IFC Films | NR Movies | Sort: Most Popular

Six years after the violent death of her husband, Amelia (Essie Davis) is at a loss. She struggles to discipline her ‘out of control’ 6 year-old, Samuel (Noah Wiseman), a son she finds impossible to love. Samuel’s dreams are plagued by a monster he believes is coming to kill them both.

When a disturbing storybook called ‘The Babadook’ turns up at their house, Samuel is convinced that the Babadook is the creature he’s been dreaming about. His hallucinations spiral out of control, he becomes more unpredictable and violent. Amelia, genuinely frightened by her son’s behaviour, is forced to medicate him.

But when Amelia begins to see glimpses of a sinister presence all around her, it slowly dawns on her that the thing Samuel has been warning her about may be real.

The story of Edna (Robyn Nevin), an elderly and widowed matriarch who goes missing, and her daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) who must travel to their remote family home to find her. Soon after her return, they start to discover a sinister presence haunting the house and taking control of Edna.

Tripp Kennedy (Patrick Dempsey) ambles into a bank near closing time, just as two different gangs unwittingly converge to rob it. A shoot-out erupts, and Tripp tackles the smart, pretty teller, Kaitlin (Ashley Judd), to protect her.

The romantic and emotional fallout that results when a controversial writer (Vincent Macaigne) begins blurring the line between fact and fiction using his real-life love affairs.

A Native American boxer embarks on the fight of her life when she goes in search of her missing sister.

A man's affair with his family's housemaid leads to a dark consequences.

A five-man unit of cops on night patrol get more than they bargain for when they arrive at a creepy backwater town in the middle of nowhere after a call comes over the radio for backup. Entering a derelict building, the seasoned tough guys and their rookie junior, who’s still haunted by a traumatic childhood dream, do the one thing you should never do in this kind of movie: they split up. They soon realize they’ve stumbled into a monstrous charnel house and descend into an ever-more nightmarish netherworld where grotesque, mind-wrenching horrors await them at every turn.

Arrogant Judge Stefan Mortensen (Rush) suffers a near-fatal stroke, leaving him partially paralyzed and confined to a retirement home. Resistant to the staff and distant from his friendly roommate, Mortensen soon clashes with seemingly gentle resident Dave Crealy (Lithgow) who secretly terrorizes the home with a sadistic game called "The Rule of Jenny Pen” while wielding his dementia doll as an instrument of cruelty. What begins as childish torment quickly escalates into far more sinister and disturbing incidents. When Mortensen's pleas to the staff go unanswered, he takes it upon himself to put an end to Crealy's reign of terror.

Costi leads a peaceful life. At night he likes to read his 6-year-old son stories, to help him sleep. Their favorite is Robin Hood. Costi sees himself as the hero – righter of wrongs and defender of the oppressed. One evening, his neighbor pays him an unexpected visit and shares a secret: there’s treasure buried in his grandparents’ garden, he’s sure of it. If Costi will hire a metal detector to help locate it, he’ll give him half of whatever they get. Skeptical at first, in the end Costi can’t resist. He’s on board. The two accomplices have one weekend to locate the loot. Despite every obstacle in their path, Costi refuses to be discouraged. For his wife and son, he’s a real hero – nothing and no one are going to stop him.

The setting is 1995, “somewhere in the Balkans.” Over the course of 24 breathless hours, Mambrú (Benicio del Toro), leads his team of humanitarians—including hard-bitten, wisecracking veteran B (Tim Robbins) and new recruit Sophie (Melanie Thierry)—as they deal with a most unexpected crisis, layers of bureaucratic red tape, and the reappearance of Mambrú’s old flame (Olga Kurylenko).

Henry and Dianne are on the verge of settling down but are tempted to stray. After a wild single night on the town, the couple discovers they are capable of surprising things.

A 21st century Jack the Ripper set in the present day, MANIAC is a reboot of the cult film considered by many to be the most suspenseful slasher movie ever made. Frank (Elijah Wood, in a tour de force performance) is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank’s obsession escalates and the number of victims increases, it becomes clear that Frank is far more dangerous than he seems. With a pulsating electronic score by Rob, the film is an intimate, visually daring, psychologically complex and profoundly horrific trip into the downward spiraling nightmare of a killer and his victims.

Mickey (Sebastian Stan) and Chloe (Denise Gough), two Americans in their mid-thirties living in Athens, meet in the heat of summer one whirlwind weekend. The chemistry between them is undeniable. When Chloe’s time in Greece is drawing to a close, she decides to give up her high-flying job back home and explore whether one weekend’s passion can blossom into something more. Argyris Papadimitropoulos’ follow up of the festival sensation Suntan is a fun, sensuous romance about how love gets in the way of life, and life gets in the way of love.

Empress Elisabeth of Austria is known for her beauty and fashion trends. But in 1877, she celebrates her 40th birthday and must fight to maintain her public image. With a future of only ceremonial duties in front of her, she rebels against her public image and comes up with a plan to protect her legacy.

Everything changes for 15yr old Mia when her mum brings home a new boyfriend.

Throughout his three-decade career as a founding member of and bassist for The Rolling Stones, Bill Wyman was known to the world as the “quiet one” in the band. Now, the famously private music legend speaks out about his extraordinary life and experiences as part of “the greatest rock and roll band in the world.”

Follows the story of Melville, a cardinal who suddenly finds himself elected as the next Pope. Never the front runner and completely caught off guard, he panics as he's presented to the faithful in St. Peter's Square. To prevent a world wide crisis, the Vatican's spokesman calls in an unlikely psychiatrist who is neither religious or all that committed, played by Moretti, to find out what is wrong with the new Pope. As the world nervously waits outside, inside the therapist tries to find a solution. But Cardinal Melville is adamant: he does not want the job, or at least needs time to think it over. What follows is a marvelous insight into the concept of a human being existing behind the title of God's representative on Earth.

Sara (Juliette Binoche) and Jean (Vincent Lindon) have been in a loving and stable relationship for ten years. When they first met, Sara was in a relationship with François (Grégoire Collin), Jean’s best friend. One day, Sara sees François on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. François does indeed get in touch with Jean to suggest that they work together again. Before long, things are in danger of spiraling out of control.

Three desperate souls must fight their way out of a dead-end world in this bracing, gut-punching glimpse into America’s dark underbelly. Earl (Jamie Bell) is a struggling ex-marine and father determined to make a better life for his family—no matter what it takes. Angus (Frank Grillo) is a violent, unhinged drug dealer who leaves a trail of death and destruction in his wake. And Delia (Margaret Qualley) is a haunted woman who will do anything to escape a life of crime she can no longer bear. In their kill-or-be-killed world, all roads lead to the Donnybrook: an illicit backwoods cage match where bare-knuckled fighters brawl for a shot at a $100,000 prize. It’s either a last-ditch chance at redemption—or a death sentence.

When Matthias returns to his native multi-ethnic mountain village in Transylvania, he finds his son and the village under the shadow of a strange irrational fear and unsettlement. When two foreign workers are hired in town, deep-rooted impulses and resentments emerge, conflicts and emotions erupt and the veneer of peace in the community is shattered.