conscious eating.” Her impressionable teenage students each have their own reasons for joining the class – to improve fitness, reduce their carbon footprint, or get extra credit. Although early lectures focus on mindful consumption, Miss Novak’s discussions soon become increasingly disordered and extreme. A suspicious headmistress, concerned parents and the failing health of her students lead everyone to question the inscrutable Miss Novak’s motivations for teaching the class. As a few devoted pupils fall deeper under her cult-like tutelage, they are given a new, even more sinister goal to aspire to – joining the ominous “Club Zero.”
In nearly every police precinct, detectives are inevitably confronted with a case that goes unsolved. The more heinous the crime, the more it haunts those trying to solve it. Such is the dilemma for Yohan Vivès (Bastien Bouillon)—a young, recently promoted police Captain—when he begins investigating the murder of a young women named Clara in the town of Grenoble. It's clear that the attack was pre-meditated, and the violent nature of the crime suggests revenge. Vivés' team methodically digs through the details of Clara's life, uncovering her secrets in hopes of weeding out the killer. Certain their suspect is a scorned ex-lover, Vivés is confronted with another, more complicated question: which one?
Tel Aviv, today. At a party, an anxious girl named Danny is looking for Max, a recent casual fling, to share that she’s pregnant with his child. Through the haze of drugs and promiscuity of the partygoers, Danny doesn't get far in her search. Meanwhile, Max is busy with his new girlfriend, Avishag. He attempts to realize her rough sexual fantasies but Avishag instead turns her attention to another burgeoning relationship with Dror, an older man she dog-sits for.
Nora, a shy 14-year-old Berlin girl, will never forget this way too hot summer. Surrounded by people with disrupted biographies, from different cultures and backgrounds, she makes her way into adulthood. Nora gets her first period, falls in love with another girl, learns to stand up for herself and gets her heart broken for the first time. When summer ends, things will never be the same again for Nora.
- 3 / 5
Newlyweds question their relationship as they host their friends in a remote cabin over New Year's weekend.
Drama 1 hr, 29 mins
- 5 / 5
Based on the best-selling novel by Bonnie Jo Campbell, Once Upon A River is the story of Native American teenager Margo Crane in 1970s rural Michigan. After enduring a series of traumas and tragedies, Margo (newcomer Kenadi DelaCerna) sets out on an odyssey on the Stark River in search of her estranged mother. On the water, Margo encounters friends, foes, wonders, and dangers; navigating life on her own, she comes to understand her potential, all while healing the wounds of her past.
A once successful author now working as a private detective gambles away his money and tries to reconnect with his estranged family.
- 1.5 / 5
Jina (Gong Seung-yeon) is the top employee at a call center, despite talking to customers all day, she has shut out the world beyond her headset. When training a friendly new hire, her icy armor is threatened forcing her to confront why she isolates herself.
Vienna, 1938: Austria is occupied by the Nazis. Dr. Josef Bartok (Oliver Masucci) is preparing to flee to America with his wife Anna when he is arrested by the Gestapo. As a former notary to the deposed Austrian aristocracy, he is told to help the local Gestapo leader gain access to their private bank accounts in order to fund the Nazi regime. Refusing to cooperate, Bartok is locked in solitary confinement. Just as his mind is beginning to crack, Bartok happens upon a book of famous chess games. To withstand the torture of isolation, Bartok disappears into the world of chess, maintaining his sanity only by memorizing every move. As the action flashes forward to a transatlantic crossing on which he is a passenger, it seems as though Bartok has finally found freedom. But recounting his story to his fellow travelers, it's clear that his encounters with both the Gestapo and with the royal game itself have not stopped haunting him.
Goldie is a star – well, not quite yet, but at least in the eyes of her little sisters Sherrie and Supreme she is. The rest of the world is bound to take note soon too. Her big break surely awaits, she’s just got to pick up that golden fur coat she’s had her eye on first. And land a role as a dancer in a hip-hop video. And keep child welfare services from separating her from Sherrie and Supreme, after their mother is locked up. Holding onto those dreams isn’t easy when fate has placed such daunting obstacles in her path. With Goldie, Dutch director Sam de Jong has delivered a real New York film: raw and glamorous, unflinchingly realistic and relentlessly optimistic, with a ton of heart and at least as much attitude.
- 1 / 5
Romania's official selection for the 2011 Academy Award centers around an 18-year-old about to be released from a juvenile detention center.
- 3.5 / 5
In this debut feature by writer-director Laura Wandel, the everyday reality of grade school is seen from a child's-eye-view as an obstacle course of degradation and abuse. Following 7-year-old Nora and her big brother Abel, we see Nora struggling to fit in before finding her place on the schoolyard. One day, she notices Abel being bullied by other kids, and though she rushes to protect him by warning their father, Abel forces her to remain silent, while he endures more humiliation and harassment by his peers. Transposing the gritty realism of such filmmakers as Jacques Audiard and the Dardennes Brothers to the inner world of kids, Wandel crafts an empathetic and visceral portrait of the cruelty of children, and the failure of adults to protect them.
- 4 / 5
A love story between two young women in a country that still criminalizes homosexuality. Kena and Ziki have long been told that “good Kenyan girls become good Kenyan wives” - but they yearn for something more.
In a small, sleepy village in the Basque Country, a sculptor named Ane and her three children arrive at her mother Lita’s home for summer vacation where they are surrounded by extended family and nosy neighbors. Ane and her mother’s relationship is strained — Lita disapproves of her daughter’s frayed marriage, career as an artist, and the way she parents her obstinate and mischievous children. Chief among them is eight-year-old Aitor, nicknamed Coco after it becomes clear that being referred to by the Aitor elicits feelings of distress in the child. Born biologically male, neither birth name nor the genderless nickname feel quite right, and Ane’s concern for her child grows as Coco becomes more withdrawn. The child’s only respite lies in the Basque hills, where Ane’s aunt Lourdes tends to the family’s beekeeping farm. Among the peaceful humming of bees and Lourdes' open-minded guardianship, Coco slowly begins to confide in family and friends her discomfort in her body, eventually voicing a desire to be treated as a girl. As Coco explores her own developing identity over the summer, Ane and the rest of her family in turn must learn to accept the child as she is.
following an architecture student from New Zealand whose impulsive decision to deboard a plane to New York leads her on a peculiar new path, straddles the line "between the chaotic self-destruction of FLEABAG and the anxious missteps of EIGTH GRADE" while making your "skin-crawl in new ways."