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For journalist Judith Rochant (Anaïs Demoustier) the assignment to interview renowned artist Salvador Dalí is a great career opportunity–if only he would agree to sit still and answer a single question. What begins as a 15-minute conversation blows up into a bonafide cinematographic documentary portrait, provided the world’s most enormous cameras are available to film it. As Judith’s interview is delayed, detoured, disrupted, and deranged by Dalí’s inexhaustible self-regard, the journalist finds herself becoming the subject. The legendary painter’s artistry and ego know no bounds, and Daaaaaalí! dutifully casts no less than five actors (Edouard Baer, Jonathan Cohen, Giles Lellouche, Pio Marmaï, and Didier Flamand) as Salvador Dalí in this prismatic portrait. The prolific Quentin Dupieux’s latest comedy is an exercise in dream logic and surrealist homage, with the rug pulled out from under you again and again before you even manage to get up off the floor.
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After blacking out on his wedding night, Shane and his wife head to a remote estate for their honeymoon. That night, there’s a knock at the door; a waiter and bartender from the reception, blackmailing Shane for something he can’t remember doing. But the blackmailers don’t just want money. They’re after business partners for their invention, an outlandish device called? The Crumb Catcher.
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Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?
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The victim of a hit and run learns how to be psychic so he can find the car that hit him and take revenge on the driver.
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Alice and Peter are celebrating their retirement – and with it, a new phase in their lives. However, shortly after the couple’s retirement party, a sudden tragedy befalls Alice’s best friend Magalie. Peter, sympathetic to the suffering of Magalie’s widower, Heinz, invites him on the retirement cruise their children gave them. Alice had hoped this trip would infuse fresh life into their marriage, but instead of enjoying their time together, they find themselves drifting further apart. Disappointed and hurt, Alice doesn’t reboard the cruise ship during a shore excursion and instead embarks on a journey of self-discovery, taking her across Southern Europe and bringing her into a community of older people finding joy outside traditional notions of gender, marriage, and the later years of one’s life.
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Sophia, a 40-year-old philosophy professor, has been in a stable and conventional marriage to Xavier for a decade. From gallery openings to endless dinner parties, ten years have flown by. When Sophia meets Sylvain, a craftsman renovating the couple’s new country house, Sophia’s world is turned upside down. The two begin a passionate affair fueled by their irresistible physical connection. However, Sophia comes from a wealthy family of intellectuals, while Sylvain comes from a working-class family of manual workers. As they get to know each other on a deeper level, Sophia begins to question her own values after abandoning herself to her great romantic impulses. Director Monia Chokri delivers a smart and sexy romantic comedy, infusing it with spiky energy and fresh perspective, upending genre and gender conventions.
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Siblings Violeta and Eva live in California with their mother, but every summer they travel to Las Cruces, New Mexico, to spend time with their loving but unpredictable father, Vicente (René "Residente" Pérez Joglar). Over the course of four formative summers that span adolescence to early adulthood, Violeta and Eva learn to appreciate their father as a person, his flaws and limitations inseparable from his passion and tenderness. Lovers come and go, the backyard goes to seed, but the idea of home remains knotty and elusive. This powerful and deeply personal directorial debut from Alessandra Lacorazza offers a nuanced study of young people questioning their place within their families, their communities, and their identities. Winner of the US Dramatic Grand Jury Prize at Sundance, In The Summers proves both an emotional capsule of growing up within a fragmented family and a love letter to the resilience needed to survive.
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When Blanche (Virginie Efira) meets the charismatic Gregoire (Melvil Poupaud) at a party her twin sister Rose drags her to, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Rose has serious reservations about Gregoire, but against her better judgment, they decide to marry and move in together. Blanche and Gregoire soon relocate far from Blanche’s family where her new life begins; having two children, working as an elementary school teacher, and learning to tiptoe around Gregoire’s unfounded burgeoning insecurities. Little by little Blanche finds herself caught in the grip of a deeply possessive and dangerous man, desperate to escape his increasingly threatening affections.
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A Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying neighborhood.
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Follows the love-at-first-sight journey of a circus dreamer, played by Filipino star Alex Diaz, and a struggling musician, played by UK newcomer Alan Cammish. An undeniable spark sets an epic summer romance on its course until the realities of pursuing their dreams threaten to tear them apart.
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Fleeing political turmoil in Barcelona, the culinary duo of brothers Fernando and Alberto seek refuge in the enchanting seaside town of Cadaqués. Here, they land jobs at El Surreal, a whimsical restaurant run by Jules, a man with a consuming obsession for local resident Salvador Dalí. Jules crafts quirky and extravagant gastronomic experiences, each a theatrical spectacle, hoping to lure the renowned artist to dine there. Fernando's unparalleled culinary flair soon sees him rise to the helm of El Surreal's kitchen, when he begins to fall for Lola, Jules' fiercely independent daughter. Despite El Surreal’s burgeoning fame and Cadaqués' alluring facade, shadows of political discontent loom large and tensions escalate between the tyrannical Lieutenant Garrido and the town's free-spirited hippies, joined by Alberto. Will these mounting pressures result in Dalí's eagerly awaited arrival at El Surreal?
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