Filter menu Filters Showing 1-7 of 7 movies
When dedicated high school teacher Rachel (Virginie Efira) falls in love with Ali (Roschdy Zem), it’s not long before she also falls for his 4-year-old daughter Leila. The adolescent giddiness of Rachel and Ali’s late night rendezvous and secret sleepovers evolves into the familiar warmth of family picnics and after-school pickups. Although she feels like a mother, Rachel is not allowed to forget that Lelia is another woman’s daughter. She begins to long for a child of her own, but as a forty-something woman, she is abundantly aware that she has limited time to begin a family. Rachel must decide whether to embrace the inherent entanglements of her current situation, including the looming presence of Ali’s ex-wife Alice (Chiara Mastroanni) or strike out again on her own. Other People’s Children becomes a soulful, sexy, and resolutely grown-up story of the elusive quest for agency and belonging.
A gunman opens fire on a Parisian bistro. Mia (Virginie Efira) survives with no memory of the attack. Determined to remember what happened that night, Mia finds herself repeatedly returning to the bistro where the shooting happened. In the process she forms bonds with fellow survivors, reliving the worst night of her life through the eyes of the only other people who could possibly understand.
Hot-tempered and fiercely independent, Julia (Julie Ledru) is a gearhead who thrives in hostile environments and turns every situation to her advantage. She has a talent for scamming condescending men who think it’s cute that she shows interest in their used motorbikes–and can’t fathom her riding away with gleeful abandon. Her obsession with the high-octane world of urban ‘Rodeos’ - illicit gatherings where riders show off their bikes and latest daring stunts - sparks a chance meeting with a volatile clique. Julia strives to prove herself to the ultra-masculine gang by performing cons and running errands for their incarcerated ring leader, Dom. She finds a surprising connection with Dom’s wife, Ophélie (Antonia Buresi) and son, a risky move that puts a target on her back. Julia is unsure who she can trust as the ultimate heist comes down the pike.
Reeling from a devastating loss, Tana (Lily Gladstone) is pulled back into the world by an unexpected invitation to her cousin’s wedding. She packs up her late grandmother’s Cadillac and hits the open road, driving from her home in Minnesota to South Dakota. After reconnecting with her Oglala Lakota family, Tana sets off to retrace a surreal journey that her grandmother took decades ago, searching for the spot captured in an old family photograph. As she travels, Tana finds connection in the stories of everyday people who’ve settled down far off the main roads including Isaac (Raymond Lee), who provides a pivotal clue to understanding the lost location that could cultivate closure. A personal reverie summoned from a beguiling mix of fact and fiction, The Unknown Country is an arresting debut feature from Morrisa Maltz.
- 4 / 5
Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded.
- 5 / 5
Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.
- 4.7 / 5
Howard (James Cosmo) is a widowed sailor living alone on the coast of Ireland and struggling to care for himself. His daughter, Grace (Catherine Walker), hires Annie (Bríd Brennan) to help out around the house. Though Howard initially rejects this imposition, Annie’s charm and gentle care win him over, and the two fall in love. Annie’s large and loving family welcomes Howard into their lives, but these new relationships only serve to illuminate the depth of pain and hurt between Howard and Grace, who is facing challenges of her own. Grace’s resentment tears at Howard and Annie’s otherwise idyllic seaside love story. This windswept drama deftly balances a universal family saga with a tender and timeless romance.
- 5 / 5