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The Winter Queen tells the story of intrepid young police detective Erast Fandorin and a mystery that begins with the suicides of several wealthy young men throughout 1886 Russia and ends in an extensive plot for global domination. Fandorin's naive wit and the suave yet volatile Count Zurov are his only protection from the ever more elaborate attempts on his life as he follows the conspiracy from Russia to England and back again; navigating unknown worlds with charm if not with ease. The enigmatic femme fatale Amalia seems to be somehow at the center of it all, but can the saintly British aristocrat Lady Astair, founder of a string of orphanages which have greatly benefited from the wills of the affluent dead men, really be trusted?
Mary (Heather Wahlquist) has problems. She has a difficult time feeling things, and swallowing twenty Vicodin a day doesn’t help. She’s seeing a psychiatrist for the disconnect daydreams she keeps having, and her younger sister with Tourette’s hates her. When she loses her job after sleeping with one of the fathers on Parent’s Night, Mary decides to go home. And that’s when the fun really starts. The dreams that seemed so random now start to take real shape as we understand where she came from. From young and in love, to drug dealing on the road, to her father’s slow, painful death, from questions of love and incest to her older sister’s descent into insanity, the secret that destroyed Mary’s entire family reveals itself on her journey back home, along with her ultimate responsibility for it. Busby Berkeley, Cirque du Soleil, sideshow freaks and human livestock all make an appearance in this hallucinogenic tale of love and comeuppance.
73% WILL SEE
27% WON'T SEE