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Follows two nurses and roommates who head off on trip to a beach town to find a space where their desires can manifest.
- 5 / 5
86% WILL SEE
14% WON'T SEE
In the final days of WWII, a mysterious Sicilian soldier flees to a small mountain village, where he sparks a romance with a local girl, setting off a chain of dramatic events.
NR Drama Historical 1 hr, 59 mins
60% WILL SEE
40% WON'T SEE
The year is 2044: artificial intelligence controls all facets of a stoic society as humans routinely “erase” their feelings. Hoping to eliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux) continually falls in love with different incarnations of Louis (George MacKay). Set first in Belle Époque-era Paris Louis is a British man who woos her away from a cold husband, then in early 21st Century Los Angeles, he is a disturbed American bent on delivering violent “retribution.” Will the process allow Gabrielle to fully connect with Louis in the present, or are the two doomed to repeat their previous fates?
29% WILL SEE
71% WON'T SEE
In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.
- 5 / 5
63% WILL SEE
38% WON'T SEE
Afire is set at a small holiday house by the Baltic Sea. The days are hot and it hasn’t rained in weeks. Four young people come together, friends old and new. As the parched forests around them begin to ignite, so do their emotions. Happiness, lust and love; but also jealousies, resentments and tensions. Meanwhile the forests burn. And before long, the flames are there.
- 4 / 5
50% WILL SEE
50% WON'T SEE
Léa Drucker stars as Anne, a lawyer who specializes in cases of sexual consent and parental custody. Seemingly happily married to kind-hearted businessman Pierre (Olivier Rabourdin) with adopted twin daughters, Anne inexplicably finds herself drawn to Pierre’s estranged 17-year-old son Théo (Samuel Kircher) after the boy returns home to live with them. Embarking on a passionate affair with the teenager, Anne all too willingly thrusts herself into a maelstrom of attraction, intimidation, and manipulation.
60% WILL SEE
40% WON'T SEE
n a village nestled within the wintry landscape of the East Anatolia region of Turkey, an art teacher named Samet (Deniz Celiloglu) is struggling through what he hopes to be his final year at an elementary school. Already tiring of the unforgiving environment, where he has been assigned by the government’s public education system, Samet is further disillusioned and frustrated after a young girl in his class, Sevim, appears to accuse him of inappropriate behavior. The only light on the horizon for Samet is his growing friendship with—and clear attraction to—a teacher from a nearby school, Nuray (Merve Dizdar), a sharp, politically engaged woman unafraid to put the self-involved Samet in his place for his general apathy and narcissism.
70% WILL SEE
30% WON'T SEE
EO, a gray donkey with melancholic eyes and a curious spirit, begins his life as a circus performer before escaping on a trek across the Polish and Italian countryside in a journey marked by absurdity and warmth in equal measure.
- 5 / 5
80% WILL SEE
20% WON'T SEE
The crowning achievement of Orson Welles’s later film career, Chimes at Midnight returns to the screen after being unavailable for decades. This brilliantly crafted Shakespeare adaptation was the culmination of Welles’s lifelong obsession with the Bard’s ultimate rapscallion, Sir John Falstaff, the loyal, often soused childhood friend to King Henry IV’s wayward son Prince Hal.
Drama 1 hr, 56 mins
- 3 / 5
23% WILL SEE
77% WON'T SEE
After meeting as children over a series of summers in the Italian Alps, Pietro (Luca Marinelli) and Bruno (Alessandro Borghi) reunite as adults to build a mountainside cottage which becomes a site of both reflection and reconciliation.
50% WILL SEE
50% WON'T SEE
Following a young boy (Tori) and a teenage girl (Lokita) who have left their home countries of Cameroon and Benin to make a new life in Belgium, we follow their journey as they navigate a range of difficult experiences. Whether it be finding jobs on the black market or working to send money back to their families, their friendship provides an unbreakable bond that helps them survive. Hoping to get their papers to remain in the country, they soon find that there are an array of forces stacked against them. They must fight for their friendship and their lives as their world begins to crumble. Clinging to the hope of a better life, their struggle is a gripping testament to the power of the human spirit and to the courage of their relationship.
- 5 / 5
33% WILL SEE
67% WON'T SEE
At once a gripping thriller and a tragic drama of nearly Greek proportions, "Revanche" is the stunning, Oscar–nominated, international breakthrough film from Austrian filmmaker Götz Spielmann. In a ragged section of Vienna, hardened ex-con Alex (the mesmerizing Johannes Krisch) works as an assistant in a brothel, where he falls for Ukrainian hooker Tamara (Irina Potapenko). Their desperate plans for escape unexpectedly intersect with the lives of a rural cop (Andreas Lust) and his seemingly content wife (Ursula Strauss). With meticulous, elegant direction, Spielmann creates a tense, existential, and surprising portrait of vengeance and redemption, and a journey into the darkest forest of human nature, in which violence and beauty exist side by side.
One of the major achievements of twenty-first-century cinema thus far, Béla Tarr’s mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by the celebrated writer and frequent Tarr collaborator László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown era in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens, which builds inexorably toward violence and destruction. In thirty-nine of his signature long takes, engraved in ghostly black and white, Tarr conjures an apocalyptic vision of dreamlike dread and fathomless beauty.
0% WILL SEE
100% WON'T SEE