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As an imminent construction project looms over their beloved small-town baseball field, a pair of New England Sunday league teams face off for the last time over the course of a day. Tensions flare up and ceremonial laughs are shared as an era of camaraderie and escapism fades into an uncertain future.
Siblings Violeta and Eva live in California with their mother, but every summer they travel to Las Cruces, New Mexico, to spend time with their loving but unpredictable father, Vicente (René "Residente" Pérez Joglar). Over the course of four formative summers that span adolescence to early adulthood, Violeta and Eva learn to appreciate their father as a person, his flaws and limitations inseparable from his passion and tenderness. Lovers come and go, the backyard goes to seed, but the idea of home remains knotty and elusive. This powerful and deeply personal directorial debut from Alessandra Lacorazza offers a nuanced study of young people questioning their place within their families, their communities, and their identities. Winner of the US Dramatic Grand Jury Prize at Sundance, In The Summers proves both an emotional capsule of growing up within a fragmented family and a love letter to the resilience needed to survive.
Alice and Peter are celebrating their retirement – and with it, a new phase in their lives. However, shortly after the couple’s retirement party, a sudden tragedy befalls Alice’s best friend Magalie. Peter, sympathetic to the suffering of Magalie’s widower, Heinz, invites him on the retirement cruise their children gave them. Alice had hoped this trip would infuse fresh life into their marriage, but instead of enjoying their time together, they find themselves drifting further apart. Disappointed and hurt, Alice doesn’t reboard the cruise ship during a shore excursion and instead embarks on a journey of self-discovery, taking her across Southern Europe and bringing her into a community of older people finding joy outside traditional notions of gender, marriage, and the later years of one’s life.
- 5 / 5
Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?
For journalist Judith Rochant (Anaïs Demoustier) the assignment to interview renowned artist Salvador Dalí is a great career opportunity–if only he would agree to sit still and answer a single question. What begins as a 15-minute conversation blows up into a bonafide cinematographic documentary portrait, provided the world’s most enormous cameras are available to film it. As Judith’s interview is delayed, detoured, disrupted, and deranged by Dalí’s inexhaustible self-regard, the journalist finds herself becoming the subject. The legendary painter’s artistry and ego know no bounds, and Daaaaaalí! dutifully casts no less than five actors (Edouard Baer, Jonathan Cohen, Giles Lellouche, Pio Marmaï, and Didier Flamand) as Salvador Dalí in this prismatic portrait. The prolific Quentin Dupieux’s latest comedy is an exercise in dream logic and surrealist homage, with the rug pulled out from under you again and again before you even manage to get up off the floor.
When Blanche (Virginie Efira) meets the charismatic Gregoire (Melvil Poupaud) at a party her twin sister Rose drags her to, she thinks she has found the one. The ties that bind them grow quickly, and a passionate affair ensues. Rose has serious reservations about Gregoire, but against her better judgment, they decide to marry and move in together. Blanche and Gregoire soon relocate far from Blanche’s family where her new life begins; having two children, working as an elementary school teacher, and learning to tiptoe around Gregoire’s unfounded burgeoning insecurities. Little by little Blanche finds herself caught in the grip of a deeply possessive and dangerous man, desperate to escape his increasingly threatening affections.
A Haitian demolition worker is faced with the realities of redevelopment as he is tasked with dismantling his rapidly gentrifying neighborhood.
In Belle Epoque Paris, 19-year-old kitchen maid Augustine suffers an inexplicable seizure that leaves her partially paralyzed and is shipped off to an all-female psychiatric hospital specializing in the then-fashionable ailment of 'hysteria'. Augustine captures the attention of renowned neurologist Dr. Charcot (Vincent Lindon) after she has another attack that appears to give her intense physical pleasure. Intrigued, he begins using her as his principal subject, hypnotizing her in front of his fellow doctors. As Augustine displays her spectacular fits in lecture halls, the lines between doctor and patient become blurred, radically impacting the course of both of their lives.
- 3 / 5
Left to fend for themselves after their SS officer father and mother, a staunch Nazi believer, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey that exposes them to the reality and consequences of their parents' actions. Led by the eldest sibling, 14-year old Lore (striking newcomer Saskia Rosendahl), they set out on a harrowing journey across a devastated country to reach their grandmother in the north. After meeting the charismatic Thomas, a mysterious young refugee, Lore soon finds her world shattered by feelings of both hatred and desire as she must learn to trust the one person she has always been taught to hate in order to survive.
- 4 / 5
A gunman opens fire on a Parisian bistro. Mia (Virginie Efira) survives with no memory of the attack. Determined to remember what happened that night, Mia finds herself repeatedly returning to the bistro where the shooting happened. In the process she forms bonds with fellow survivors, reliving the worst night of her life through the eyes of the only other people who could possibly understand.
Sophia, a 40-year-old philosophy professor, has been in a stable and conventional marriage to Xavier for a decade. From gallery openings to endless dinner parties, ten years have flown by. When Sophia meets Sylvain, a craftsman renovating the couple’s new country house, Sophia’s world is turned upside down. The two begin a passionate affair fueled by their irresistible physical connection. However, Sophia comes from a wealthy family of intellectuals, while Sylvain comes from a working-class family of manual workers. As they get to know each other on a deeper level, Sophia begins to question her own values after abandoning herself to her great romantic impulses. Director Monia Chokri delivers a smart and sexy romantic comedy, infusing it with spiky energy and fresh perspective, upending genre and gender conventions.
When Maryam, a hardworking young doctor in a small-town clinic, is prevented from flying to Dubai for a conference without a male guardian’s approval, she seeks help from a politically connected cousin but inadvertently registers as a candidate for the municipal council. Maryam sees the election as a way to fix the muddy road in front of her clinic, but her campaign slowly garners broader appeal.
Drama 1 hr, 44 mins
- 5 / 5
Reeling from a devastating loss, Tana (Lily Gladstone) is pulled back into the world by an unexpected invitation to her cousin’s wedding. She packs up her late grandmother’s Cadillac and hits the open road, driving from her home in Minnesota to South Dakota. After reconnecting with her Oglala Lakota family, Tana sets off to retrace a surreal journey that her grandmother took decades ago, searching for the spot captured in an old family photograph. As she travels, Tana finds connection in the stories of everyday people who’ve settled down far off the main roads including Isaac (Raymond Lee), who provides a pivotal clue to understanding the lost location that could cultivate closure. A personal reverie summoned from a beguiling mix of fact and fiction, The Unknown Country is an arresting debut feature from Morrisa Maltz.
- 4 / 5
Instead of being forced into a retirement home, a recent widow decides to go on a climbing trip at the age of 83.
Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded.
- 5 / 5
Lucien Ginsberg grows up in 1940s Nazi-occupied Paris, and then later transforms into the hard-living showman Serge Gainsbourg. He becomes as famous for his glamorous lovers, including Brigitte Bardot and Jane Birkin, as he for writing such hits as Je t'aime ... moi non plus.
A day in the life of Vic, a young Russian immigrant and medical transport driver for people with disabilities in Milwaukee.
- 3 / 5
The story of Italian Prime Minister Giulio Andreotti.
An affecting and bittersweet glimpse into the shared connections of a motley group of nightshift workers at a big box store, including the reclusive newbie Christian (Franz Rogowski) and the charming but mysterious Marion (Sandra Hüller).
Drama 2 hrs, 5 mins
- 2.8 / 5
Jacques (Vincent Lindon) is a journalist at a large regional newspaper in France. His reputation as an impartial investigator attracts the attention of the Vatican, who recruit him to lead a committee to explore the legitimacy of a saintly apparition in a small French village—a true canonical investigation. Upon his arrival, he meets the young novitiate Anna, who claims to have personally witnessed an apparition of the Virgin Mary. She’s garnered an impressive following in the village but is torn between her faith and the many solicitations she receives. Confronted with opposing views from clergy members and skeptics, Jacques finds his belief system profoundly shaken as he works to uncover the hidden motivations and pressures at work.
- 1 / 5